Bianchi began to produce music in 1979, since 1980 using electronic equipment with the avowed goal "to produce technological sounds and in such a way to work on complete realising of the modern decadence".
In the beginning, he published tapes under the alias Sacher-Pelz.
Until 1984, Bianchi published on other labels intensively as either MB or simply Maurizio Bianchi, sometimes several albums and/or tapes per year, as well as numerous tracks to compilations.
Bianchi became religious and withdrew himself from the music business. Much of his work is sought today by collectors, especially as they appeared in extremely small editions.
(from Wikipedia)
Italian composer Maurizio Bianchi (1955) produced his first tapes of noise in the early 1980s, at the peak of the industrial scene, but his chaotic dissonant orgies harked back to the musique concrete of the 1950s, despite similarities with Nocturnal Emissions, Metabolist, Whitehouse, early Throbbing Gristle. He debuted under the moniker Sacher-Pelz with the home-made cassettes Cainus (1979), Venus (1980), Cease To Exist and Velours, later collected on Mutation For A Continuity (Ees'T). They were all-instrumental collages of electronic sounds. Mectpyo/Blut (1980) was the first cassette to be released under his own name. Under the moniker Leibstandarte, Bianchi released his first vinyl albums: Triumph of the Will (Come Organization, 1981), which recycled material already released on cassette, and Weltanschauung (1982). His most relevant works came out under his own name: Symphony For A Genocide (Sterile, 1981), possibly his most terrifying work, Nh/Hn (Grafika Airlines, 1981), Menses (1982), another classic of horror-shock musical reportage, divided in two lengthy suites (particularly Scent). There followed less powerful works, such as the film soundtrack Morder Unter Uns (Mectpyo Sounds, 1982), and two "softer" albums divided in two lengthy halves each, Regel (EEs'T, 1982) and Mectpyo Bakterium (DYS, 1982), possibly his softest album of the decade.
He quickly return to his usual standards with Endometrio (1983), his second artistic peak and the manifesto of his "bionic" aesthetics, the more accessible Carcinosi (1983), Das Testament (Mectpyo Sounds, 1983), announced as his last record and containing two of his most extreme suites, and the film soundtrack Armaghedon (1984), all of them comprised of lengthy free-form suites of noise. The one notable exception was The Plain Truth (Broken Flag, 1983), in the vein of German electronic music.
December 2006
Symphony for a Genocide - sterile records (England) 1981.
Support from
Brittle Hammer Trio
Retail Unit
Lin Zhang Vs Eaten By Children Friday 20th November, Stills Gallery, Cockburn St. Edinburgh. 7pm doors – first act on shortly after! £5 entry.
1. Auflage von 44 nummerierten Kopien. Auf gutem soliden Magnetband erscheint das zweite Album des neuen Projektes von D.C.S., dem Mann hinter Flutwacht. Minimalistisch, schleppend, basslastig und stockfinster. Erhältlich für 8,- Euro + Versand. 1. Edition of 44 numbered copies. On the good old solid tape appears the second album of the new project of DCS, the man behind Flutwacht. Minimalistic, slow, bass-heavy, and pitch dark. Available for 8, - Euro + shipping.
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FLUTWACHT - "mit nichts" - CDr in Digipak
Gestempelte Silber-CDr im matt-schwarzen Digipak mit 4-seitigem Booklet. 1. Auflage von 60 nummerierten Exemplaren. Flutwacht bedarf an dieser Stelle wohl keiner Vorstellung mehr. Hypnotischer denn je, werden auf "mit nichts" monolithische metallische Lärmwände errichtet, welche ein intensives Hörerlebnis garantieren. Erhältlich für 8,- Euro + Versandkosten. Stamped silver-CDr in matt-black digipak with a 4-page booklet. 1. Edition of 60 numbered copies. Flutwacht at this point probably needs no introduction. Hypnotic than ever on "mit nichts" monolithic metallic noise walls will be built, which guarantee an intense listening experience. Available for 8, - Euro + shipping.
The attempt ot express the horror of the genocide done by the nazis, by the means of electronic music was really a goal, a difficult task. You do it with strength, simplicity and a convincing sense of sound. It is a sucess.
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