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***THE MOODY BLUES***
The Moody Blues band originated in Birmingham, England, and the founding members included Michael Pinder, Ray Thomas, and Graeme Edge. They originally had a rhythm and blues style in 1964, but quickly transformed into the signature sound of their symphonic rock style after John Lodge and Justin Hayward joined the group. They have had many hit records in the U.S., U.K., and around the world. Perhaps their best known album is “Days of Future Passed,” which was released in 1967 and contains the hit single “Nights in White Satin.” The Moody Blues have periodically taken time off but are still currently active.
My personal favorite Moody Blues albums, in order of release date, are:
“Days of Future Passed” (1967)
“In Search of the Lost Chord” (1968)
“On the Threshold of a Dream” (1969)
“To Our Children’s Children’s Children” (1969)
“A Question of Balance” (1970)
“Every Good Boy Deserves Favour” (1971)
“Seventh Sojourn” (1972).
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***DISCO***
I have too many favorite disco groups and artists to talk about in the limited space of this page, but some of my favorites are the Bee Gees, Chic, Gloria Gaynor and Donna Summer.
~~~THE BEE GEES~~~
I know the Bee Gees' art-music is not confined to the disco genre but because they reached their peak of popularity during the disco era I am including them in this disco section.
“The most wonderful thing about having children is that you get to go on being a child. You get to grow up again. You get to live your childhood again through theirs”
~Barry Gibb, father of five children.
For more information on the children and family of the Bee Gees, please click on the following link:
===BEEGEES-WORLD.COM===
Andy Gibb
(1958-1988)
First male solo artist in U.S. to get three #1 singles in a row on the Billboard Hot 100 list.
In 1985 he made a guest appearance as “Tony Glen” the piano teacher on the Punky Brewster TV Show (Play it again, Punky).
Andy tragically died from a heart infection at the relatively young age of 30.
[---- BEE GEES LYRICS ----]
* THE LORD *
What do you get for trying?
Minute you're born you're dying.
The body is six feet down.
The Lord says the soul sticks around.
You can believe what you wanna
But I know what I'm gonna do.
I'm gonna believe in the Lord.
You think you live on laughter.
But you don't know what's after.
Singing Hallelujah.
I can know the Master.
When my life is over.
Lie in fields of clover.
Waiting for my own girl.
Living in a new world .
Yeah,
I'm gonna believe in the Lord
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* I STARTED A JOKE *
I started a joke, which started the whole world crying
But I didn’t see that the joke was on me, oh no
I started to cry, which started the whole world laughing
Oh, if I’d only seen that the joke was on me
I looked at the skies, running my hands over my eyes
And I fell out of bed, hurting my head from things that I’d said
Till I finally died, which started the whole world living
Oh, if I’d only seen that the joke was on me
* STAYIN’ ALIVE *
Well, you can tell by the way I use my walk,
I’m a woman’s man: no time to talk.
Music loud and women warm, I’ve been kicked around
Since I was born.
And now it’s all right. it’s ok
And you may look the other way
We can try to understand
The New York Times’ effect on man.
Whether you’re a brother or whether you’re a mother,
You’re stayin’ alive, stayin’ alive.
Feel the city breakin’ and everybody shakin’,
And we’re stayin’ alive, stayin’ alive.
Ah, ha, ha, ha
Stayin’ alive, stayin’ alive
Ah, ha, ha, ha
Stayin’ alive
Well now, I get low and I get high,
And if I can’t get either, I really try.
Got the wings of heaven on my shoes.
I’m a dancin’ man and I just can’t lose.
You know it’s all right. it’s ok.
I’ll live to see another day.
We can try to understand
The New York Times’ effect on man.
Life goin’ nowhere. somebody help me.
Somebody help me, yeah.
Life goin’ nowhere. somebody help me.
Somebody help me, yeah. stayin’ alive.
And we’re stayin’ alive
Stayin’ alive.
Ah, ha, ha, ha
Stayin’ alive, stayin’ alive.
