Born in Beijing 26 April 1963 , Jet Li began studying wushu (the Chinese term for martial arts) at the age of 8. After three years of extensive training, Li won his first national championship for the Beijing Wushu Team. Jet Li was selected by the government to represent the country in over 45 countries by performing martial arts at various state functions. The most famous, in terms of history, was his 1974 performance at the Rose Garden of the White House for President Richard Nixon, after he had just reopened American diplomatic relations with China. For the next five years (1974-1979), he remained the All-Around National Wushu Champion of China.
Shortly after retiring from the sport at the age of 17, his film career kicked off with director Chang Hsin Yen and Shaolin Temple. Today his film credits include Lethal Weapon 4 opposite Mel Gibson, Romeo Must Die, The One, Kiss of the Dragon, and Hero. Li's upcoming release is Tou Ming Zhuang (known in English as The Warlords) with Andy Lau and Takeshi Kaneshiro. He most recently wrapped photography on The Mummy 3: Tomb of the Dragon Emperor.
One of the most popular stars of Hong Kong martial arts films throughout the 1990s, charismatic wushu champion Jet Li was at one time considered the heir apparent to the original master, Bruce Lee. After winning numerous gold medals while an adolescent national champion, Li made an auspicious film debut with the hit martial arts action flick, “The Shaolin Temple” (1982). Though continued success followed after two sequels, Li had a major breakthrough with “Once Upon a Time in China” (1990), a martial arts epic that gave Li what many considered to be the role of a lifetime – one he went back to several times over the course of his career. Despite the enormity of his popularity throughout Asia, Li’s career had its share of ups and downs, particularly during the latter half of the nineties. Eventually Hollywood stood up and took notice, allowing the Hong Kong star to make his debut in the hit franchise, “Lethal Weapon 4” (1998). Even though he was consigned to playing two dimensional villains, he nonetheless had a toehold in the United States, though it took a Hong Kong epic, “Hero” (2004), to turn Li into a bona fide star in America.
Born Li Lian-Jie on April 26, 1963 in Beijing, China, Li was raised the youngest of five children. When he was only two, his father died, leaving him and his family to struggle on their own. At eight years old, he began studying wushu – Chinese for “martial arts” – which led to his first national championship for the Beijing Wushu Team when he was 11. Li soon toured the world after being selected by the government to represent the country by performing martial arts at various state functions, including on the White House lawn for President Richard Nixon in 1974 after he had opened relations with China. For the next five years, Li remained the All-Around National Wushu Champion of China, racking up numerous gold medals in competitions. By the time he was 17, Li retired from the sport, and a few short years later, made his feature debut in director Chang Hsin Yen’s “The Shaolin Temple” (1982), the first Hong Kong action movie to be filmed on China’s mainland. Li played a man who escapes death at the hands of the emperor and hides as a monk inside a temple where he trains in martial arts to extract revenge.
Li made a splash in his first film, which – despite being banned in Taiwan – went on to become popular in China and other parts of Asia, leading to two sequels, "Shaolin Temple 2: Kids From Shaolin" (1984) and "Shaolin Temple 3: Martial Arts of Shaolin" (1986). The ambitious young actor soon made his directorial debut with "Born to Defence" (1988), a martial arts actioner set after World War II which depicted American sailors as being predatory villains. Also that year, he obtained a two-year exit visa from China and set up shop in San Francisco, CA, where he made his first feature in the United States, “The Master” (filmed in 1989, but released in 1992). Meanwhile, Li starred in Billy Tang’s action thriller “Dragon Fight” (1989), playing a famous acrobat trying to hunt down a former star-turned-career criminal in San Francisco. Once his visa expired, Li chose to settle in Hong Kong instead of returning to China, where he rejuvenated his career by signing with famed production company, Golden Harvest. Almost immediately, Li had a breakthrough role as real-life folk hero in "Once Upon a Time in China" (1990), directed by Asian master, Tsui Hark.
