Matóart

************************************************** .. ********************************* MY FRIEND JAZZMAN BRIAN O..NEAL!!! .......... MY FRIEND SAXOFONIST ROD TATE TRIBUTE DIANA KRALL Mató, comes from a mediteranean and sunny puglia, where gold plains are designed in the horizon and lands in amazon forest, a labirynth of a disordered vegetation also spontaneous.this nature lived as an atmosphere, as a tention as an entrance of the unknown and as an inexplicable mistery is the polarity that impel mató to the interior of amazônia, giving it a perceptive soul. Her landscaps can be seen as something strange but in some moments as something suggestive, simulation or as a fantastic simulation.as has recentily described wlademiro zocca , mató presents a landscape as a bridge between the territory of naturality and the infinity of the soul untill it touches the sublime, the surealistic, the methephisic through the criation of imaginary samples and reaching the great born of the subjetive of the languages envolved in the past. Mató denys the natural creating "her" natural view, paints concepts as invented landscapes, built up, recovered by the memory, crazy fragments of a nature that confound between reality and poetry, between what is true and false,between life and dream. The color envolves tones of a melancolic green and lacustrine veins, with a grey from the valleys, unnexpectable and lighting ascensions... The abstraction will predominate the naturalistic imagy. With a poetic tension and descritive, almost sensual as a frequently turbulance. In her amazônia Mató spills an something from an intensive inside that is concentrated in the time of life, the fear of nothing, the representation of a being and its emotive space and a desire of going farther then a particular naturalism and inumeral reminiscences iconographics. Her paintings thre is a boundery between the real and the imaginary. This is the astonishment that emanates from a painter who is a sumptuous and magnificent woman, but, at the same time, a cold, rarefied essential artist. Also, in this evident opposition, her accomplice “diversity” breathes, that makes her seducing and, at the same time, improbable. Critic of Art Valerio Grimaldi Bologna 11 Marzo 2001 Hanno scritto su Mató Salvatore Fiume, Sebastiano Grasso, , Carlos Gomes de Carvalho, Antonio Santoro, Francesco Chiari, Marisa Batalha, Bárbara Sanaldi, Umberto Zaccaria, Ângela Fini, Matteo Giambattista, Risoleta Cordula,Daniele Biancardi, Valerio Grimaldi,Michele De Palo, Vittorio Sgarbi. Aline Figueiredo,Humberto Espindola. Recenzioni Corriere della Será, Il Giorno, Repubblica, Il Resto del Carlino, Vivi Milano, Stop Arte, Arte Leader, Il Pirgiano, La Nuova Ferrara, Segrate Oggi, Folha de São Paolo,Veja, Estado de Mato Grosso, Jornal do Dia, Diário de Cuiabá,Gazeta, Folha do Estado, Gazeta Mercantil, Arte Mondadori. Premi e riconoscimenti Aquisição,São Paolo,Prefeitura Municipal Rio de Janeiro,Revelação Tennis Club,Noite Cultural,Monte Líbano,Medalha de ouro Biennale Cittá de Veglie,Premio Contea de Bormio,Premio Cittá Caprino Veronese,Premio Martin Sicuro,Premio Marina di Ravenna,Pennello D..oro Marina di Ravenna,Medalha de ouro La telaccia,Medalha de ouro Holanda,Premio concurso Estempotãneo Contea de Bormio, ************************************************** ........................................................................................................