Ah, ha, ha, ha
Stayin’ alive.
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***ABBA***
ABBA's first full length album and single were both titled "Ring Ring." But their first big success came when they won the Eurovision song contest in 1974 with their song "Waterloo," which subsequently raced up to the tops of song charts across Europe. And their second full-length album, which also bore the name "Waterloo," was released when the final round of the Eurovision contest occurred in England at the Brighton Dome on April 6, 1974. Full of unbridled enthusiasm and artistic energy ABBA promoted their musical art by touring Europe and performing on several popular TV shows.
The hit single "Waterloo" became ABBA's first #1 hit in the UK. And in the US, where their Eurovision victory carried no weight, Waterloo still climbed up to #6 on the Billboard Hot 100 chart.
ABBA's third album was self titled, and became known to fans as the "Limo Album" because of the photo on the album cover of the four ABBA members in a limo. Their hit single "SOS" gave them success again in the UK, where it climbed the charts to #6. The "Limo Album" reached #13 on the UK album charts. Further solidifying ABBA's success was their single "Mamma Mia" which zoomed up to #1 on the UK charts towards the end January in 1976. In the United States, "SOS" climbed up to the #10 spot on the Record World Top 100 singles chart and #15 on the Billboard Hot 100 chart. ABBA won a BMI award for "SOS" as one of the most played songs on American radio in 1975.
Nevertheless, splashy success eluded ABBA in the United States. Despite having four top 30 singles in the US by early 1976, ABBA had difficulty with reaching the heights on the album charts. Despite having three hit singles, the self-titled ABBA album only reached the #165 position on the Cashbox album chart. And on the Billboard 200 chart it only reached the #174 spot. Part of the reason for these low charting positions may have been due to promotional issues. For example, the publication "Cream" pontificated that ABBA had a "a very sloppy promotional campaign" in the US.
The situation was remarkably different in Australia. After videos for their songs "I Do, I Do, I Do, I Do, I Do" and "Mamma Mia" were shown on national TV in August of 1975, a wave of popularity for ABBA swept them to the #1 positions on the single and album charts, were they remained for months. And a 1976 compilation album, called "The Best of ABBA" sold 1.1 million copies and reached the #1 position, where it remained for 16 weeks. To this day it is the biggest selling album of all time in Australia.
ABBA's success in Australia can also be measured by TV statistics. On Saturday, March 20, 1976, precisely as the clock stuck 6:30 pm, Australia's Channel 9 broadcast "The Best of ABBA", which was a production filmed during ABBA's visit the week before. This particular TV program about ABBA was watched by 54 percent of TV viewers. Not since the famous moon landing in 1969 had an event captured such a significant portion of TV viewers in Australia. This ABBA special has remained the most viewed program in Australia up to the recent calculation of statistics for 2007.
With zestful gusto, ABBA released a compilation album of Greatest Hits in March 1976 - despite having but six Top 40 hits in the UK and the US. This album, however, became ABBA's first #1 album on the UK charts. In the US, the album cracked the Top 50 on the album charts, a first accomplishment for ABBA. The Greatest Hits album was a juggernaut that went on to sell over one million copies in the US. In addition to past successes, the album also included a new single called "Fernando". A Swedish version of this song had been included on Frida's 1975 solo album Frida ensam ("Frida alone"), a number one album in Sweden. After the tremendous success of the song "Fernando" by Frida in Scandinavia, ABBA decided to record an English version. Great success unsued as the English sung "Fernando" hit the #1 spot in twelve countries.
In Australia the song stayed at #1 for 15 weeks, tying "Hey Jude" by The Beatles for the longest time at number. "Fernando" became one of the best-selling singles of all time in Australia. During 1975 ABBA received their first international prize; "Best Studio Recording of 1975" for Fernando. In the United States, "Fernando" reached the Top 10 on the Cashbox Top 100 singles chart and #13 on the Billboard Hot 100. "Fernando" topped the Billboard Adult Contemporary chart, which made it ABBA's first American number one single of any nature.
