I have been fortunate enough to play with such talent!
On Monsters (October 2008 release):
Arthur Holøien - double bass, uke
Derek Loewen - drums
Eirik Roald - cello Special guests:
Ida Malin Sanden - soprano sax
Ulf Knudsen - piano
Neil Gerster - guitar
Dave Draves - piano
Aalya Ahmad - fiddle
On Our Lady of Broken Souls (March 2007 release):
Aalya Ahmad - fiddle
Rob Skitmore - guitars
Derek Loewen - drums & percussion
Live in Ottawa:
Derek Loewen - drums
Steve Tippet - everything!
Ronnie Vadar - double bass
Chris Breitner - double bass
Ken Kanwisher - cello
Live in Norway:
Arthur Holøien - double bass
Eirik Roald - cello
Live in Austria:
Rina Kacinari - cello
Tino Mixan - double bass
Live in Edmonton:
Tom Murray - double bass
Erin Zier - drums
Influences
Edith Piaf, The Sadies, System of a Down, Geoff Ward, Pete MacPherson, Sparky DeVille....
Sounds Like
I've been compared to a combination of the following:Edith Piaf - Ute Lemper - Lhasa - and more recently, 'A female Tom Waits!'...Anything that makes accordion sexy...
"Exquisite!" - Joe Reilly, Host, The Guest List, CKCU FM 93.1
Monsters - nominated for Best Folk Album of 2008 by the Ottawa XPress.
"Our Lady of Broken Souls oozes of creativity, sensuality, fun, and surprises
too! If you ever thought you didn't like the accordion, you'll think again
after hearing Marie-Josée Houle. This is not "accordion music" - it's sexy,
flamboyant music that happens to be played on the accordion. As soon as I
heard it, I thought this should be the soundtrack to the next "Chocolat.""
- Pat Moore, Host, Weekend Warm-UP, CKCU FM 93.1
Our Lady of Broken Souls - nominated for Best Folk Album of 2007 by the Ottawa XPress
"Houle's rekindled accordion relationship has resulted in wonderful levels of sultry mood frolic over two primo albums that not only feature her instrumental dexterity, but also a splendidly saucy vocal styling in three languages: English, French and Romance. " - John Sekerka, Ottawa XPress, November 27/08
"Marie-Josée Houle's second album, Monsters, is a cathartic exercise about heartbreak that benefits both author and listener." - Fateema Sayani, Ottawa Citizen, October 16/08
"A moody emotional journey that set Houle's accordion and emotive vocals in a decidedly non-polka context, the album defied easy categorization. And immediately won favour with those in search of challenging independent sounds outside the world of post-rock collectives and stoner-rock bands. Monsters, the followup to that promising debut, ups the ante. Accordion in hand, Houle runs through dark narratives of demons internal and external, as her merry band of Canadians and Norwegians delves into vaguely European waltz, klezmer, rock and, yes, polka territory. Throughout, Houle sings of wanton desire and the perils thereof, throwing in a well-placed Jolie Holland cover along the way." Alan Wigney, Ottawa Sun, October 15/08
"Moving from punk rock roots to French chanson and upbeat accordion seems a stretch, but Marie-Josee Houle is negotiating the musical journey just fine.
Disparate musical, travel, educational and career experiences have come together for the Ottawa-based singer-musician in a surprising, cohesive fashion on her recent, second CD, Monsters, recorded in Oslo, Norway, and Ottawa with a mix of Norwegian and Canadian jazz and roots players. Despite such varied ingredients and influences, it's Houle's zest for life that comes out." - Roger Levesque, Edmonton Journal, October 10/08
“Houle's stirring defiance is all her own on this debut that is equal parts red velvet, expensive booze, vamp and high drama made alive by a pile of instruments including the accordion, stand-up bass, fiddle, mando and that creamy, cabaret-torch voice.” - Fateema Sayani, Ottawa Citizen, March 17/07
“Though emotionally tangled up in blue, the velvet voiced Houle maintains unwavering focus throughout, playing as if every note, every word, every gasp and breath of the squeezebox literally sustains her” - Steve Baylin, Ottawa XPress, March 22/07
“Houle interprète ses chansons de regret et de vengeance.” - Voir, July 14/07
“The ghost of Paris' Little Sparrow [Edith Piaf] certainly can be heard in Houle's modern-day take on gypsy jazz and French café music” - SEE Magazine, July 26/07
"Houle is a gifted singer and her album is a treasure." - www.collectedsounds.com, May 25/08
"Le répertoire de l’auteure-compositrice-interprète fait dans l’émotion plutôt que dans la virtuosité avec un quelque chose d’envoûtant dans le rythme et un soupçon d’irrévérence dans l’interprétation." Voix Pop, http://www.lavoixpop.com/article-226701-Accordeoniste-du-XXIe-siecle.html, June 25/08
Born in Val d‘Or, Quebec and raised in Edmonton, Alberta, Marie-Josée Houle celebrates her dual cultural roots through music. Singing and writing in both English and French, she brings the Townships to the Prairies and beyond. No polkas or foxtrots for this accordion diva; instead, she combines her classical, punk rock, and French cabaret sensibilities into one sultry stew of sound.
Her musical history is as varied as her hair colour. Classically trained on the accordion at age five, she chose other instruments as the medium to first deliver music to the masses. In 2000, she took up the electric bass and saxophone in order to form two very eclectic projects in Edmonton. Her reconnection with the accordion coincided with a move to Ottawa in 2003 and culminated in the world music collaboration whose success served as a springboard for her solo work.
Her solo debut, Our Lady of Broken Souls, was released in March 2007 to much critical acclaim, including a nomination for Best Folk Album of 2007 by the Ottawa Xpress. The album charted and received solid airplay on local college and community radio stations across the country.
Two-thousand-and-seven saw her play the main stage of festivals in Canada, a few European dates, embark on her first successful cross-country tour and share a stage with other celebrated female artists for a CBC Radio 1 broadcast.
In 2008, Marie-Josée continued to journey across Canada and to Europe. On October 16 2008, Marie-Josée Houle released her sophomore CD Monsters (which she finished in Oslo, Norway) at the National Arts Centre in Ottawa moments after she was informed that she earned a nomination for Best Folk Album of 2008 by the Ottawa XPress. Monsters continues to chart across Canada and to receive stellar reviews nationally and internationally.
Two-thousand-and-nine promises to be another great year for Marie-Josée Houle, with multiple tours and festivals in Canada and in Europe - including the 10th Annual International Accordion Festival in Vienna - and the rumblings of a new CD.
Trois nouvelles tounes sur le Myspace des Moindres, on lance un demo et un album à l'automne, donc nous aerions savoir ce que tu en penses. Merci d'avance!!
I especially like the parts where you sing in French....I don't understand most of it, but I assume it's extra dirti. sexy. haha, hope you're well and all that good stuff.
Thanks for including me as your friend. You have a great page and i appreciate you letting me be part of it! I hope you visit me again soon!... Michael
Hello again....I just wanted to let you know that I was driving in my car the other day and was listening to CBC radio and heard a very cool tune which featured a lot of great accordion and a beautiful voice....I waited in anticipation to find out who it was......It was one of your songs! Great Work!
Hi Marie, pleasure is also mine!