Despite critical carping over Li's relative youth and his training in another martial arts discipline, "Once Upon a Time in China" offered him one of the best roles of his career. Li played Wong Fei-Hung, a legendary 19th century doctor and martial arts expert who uses his skills to fight against Western forces – namely English, French and American –that are plundering China. A huge box office hit, the epic film was largely responsible for ushering in interest in Hong Kong filmmaking during the early 1990s. Li went on to reprise the role for two sequels, “Once Upon a Time in China II” (1992) an “Once Upon a Time in China III” (1993), though an ankle injury forced the use of a double in several fight sequences. Nevertheless, Li was a force to be reckoned with in a role many felt he was born to play. He did feel financially under-appreciated, however, and after a series of disputes, Li parted company with Golden Harvest. He was eventually replaced by another actor for two subsequent sequels.
Over the next five years, Li appeared in over two dozen films of varying quality. He scored as another martial artist hero, "Fong Sai Yuk" (1993), and played his signature role of Wong Fei Hung in the uneven actioner "The Last Hero in China" (1993), on which he also served as producer. After the slapstick "Tai Chi Master" (1993), he starred in “The New Legend of Shaolin" (1994), playing a kung fu master who joins forces with another martial arts expert (Chingmy Yau) to defend a Shaolin temple against invaders. His skills were amply served with the more realistically portrayed martial arts in “Fist of Legend” (1994), while "Black Mask" (1996) – an attempt to create a new franchise based on a popular Hong Kong comic book. Unfortunately, Li suddenly found his career on the wane once again. He attempted a revival by resuming the franchise "Once Upon a Time in China and America" (1997), which depicted his familiar character amidst cowboys and Indians in the American Old West. Though it performed well at the box office, the film proved to be the last installment with Li in the lead.
Meanwhile, Hollywood came calling for Li. But despite numerous offers from power players like Oliver Stone and Quentin Tarantino, the action star took his time following fellow Hong Kong actors Jackie Chan, Michelle Yeoh, Maggie Cheung and Chow Yun-Fat to Los Angeles. At one time, he was attached to a Jean-Claude Van Damme vehicle, but withdrew just before filming. At last, after the Asian economy bottomed out and film production suffered, Li journeyed across the Pacific to appear in his first American studio film, playing the seemingly unbeatable martial artist villain opposite Mel Gibson and Danny Glover in the successful sequel, "Lethal Weapon 4" (1998). Li provided much of the heavy action lifting in the aging franchise, staying stone-faced while Gibson lobbed tired jokes at him. Li next starred in "Romeo Must Die" (2000), an earnest attempt to blend Shakespeare’s “Romeo and Juliet” with kung fu, pairing Li with late hip-hop artist Aaliyah as a star-crossed couple caught in the middle of a war between racially divided mobs in San Francisco. The film performed solidly at the box office, though critics – while praising Li’s physical prowess – decried the seemingly unnecessary use of computer-aided effects in the action sequences.
After arriving in Hollywood, Li spent much time expanding his English vocabulary while taking hiatus to marry actress Nina Li Chi and see her through the birth of their twin daughters, which resulted in the new father turning down Ang Lee's "Crouching Tiger, Hidden Dragon" (2000). Inspired by his vow to protect his wife and child, Li received story credit on his next film, "Kiss of the Dragon" (2001), in which he plays a Chinese intelligence officer in Paris who comes to the aid of a single mom (Bridget Fonda) turned into a junkie hooker by a corrupt cop who kidnapped her daughter. Li next appeared in "The One" (2001) for writer-director James Wong, which added a sci-fi element to the martial arts genre. “The One” was a garbled, but often visually striking yarn in which Li played both the hero, Gabe Law, a popular and peaceable veteran of the Los Angeles County Sheriff's Department, and the villainous Gabriel Yulaw, his doppelganger who gains power by murdering his alter egos in a multitude of parallel universes.