The title of ABBA's next album was very apropos; "Arrival." This creative venture was a new high in terms of compositional maturity and studio recording. The album's release elicited excited reviews from a variety of sources, including rock-orientated music weeklies in the UK, such as Melody Maker and New Musical Express. Critiques in the US were mostly positive. From "Arrival" came the hits "Money, Money, Money", "Knowing Me, Knowing You", and "Dancing Queen". The album "Arrival" was nominated in 1977 for the inaugural BRIT Award for the category "Best International Album of the Year". At this time in their career ABBA were extremely popular in the UK, most of Western Europe and Australia.
ABBA's success was scaled back in the US. The only #1 single ABBA had on the US Billboard Hot 100 was "Dancing Queen." ABBA did have three more #1 singles on other Billboard charts, however, including Billboard's Adult Contemporary and Hot Dance Club Play charts. Nevertheless, "Arrival" represented a bona fide breakthrough for ABBA on the US album charts where it peaked at #20 on the Billboard album chart, and reaching platinum status in sales in the US.
ABBA's next album, simply titled "ABBA - The Album" was released in December of 1977 to coincide with "ABBA: The Movie."
This album was not as enthusiastically embraced by the UK critics as the previous album "Arrival". However, it did contain the worldwide hits "The Name of the Game" and "Take a Chance on Me." Both of these singles reached the very pinnacle of the UK charts. In the US they attained the #12 and #3 spots, respectively speaking, on the Billboard Hot 100 chart.
ABBA performed at the Music for UNICEF Concert on January 9, 1979. This concert was held at the United Nations General Assembly in celebration of UNICEF's Year of the Child. ABBA performed Chiquitita and, in a gesture of extraordinary generosity, donated the copyright of the song to UNICEF. The following week the single was released to the public, and zoomed up to the #1 position in ten countries.
Later in January, on a sad note, Björn and Agnetha publicly announced their intentions of getting divorced. Despite this circumstance, ABBA assured their fans and the press that they would continue to create and perform music together as a group.
True enough, in April of 1979 ABBA released their sixth studio album, called Voulez-Vous. This album reached the top of the charts across Europe. It also reached number one positions in both Japan and Mexico. In Canada and Australia Voulez-Vous cracked the Top 10. In the US it cracked the top 20. None of the released singles from the album reached the #1 slot on the UK charts. However, the songs "Chiquitita", "Does Your Mother Know", "Angeleyes", and the "double A-side" single "Voulez-Vous"/I have a Dream" all reached at least #4 on the UK charts.
ABBA's released their seventh album later in 1980. It was titled Super Trouper. This album was characterized by heavy use of synthesizers and songs with deeply personal lyrics. A whopping one million copies of this album were pre-ordered before its release, setting a record for the most pre-orders of any album in the UK. The single, "The Winner Takes It All", proved to be ABBA's eighth visit to the number one slot on the UK charts (and also their first number one hit in the UK since 1978.
In my opinion, the lyrics of "The Winner Takes It All" are among the very best lyrics every written for any song! And this is all the more remarkable when you consider that English was not the primary language of Björn and Benny. These extraordinary gentlemen are musical geniuses!
In the US, "The Winner Takes It All" reached #8 on the Billboard Hot 100 chart and #1 on the Billboard Adult Contemporary chart (making it ABBA's second #1 hit on that particular chart). The poignant lyrics of this song are supposedly references to the marital difficulties that Björn and Agnetha experienced. Agnetha seemed to sing the words of the song as if they were spontaneously springing forth from her heart.
The subsequent single from "Super Trouper" carried the same name as the album. The single "Super Trouper" reached the #1 slot on the UK charts, making it ABBA's ninth (and last) #1 hit in the UK.
ABBA's eighth (and last) studio album, represented a mature attainment of Benny and Björn's compositional skills. Benny later would reveal that the title track of the album referred to secret meetings that were held against the approval of totalitarian governments in Soviet-dominated states. The single "One of Us" was released in December of 1981 and reached the #3 position in the UK.
