MARCOS VALLE is without doubt one of the major songwriters of MPB (Brazilian Popular Music). As author of more than three hundred songs, with music that has been recorded by artists like: SARAH VAUGHAN, CHICAGO, DIZZY GILLESPIE, OSCAR PETERSON, RAMSES LEWIS, DAVE BRUBECK, THOOTS THIELEMANS, JOE PASS, ANDY WILLIANS, JHONNY MATHIS, BEBEL GILBERTO, ASTRUD GILBERTYO, JOE WILLIANS, LEON WARE, SERGIO MENDES, FLORA PURIM, LAURA FIGY, BASIA, ELIANE ELIAS, EUMIR DEODATO, JOÃO DONATO, EMMA BUNTON, GOTHAN PROJECT, JAZZANOVA, FOUR HERO, and many more.
He is gaining more and more fans in Europe and Japan.
MARCOS VALLE has had big success on the European dance floors since 1990 with both his original recordings and the re-recordings and re-mixings of his music by other artists and by DJ’s not only in Europe but also in Japan and China. The CD NOVA BOSSA NOVA, produced by MARCOS VALLE and London’s DJ JOE DAVIS, emerged from this music. The CD was recorded both in London and Rio de Janeiro and led to a successful tour in Japan, Italy, Denmark, Sweden, Holland and England.
MARCOS VALLE’s music caught the attention of the American film director Brad Anderson who used Brazilian music as theme songs in his awarded film NEXT STOP WONDERLAND, where two of MARCOS VALLE’s most popular dance floor music “Batucada surgiu” and “Os Grilos” were included.
In China, “Os Grilos” reached 3rd place on the list of the most played songs in 1998.
With the show NOVA BOSSA NOVA, MARCOS VALLE received an award from APCA (Association of Art Critics in São Paulo) as being the Best Arranger of the Year and the newspaper O Globo referred to his show as being one of the ten BEST SHOWS OF THE YEAR.
Besides from being awarded for his CD NOVA BOSSA NOVA, MARCOS VALLE was paid homage with the award of BMI (in the USA) for his music SAMBA DE VERÃO, an award which, in Brazil, so far only GAROTA DE IPANEMA by TOM JOBIM and VINÍCIUS DE MORAIS had been acknowledged / granted with.
In December of 1998 his SONGBOOK, produced by ALMIR CHEDIAK, was released. The SONGBOOK consists of two CD’s with 26 of his biggest successes interpreted by singers like CAETANO VELOSO, MARIA BETHÂNIA, CHICO BUARQUE, PARALAMAS DO SUCESSO, one book with 50 music scores, and photos and stories from his career.
Besides from performing once more in Sweden (Gothenburg and Malmö), England (London) and in Denmark (Copenhagen) in July this year, he also performed at the Roskilde Festival which is the biggest music festival in Europe with its audience of about 65.000 people.
On july 1999, besides presenting once more in Sweden ( Gotënborg and Malmö ), England and Denmark, he participated of Roskilde Festival, nowadays the biggest music festival in Europe, with a estimated public of 65.000 people.
Still in 1999, the government of Rio de Janeiro State, intending to let a carioca ( people who live in Rio ) trademark in a big national campaign “Rio Coração do Brasil ” ( Rio heart of Brazil ), asked Marcos and his brother and partner Paulo Sérgio Valle to compose a theme song, released in a great party on Sugar Loaf.
Also participated of “Brazil – 500 years celebrations”, taking Bossa Nova to Montreal, on a concert organized by Brazilian Consulate in Canada.
In the year 2000 Marcos recorded his recent CD, also for Farout, ESCAPE, giving continuity to his career in Europe, the releasing was on March 2001, with a tour that included Denmark, Norway, Sweden, Germany, England and Spain. Receiving incredible reviews, the Straight No Chaser called him “ President Valle “, and Time Out says that “ In case Marcos had composed in English, he would be between the 4 most popular composers of all time, Irvin Berlin, Burt Bacharad and Leonard Bersntein “.