Though he found little initial success in the United States, Li scored one of his greatest cinematic triumphs, "Ying xiong" (2002), which was released in the United States in 2004 under the title "Hero." Li teamed with celebrated writer-director Zhang Yimou – known more for character dramas than kicks and fisticuffs – and fellow Asian martial arts stars Zhang Ziyi, Tony Leung, Maggie Cheung, Daoming Chen and Donnie Yen for the big-budgeted tale set at the violent dawn of the Qin dynasty, circa 220 B.C. The soon-to-be first Emperor (Chen Daoming) is on the brink of conquering the war-torn land and three of his most passionate opponents (Cheung, Leung and Ziyi) are trying to assassinate him, opposed by the indomitable Li as Nameless, a lowly policeman who faces off against powerful forces. The film become a phenomenal hit in Asia and Europe, and was nominated for an Oscar in 2003 in the foreign language category before its North American release in 2004. “Hero” also proved to be a box office hit in the United States, where Li was finally introduced to his widest audience yet.
Along with his major international success, Li outdid “Hero” with his biggest Hollywood hit yet, "Cradle 2 the Grave" (2003), an action thriller that paired him with rapper-actor DMX. Meanwhile, Li had a personal close call in 2004. While vacationing in the Maldives, the massive tsunami that claimed over 100,000 lives hit the area. Though it was reported he may have been one of the countless victims of the tragic natural disaster, Li later emerged alive and well, save for a minor foot injury caused by a piece of floating debris while he was bringing his 4-year-old daughter Jane to safer ground. Back on screen, he starred in the action thriller “Unleashed” (2005), playing Danny, a man trained since childhood to be a vicious fighter. Kept in a dank basement in rags and a metal collar by his cruel Uncle Bart (Bob Hoskins), Danny finally breaks his bonds and finds redemption through love. The combination of martial arts and blunt sentimentality earned plenty of critical kudos for Li.
With his next film, the period epic "Fearless" (2006), Li claimed in a magazine interview that the movie would be his last wushu offering. He played a martial arts expert who tries to avenge the death of his loved ones and restore the family name by forming a famed kung fu school. Back in Hollywood, he was the villain in the action thriller, "War" (2007), playing a notorious hit man who incurs the wrath of an FBI agent (Jason Statham) when he guns down his family and his partner (Terry Chen) in cold blood. After starring opposite Jackie Chan for the first time ever in “The Forbidden Kingdom” (2008), Li appeared alongside Brendan Fraser in the third installment to the "Mummy" series, "The Mummy: Tomb of the Dragon Emperor" (2008), playing a resurrected emperor who intends to enslave the entire human race. Meanwhile, he was tapped to star alongside a who’s who of action stars like Sylvester Stallone, Mickey Rourke, Jason Statham and Dolph Lundgren in “The Expendables” (2010).
Li is a Red Cross ambassador and founded the One Foundation, a Chinese-based organization whose goal is to develop China's nascent philanthropy industry. One of the main program areas is to help young people cope with mental well-being and find a balance in life.
Movies
Actor, martial arts expert. Born Lee Jun Fan, on November 27, 1940, in San Francisco, California. His father, a Hong Kong opera singer, moved with his wife and three children to the United States in 1939; his fourth child, a son, was born while he was on tour in San Francisco. Lee’s mother called him “Bruce,” which means “strong one” in Gaelic. Young Bruce appeared in his first film at the age of three months, when he served as the stand-in for an American baby in Golden Gate Girl.
In 1941, the Lees moved back to Hong Kong, then occupied by the Japanese. Apparently a natural in front of the camera, Bruce Lee appeared in roughly 20 films as a child actor, beginning in 1946. He also studied dance, once winning a cha-cha competition. As a teenager, he became a member of a Hong Kong street gang, and in 1953 began studying kung-fu to sharpen his fighting skills. In 1959, after Lee got into trouble with the police for fighting, his mother sent him back to the U.S. to live with family friends outside Seattle, Washington.
Lee finished high school in Edison, Washington, and subsequently enrolled as a philosophy major at the University of Washington. He also got a job teaching the Wing Chun style of martial arts that he had learned in Hong Kong to his fellow students and others. Through his teaching, Lee met Linda Emery, whom he married in 1964. By that time, Lee had opened his own martial arts school in Seattle. He and Linda soon moved to California, where Lee opened two more schools in Los Angeles and Oakland. At his schools, Lee taught mostly a style he called Jeet Kune Do.