"The Visitors" album reached the very top of the album charts across most of Europe. It cracked the Top 20 in France and Japan and the Top 30 in the US and Australia. However, despite this measured success, comparatively speaking, "The Visitors" did not measure up the success of ABBA's previous albums. The symbolically titled single "When All Is Said and Done" became ABBA's last Top 40 hit in the US and, in Canada, climbed to #4 on the RPM Adult Contemporary chart.
ABBA appeared for the last time in Sweden on November 19, 1982, on the TV show Nöjesmaskinen. They made their last performance ever on December 11, 1982 on Noel Edmonds' UK show "The Late, Late Breakfast Show." ABBA appeared via a live link from a TV studio in Stockholm.
If you'd like to visit Abba's official website, please click on the link below:
www.abbasite.com
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***THE BEACH BOYS***
The Beach Boys formed their group in 1961 and initially consisted of Brian Wilson, his brothers Carl and Dennis, their cousin Mike Love, and their friend Al Jardine. This core quintet was sometimes joined by David Marks, an early member of the group, and Bruce Johnston, a later member of the group.
The initial popularity of the Beach Boys was probably based on their close vocal harmonies and their songs which celebrated the youth culture of Southern California, with a preoccupation on cars, surfing, and girls – not necessarily in that order, lol. The genius of Brian Wilson would unfold over the years and eventually take the group in artistic paths beyond the surfing stereotype.
On the U.S. charts, four of the Beach Boys’ singles have reached the number one position, thirty-six have reached into the Top 40, and fifty-six have made it onto the Hot 100 list. According to Billboard, the Beach Boys have the greatest number of single and album sales (combined) of any American band.
The Beach Boys “Love You” album One of my personal favorites!
 The Beach Boys “Friends” album,
a mellow album full of interesting melodies and fresh musical ideas.
 The best American rock album ever!
The Beach Boys have undergone many notable changes in musical style and group membership. Brian Wilson eventually withdrew from the group. Dennis Wilson died in a diving accident in 1983, and his brother Carl died in 1998.
L.A. (Light Album), one of my personal favorite Beach Boys albums. Please read my blog review.
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***CHICAGO***
Although 1974 wasn't the beginning or the end of the band Chicago, I must include them on my page because they are one of my favorite bands. Their jazzy album "Chicago VII" was released in 1974. This double album has two of my all-time favorite Chicago songs; “(I’ve Been) Searching So Long” and “Wishing you were here,” the latter song included background vocals by the Beach Boys and climbed the charts to #11.
The band Chicago was formed in 1967 in Chicago, Illinois, when a group of DePaul University music students began playing a series of late-night jams at clubs on and off campus.
They burst on to the music scene with the release of their first record (a double LP) in April 1969, titled “The Chicago Transit Authority,” which was a stunning display of jazzy instrumentals, extended jams, Latin percussion, and experimental, feedback-laden guitar abstraction.
The band's popularity exploded with the release of their second album, which bore the simplified name “Chicago” and was another double-LP set. This album yielded several top-40 hits. The centerpiece track was a thirteen-minute suite composed by James Pankow called "Ballet for a Girl in Buchannon" (the structure of this suite was inspired by Pankow's love for classical music). The suite yielded two top ten hits, the crescendo-filled "Make Me Smile" and prom-ready ballad “Colour My World.”
Among the other popular tracks on the album was Robert Lamm's dynamic but cryptic wah-wah-buttressed "25 or 6 to 4" (a reference to a songwriter trying to write at 25 or 26 minutes to 4 in the morning, sung by Cetera).
Other successful albums and singles followed in the succeeding years. The band's double-disc 1974 release, “Chicago VII”, featured the Cetera-composed "Wishing You Were Here", sung by Terry Kath and Cetera with background vocals by Cetera and The Beach Boys and some fusion jazz.
Their 1975 release, Chicago VIII, featured the political allegory "Harry Truman" and the nostalgic Pankow- composed "Old Days". That summer also saw a very successful joint tour across America with The Beach Boys, with each act performing some of the other's material. The concert at the time was considered one of the highest grossing of all time.