In September, Marcos together with Nelson Motta and Dé composed the bossa “Doce Viver “with became the “lead song” of last Emílio Santiago’s CD.
In 2001, Marcos Valle recorded with Roberto Menescal and Wanda Sá a live CD. The three got together to sing and tell stories of Bossa Nova. Friends for a long time ( Menescal was one of his “godfather” in beginning of his career ), they have composed together, for the first time, the song “ Bossa Entre Amigos “, with is title of CD and concerts that happens in all capitals of Brazil.
On March 2001 he continues the release of his CD ESCAPE in Europe, with a lot of concerts in Denmark, Sweden, Norway, Germany and England.
On May he has to Italy, participating of Pavia Festival, in Visconteo Castle in a great concert besides Roberto Menescal, Wanda Sá and Danilo Caymmi.
On June 2001 he returns to Denmark, Sweden and England for a series of concerts.
On September he participated on a big tour. For the 4th time in the year he went to Europe to release his new CD, presenting in Portugal, Ireland, and Denmark. From there went straight to Japan to release ESCAPE ( Farout / Rice ) and 6 more CDs, the classicals GARRA, MUSTANG COR DE SANGUE, MARCOS VALLE 1970, PREVISÃO DO TEMPO, VONTADE DE REVER VOCÊ and SAMBA 68, all of them released at the same time by Emy-Toshiba. These releasings were followed by a season of great success in Blue Notes of Tokio, Osaka and Fukuoka, in a total of 20 concerts.
Marcos was also awarded by the japonese magazine Adlib as the best CD of the year 2001, in the World / New Age Price category, in other categories, Janet Jackson and Sting also were awarded.
On March and July 2002,Marcos once more returns to Europe and Japan to realize two tours around CD ESCAPE,inccluding MONTREUX JAZZ FESTIVAL in Swiss,and GET..S BOSSA in Tokyo,Osaka,and for the 1st time on the circuit,Yokohama.
In December of the same year, the label TRAMA releases CD Escape in Brazil.
At the beginning of February 2003,the label ROBDIGITAL release his CD “MARCOS VALLE E VITOR BIGLIONE-LIVE IN MONTREAL,recorded live during his perfomance at Teatro Corona,in Montreal.
One of the biggest hits of Marcos Valle and Paulo Sergio Valle,”Preciso Aprender a Ser Só” ,is included on TV Globo Program Series MULHERES APAIXONADAS,through a new version sang by the siner MARIA BETHÂNIA.
In November 2003,through a new Japonese and European Tour,for 2 months,FAROUT RECORDINGS releases Marcos new CD,”CONTRASTS”,and TRAMA does the same in Brzil on March 2004.
On July 2004,Marcos returns to Europe for a new 1 month tour,still promoting his CD “CONTRASTS”.This time,he performs at the most important European music festivals,as “San Sebastian Festival”,”Fórum de Barcelona”,Nürnberg Festival”,etc..
Between April and May 2005, he records an instrumental CD, JET SAMBA, performing some of his songs. Besides playing acoustic piano, Rhodes keyboards and guitar he wrote all arrangements and orchestrations. It was released on August 2005 by the label DUBAS.
On September 30,October 1 and 2,Marcos has been the host for 3 evenings at “Cirque D..Hiver”,on ‘Festival ILE DE FRANCE” in Paris. It has been a big success, with close to 2000 persons each night, mostly young people.
Dubas has just released a new CD of Marcos, instrumental ,where he performs, playing the Rhodes Acoustic piano, guitar ,mellodica, keyboards, wrote all the songs and the arrangements. And all the critics have been excellent to the CD.