Lee gained a measure of celebrity with his role in the television series The Green Hornet, which aired from 1966 to 1967. In the show, which was based on a 1930s radio program, the small, wiry Lee displayed his acrobatic and theatrical fighting style as the Hornet’s loyal sidekick, Kato. He went on to make guest appearances in such TV shows as Ironside and Longstreet, while his most notable role came in the 1969 film Marlowe, starring James Garner. Confronted with the dearth of meaty roles and the prevalence of stereotypes regarding actors of Asian heritage, Lee left Los Angeles for Hong Kong in 1971, with his wife and two children (Brandon, born in 1965, and Shannon, born in 1967).
Back in the city where he had grown up, Lee signed a two-film contract. Fists of Fury was released in late 1971, featuring Lee as a vengeful fighter chasing the villains who had killed his kung-fu master. Combining his smooth Jeet Kune Do athleticism with the high-energy theatrics of his performance in The Green Hornet, Lee was the charismatic center of the film, which set new box office records in Hong Kong. Those records were broken by Lee’s next film, The Chinese Connection (1972), which, like Fists of Fury, received poor reviews from critics when they were released in the U.S.
By the end of 1972, Lee was a major movie star in Asia. He had founded his own production company, Concord Pictures, and had released his first directorial feature, Way of the Dragon. Though he had not yet gained stardom in America, he was poised on the brink with his second directorial feature and first major Hollywood project, Enter the Dragon.
On July 20, 1973, just one month before the premiere of Enter the Dragon, Bruce Lee died in Hong Kong at the age of 32. The official cause of his sudden and utterly unexpected death was a brain edema, found in an autopsy to have been caused by a strange reaction to a prescription painkiller he was reportedly taking for a back injury. Controversy surrounded Lee’s death from the beginning, as some claimed he had been murdered. He was also widely believed to have been cursed, a conclusion driven by Lee’s obsession with his own early death. (The tragedy of the so-called curse was compounded in 1993, when Brandon Lee was killed under similarly mysterious circumstances during the filming of The Crow. The 28-year-old actor was fatally shot with a gun that supposedly contained blanks but somehow had a live round lodged deep within its barrel.)
With the posthumous release of Enter the Dragon, Lee’s status as a film icon was confirmed. The film went on to gross a total of over $200 million, and Lee’s legacy created a whole new breed of action hero—a mold filled with varying degrees of success by such actors as Chuck Norris, Jean-Claude Van Damme, Steven Seagal, and Jackie Chan.
Television
Actor, director, producer. Born April 7, 1954, in Hong Kong, China. When his parents moved to Australia to find new jobs, the seven-year-old Chan was left behind to study at the Chinese Opera Research Institute, a Hong Kong boarding school. For the next 10 years, Chan studied martial arts, drama, acrobatics, and singing, and was subjected to stringent discipline, including corporal punishment for poor performance. He appeared in his first film, the Cantonese feature Big and Little Wong Tin Bar (1962), when he was only eight, and went on to appear in a number of musical films.
Upon his graduation in 1971, Chan found work as an acrobat and a movie stuntman, most notably in Fist of Fury (1972), starring Hong Kong's resident big-screen superstar, Bruce Lee. For that film, he reportedly completed the highest fall in the history of the Chinese film industry, earning the respectful notice of the formidable Lee, among others.
After Lee's tragic, unexpected death in 1973, Chan was singled out as a likely successor of his mantle as the king of Hong Kong cinema. To that end, he starred in a string of kung fu movies with Lo Wei, a producer and director who had worked with Lee. Most were unsuccessful, and the collaboration ended in the late 1970s. By that time, Chan had decided that he wanted to break out of the Lee mold and create his own image. Blending his martial arts abilities with an impressive nerve—he insisted on performing all of his own stunts—and a sense of screwball physical comedy reminiscent of one of his idols, Buster Keaton, Chan found his own formula for cinematic gold.
