Using radio to disseminate sound collage pays homage to the history of radio as a tool for the development of experimental sound art; giving an alternative use for a medium that is largely used for commercial media is also a Situationist technique detournement, in which a familiar medium is repurposed to create something new.
Neye Benziyor?
recycling trucks and trains...wind, rain and a foghorn...subway vibrations
The micro radio project started as a site-specific sound and radio project. This involved collecting sounds from a given area, and using these sounds in compositions that were broadcast within the sites that they had been collected. The sounds were stored on my laptop and broadcast using a low-power radio transmitter.
The project has evolved into a mobile performance which mixes prerecorded field recordings that I have stored on cassette, one off lacquer records, and my laptop. The performance is amplified through broadcasting to radios, the sound system at the venue, and tactile transducers attached to surfaces in the space.
I am interested in venues that support the transmission arts such as - festivals, galleries, community radio and streamed radio.
6th. of May the dkfrf will be in Montreal and in Hamburg. No internet connections, the plain geo/psychological/emotional notion that two episodes will take place at the same day on different continents is enough.
I'd like to tell you about my new release. It's called "Newfoundland was awesome and I hope we get the chance to make music again sometime soon like maybe January or so." Check it out when you have the chance and let me know what you think.
I have uploaded "diametric" from the fabulous online-release "DataTransfer2", which I have created for David Velez with several of his sounds and some of my field-recordings of a journey to the "Documenta Kassel" and some german museums.
enjoy, and please listen to all the other fanatastic contributions of "DataTransfer2"
cheers
Sascha
We are looking for story about work for a future project. All trades and crafts are welcome, we want a wide variety work experiences represented. If interested please reply to post, call 773-353-1589 or email us @ mail@33b.org
NVO 011 | EXTRACT | Portraits of Soundartists
Book (hardcover, 96 pages) + 2 CD
Out now on Nonvisualobjects!
CD 1
01 Keith Berry Finger |Pointing At The Moon | 6’00
02 Richard Chartier | A Field For Recordings 2 | 8’43
03 Taylor Deupree | Live In Osaka | 6’00
04 Heribert Friedl | nbvto | 5’52
05 Richard Garet | Précis | 6’00
06 Andy Graydon | Microclimates For Paliku | 5’57
07 Bernhard Günter |Listen to what you see (audio sample of location of all Koblenz photos) | 6’00
08 John Hudak |Radio | 6’00
09 I8U | Steganography | 4’22
10 Dean King | In Absentia | 5’53
11 Dale Lloyd | Provisional | 4’06
CD 2
01 Roel Meelkop | 1 (hole in a heap) | 5’30
02 Will Montgomery | Split Chance | 5’55
03 Tomas Phillips | Each More Melodious Note | 6’01
04 Steve Roden | air into form/voice into breath | 6’49
05 Jos Smolders | Aiolos (Vangsaa Interior) | 6’00
06 Steinbrüchel | Parallel | 7’02
07 Nao Sugimoto | (mondii) Nature Out | 5’33
08 Asmus Tietchens | Vierte Beisetzung in Wien | 4’37
09 Toshiya Tsunoda | Scenery of vibration/Listening to the reflection of points (@Westspace) | 5’36
10 Ubeboet | Lux Vivens | 3’43
11 Michael Vorfeld | Geste | 5’29