MARCOS VALLE - OFICIAL's Friend Space (Randomized)
Jordan Rivera is back this time with legendary UK singer Spoonface (faada.co.uk). The voice of Number one selling Black Legend and club anthem 'Hey Girl'. Black Legend's "You See the Trouble with Me" reached #1 in the UK Singles Chart selling several million worldwide. Many recognise Spoonface's contribution to the sound of Ukfunky with the classic dancefloor hit 'Hey Girl' With a host of collaborations from Drum and Bass maestro High Contrast to Reggae Legend Janet Kay, his current efforts have kept him at the top of the club charts with tracks like Wunna Be (Christain Marchi remix) and Here For You (Time srl). This track is called 'Keep on Holding'. It's an inspirational house record aiming to provide some upliftment in these 'crazy time's'. Remixes by Jesse Voorn (Dance4Life), Firebeatz (Spinnin/Big&Dirty), John Jacobsen & Anzwer (Pacha Ibiza Residents) Nino Anthony (Portamento/Subliminal), TYNY & Jeremus (Full Throttle Rec.), Amir Barbell (FSM), Jodee Kitch (FSM) and Norty Cotto (Naughty Boy Music/Henry Street Music) Have already become a triumphant hit on myspace!"
MELODIAS INCRÍVEIS, LETRAS CERTEIRAS E UMA ETERNA MODERNIDADE. SOU FÃ DE LONGA DATA E VC SEMPRE FOI UMA GRANDE INSPIRAÇÃO PRA MIM. SE TIVER UM MINUTO DÊ UMA CONFERIDA NO SOM, TEM SAMBA EM INGLÊS E ROCK EM PORTUGUÊS. PEACE, SMELLO.
There is currently a search for two types of bands for record label consideration.
*** Note: PLEASE IDENTIFY IF YOU ARE IN GROUP 1 OR 2 IN THE SUBJECT LINE OF YOUR RESPONSE. Emails are being reviewed by different representatives.
1. A Pop/Rock/Commercial band with female lead. Band must consist of 2 guitars (Prefer both guitar players to be of lead caliber. However, one lead and one rhythm is acceptable), keyboard/piano, bass, and drums. Lead vocal, followed by backing vocals, in that order, is a plus as it relates to other members of the group. Average age of the band cannot exceed 28 years of age.
* Group must have an outstanding lead vocalist. ** Musicianship throughout the entire band must be very strong. *** Group cannot currently be under any contract of any type that is related to the music industry.
2. A Modern Rock band with male lead. Must be a complete band but there are no prerequisites as it relates to the make up of the band. Average age of the band cannot exceed 23 years of age.
* Group must have an outstanding lead vocalist. ** Musicianship throughout the entire band must be very strong. *** Group cannot currently be under any contract of any type that is related to the music industry.
XXX - If you meet the minimum qualifications as described above. Email a link for your MySpace Page and if applicable, a link for your website to: recordingartistsearch@gmail.com
Only send one email with your links. Due to the volume of responses normally received for these types of opportunities. After review of your material, you will only be contacted if there is an interest in attending one of your shows by a label representative. As such please to not send any follow up emails regarding selections. If you were not contacted back, there was not an interest.
Thank You.
PS: Before You Enter Any MySpace Contests You Might Want To Also Review The Website At: www.st
Hoje embarquei bem cedo num trem na velha estação.
Meu coração seguindo os trilhos em outra direção.
O maquinista toca o sino do tempo, a Locomotiva já vai saindo.
Vejo a cidade se despedindo.
Sobre o solo destas terras cansadas, uma antiga mata viva morava.
Um canavial tão amargo de se ver é o que sobrou.
Um Ribeirão toca para o infinito, num batuque constante indefinido,
numa melodia ancestral.
Surgindo da pureza das águas em cada grão dessa estrada. O novo dia que sempre amanhece, as cicatrizes que sempre esclarecem que tudo está onde devia sempre renascer, no ventre do povo.