A year after the release of his first bona fide hit, Snake in the Eagle’s Shadow (1978), Chan took the Hong Kong film world by storm with his first so-called "kung fu comedy" the now-classic Drunken Master (1978). Subsequent hits such as The Fearless Hyena (1979), Half a Loaf of Kung Fu (1980), and The Young Master (1980) confirmed Chan's star status; the latter film marked his first with Golden Harvest, Lee's old production company and the leading film studio in Hong Kong. Before long, Chan had become the highest-paid actor in Hong Kong and a huge international star throughout Asia. He exerted total control over most of his films, often taking charge of duties ranging from producing to directing to performing the theme songs.
In the early 1980s, Chan tried his luck in Hollywood, with little success. He starred in the Golden Harvest-produced The Big Brawl (1980), which flopped; he also had a small supporting role opposite Burt Reynolds in the disappointing ensemble comedy Cannonball Run (1982) and its equally mediocre 1984 sequel.
Back in Hong Kong, Chan's star only rose throughout the 1980s, as he produced impressive action-comedies such as Project A (1983), Police Story (1985), and Armor of God (1986), and the hit period film Mr. Canton and Lady Rose (1989), a clever remake of Frank Capra's 1961 film A Pocketful of Miracles. By that time, however, Chan was far more than a movie star—he was a one-man film industry. In 1986, he formed his own production company, Golden Way. He also founded a modeling/casting agency, Jackie's Angels, in order to recruit talent for his films. During the filming of Police Story, so many stuntmen were injured that none would agree to work with Chan again; in response, he founded the Jackie Chan Stuntmen Association, whose members he trained personally and paid their medical bills. For his part, Chan claims to have broken every bone in his body at least once while performing stunts. In 1986, during the filming of Armor of God, he fractured his skull after falling over 40 feet while attempting to jump from the top of a building and land on a tree branch below.
In the early 1990s, Chan broadened his range even more, turning in a rare dramatic performance in the melodramatic Crime Story (1993). He also made several sequels to his hits Police Story and Drunken Master. As one of the biggest international box office stars, his popularity in America was limited to the savviest filmgoers. Chan's profile began a meteoric rise in the mid-1990s, however, when a series of events combined to bring him to the attention of a wider American audience.
In 1995, Chan created his own comic book character, the central figure in Jackie Chan's Spartan X, a series that hit newsstands in both Asia and the U.S. That same year, newly anointed directing sensation Quentin Tarantino, fresh off the success of Pulp Fiction (1994), presented Chan with a Lifetime Achievement Award at the MTV Movie Awards (the admiring Tarantino reportedly threatened to boycott the ceremony if Chan did not receive the award). In 1996, New Line Cinema and Golden Harvest jointly released Rumble in the Bronx, Chan's fifth English-language (dubbed) release but his first hit in America. The film grossed $10 million in its first weekend of release, shooting to No. 1 at the box office; its success prompted the American debut of two previous Chan films, Crime Story and Drunken Master II.
After two less successful efforts, Jackie Chan's First Strike (1997) and Mr. Nice Guy (1998), Chan had another big box-office hit with Rush Hour (also 1998), an American-produced action-comedy. In Rush Hour, Chan employed his English-language skills as a Chinese police officer on an exchange program in the U.S. who is partnered with a streetwise Los Angeles cop, played by the rising comedian Chris Tucker. In 2000, Chan starred in Shanghai Noon, another crossover comedy-action film set in the Old West and co-starring Owen Wilson and Lucy Liu.The following summer, Chan reteamed with Tucker for the smash hit sequel Rush Hour 2, for which the action star earned a hefty $15 million plus a percentage of the record-breaking box-office haul. In 2002, Chan costarred with Jennifer Love Hewitt in The Tuxedo, an action comedy about a taxi driver who receives special powers when he puts on his boss's tux. That same year, he received a star on the Hollywood Walk of Fame and was honored with the Taurus Award for best action movie star at the World Stunt Awards. Other recent films include Shanghai Knights, New Police Story and The Myth.
Chan is a noted philanthropist whose causes include conservation, animal treatment and disaster relief. In 2006, Chan announced that he would donate half of his assets to charity when he dies.
Chan has one son, J.C., with his estranged wife, the Taiwanese actress Lin Feng-Chiao.