But for all of Chicago’s efforts, none of their singles went to number one until Chicago X in 1976, when Cetera's slow, exquisite ballad "If You Leave Me Now" climbed to the top of the charts. The song also won Chicago their only Grammy award, for Best Pop Performance by a Duo or Group in 1977.
1978 was a tragic and transitional year for Chicago. On January 23rd, guitarist/singer/songwriter/group co-founder Terry Kath died of an accidental self-inflicted gunshot wound while cleaning his gun). Kath was the group's leader onstage, and for many longtime fans, its musical soul. Terry Kath's stunning death could have meant the end for Chicago, but encouraged by friends and admirers such as Doc Severinsen, the group held fast and soldiered on. And the band’s biggest selling album was yet to come.
Chicago 17, in 1984, was the band’s biggest selling album and contained two Top Ten singles ("You're the Inspiration" and "Hard Habit to Break") and two other singles ("Stay the Night" and "Along Comes a Woman") which charted in the top 20.
In 1988, the band topped the charts again with the Diane Warren-composed single "Look Away", from the album Chicago 19. During 1989, Chicago did a reprise joint concert tour with The Beach Boys (they would do this once again in 1997). The band continued in the decade of the 1990s, even though their popularity began to decline.
Despite personnel changes over the years, the group still keeps active four decades after its founding. They are one of the few major rock groups that has never broken up or even taken an extended hiatus.
Four of the six surviving founding members (major songwriters Lamm and Pankow, plus Loughnane and Parazaider) remain to this day providing continuity, while Bill Champlin has put in over 25 years with the band, Jason Scheff over 20, Tris Imboden over 15 and Keith Howland having logged 13. The current lineup has been in place longer than any other in group history; 13 years and counting.
In 2006 the group released their first all-new studio album since Twenty 1, entitled Chicago XXX, on March 21, 2006.
A couple years later, on June 17, 2008 the dynamic Stone of Sisyphus album was finally released. The album contains eleven of the original twelve tracks, plus four demo recordings. Its official title is "Chicago XXXII: Stone of Sisyphus”
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OTHER MUSIC I ENJOY
I love lots of different styles of music from Classical to Jazz to early pop songs from the first half of the 20th century. A list of my favorite musical artists and songs would entirely fill up this page (and additional pages). To keep things simple, here is a list of my favorite pop/rock musical artists. As you can see, I’m a big fan of pop and dance music from the 1970s:
A taste of Honey
ABBA (see blogs)
Arabesque
Baccara
Beach Boys (see blog)
Beatles (see blogs)
Bee Gees
Brady Bunch
Bread
Charlie Calello
Captain & Tennille
Carpenters
Tina Charles
Chic
Chicago (see blog)
Linda Clifford
John Denver
Neil Diamond
Dolly Dots
Carol Douglas
Dr. Buzzard's Original Savannah Band
Earth, Wind and Fire
Yvonne Elliman
The Emotions
First Choice
Roberta Flack
Fleetwood Mac
Dan Fogelberg
Gloria Gaynor
Hues Corporation
K.C. and the Sunshine Band
Gladys Knight and the Pips
Gordon Lightfoot
Lipps Inc.
Luv’
Barry Manilow
Maywood
Van McCoy
George McCrae
Maureen McGovern
Stephanie Mills
Ronnie Milsap
Moody Blues
Tom Moulton (mixer/producer)
Walter Murphy
The Nolans
Olivia Newton-John
Osmonds
Ottawan
Partridge Family
Ritchee Family
Rose Royce
Diana Ross
Sister Sledge
Donna Summer
James Taylor
BJ Thomas
The Three Degrees
Voyage
Roger Whitaker
Carol Williams
Michael Zager
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I also have lots of music videos and fun commercials from the 1970s on my “freeblueeagle” youtube channel. Please follow this link:
www.youtube.com/freeblueeagle
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thank you my good friend