Absurdamente o titulo choca-se, contradiz-se... O que uma coisa haverá de ter com a outra? Sendo a música de grande poder lúdico E a cocaína o entrelace das desgraças reais... Há quase setenta anos Sigmund Freud Receitava aos seus pacientes cocaína. E fora usuário, Charles Baudelaire O mais digno comedor de ópio Membro do clube haxixes descrevera Em seu livro, “Paraíso Artificiais” Os poderes alucinógenos Pelo o uso das tais substâncias... Ficar-se-ia nessa obra sua visão “católico-caótica” Sendo assim mais um relato de forma implícita de droga! Na inquisição não eram queimados ingênuos baseados Por jovens bronzeados, por jovens escandinavos Ou de olhinhos puxados... Eram jogados à fogueira grandes pensadores, gênios... Quem ousaria falar que a Terra era redonda? Galileu ousou... Ah, hoje sabemos o fim desse episódio. Rimbaud seria nesse século o expoente-mor Das loucuras astrais, seria a sensação do rock Não o rock abobalhado, não esse rock pobre, estúpido Meramente comercial, esse triste rock ‘n’ roll mundial Com refrões que nem a mais complacente Licença poética permite. No Brasil canta-se. “Ela com a boca dela, com a toalha dela.” “Ah! Pela última vez, ah! Pela última.” Que seja assim a última vez. Os grandes selos, gravadoras... Converteram-se ao protestantismo. Sabendo do público fiel consumidor Lancemos ao mercado fonográfico as testemunhas de Jeová. Saravá meu pai! Quanto apelo em busca de dinheiro. Prosseguem empurrando aos tímpanos do povo bregas-rômanticos De autêntico gosto ruim! De fato odeio as almas pequenas, não há nada de bom E quase nada de mal Confesso posso sentir ainda hoje o gosto do whisky E o aroma dos charutos do mestre Tom Jobim Admito que a pieguice impregnada da bossa Com sua batida e sua influência do jazz Satisfez-me, imagino-me caminhando ao lado Do Vinícius de Moraes nos dias de “balança-mais-não-cai...”. Não obstante, apenas imaginação fértil. Na crueldade dessa
Absurdamente o titulo choca-se, contradiz-se... O que uma coisa haverá de ter com a outra? Sendo a música de grande poder lúdico E a cocaína o entrelace das desgraças reais... Há quase setenta anos Sigmund Freud Receitava aos seus pacientes cocaína. E fora usuário, Charles Baudelaire O mais digno comedor de ópio Membro do clube haxixes descrevera Em seu livro, “Paraíso Artificiais” Os poderes alucinógenos Pelo o uso das tais substâncias... Ficar-se-ia nessa obra sua visão “católico-caótica” Sendo assim mais um relato de forma implícita de droga! Na inquisição não eram queimados ingênuos baseados Por jovens bronzeados, por jovens escandinavos Ou de olhinhos puxados... Eram jogados à fogueira grandes pensadores, gênios... Quem ousaria falar que a Terra era redonda? Galileu ousou... Ah, hoje sabemos o fim desse episódio. Rimbaud seria nesse século o expoente-mor Das loucuras astrais, seria a sensação do rock Não o rock abobalhado, não esse rock pobre, estúpido Meramente comercial, esse triste rock ‘n’ roll mundial Com refrões que nem a mais complacente Licença poética permite. No Brasil canta-se. “Ela com a boca dela, com a toalha dela.” “Ah! Pela última vez, ah! Pela última.” Que seja assim a última vez. Os grandes selos, gravadoras... Converteram-se ao protestantismo. Sabendo do público fiel consumidor Lancemos ao mercado fonográfico as testemunhas de Jeová. Saravá meu pai! Quanto apelo em busca de dinheiro. Prosseguem empurrando aos tímpanos do povo bregas-rômanticos De autêntico gosto ruim! De fato odeio as almas pequenas, não há nada de bom E quase nada de mal Confesso posso sentir ainda hoje o gosto do whisky E o aroma dos charutos do mestre Tom Jobim Admito que a pieguice impregnada da bossa Com sua batida e sua influência do jazz Satisfez-me, imagino-me caminhando ao lado Do Vinícius de Moraes nos dias de “balança-mais-não-cai...”. Não obstante, apenas imaginação fértil. Na crueldade dessa
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