Mike Kelley

		Welcome to MIKE KELLEY's MySpace page! Male 54 years old Los Angeles, CALIFORNIA United States Last Login: 2/26/2007

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MySpace URL:

www.myspace.com/mike_kelley_

Mike Kelley's Interests

General	Drawing, Painting, Sculpture, Performance, and Writing.
Music	Destroy All Monsters, Poetics
Books	Minor Histories: Statement, Converstations, Proposals
Heroes	Iggy and the Stooges

Mike Kelley's Details

Status:	Single
Here for:	Networking, Friends
Hometown:	Detroit
Body type:	5' 10" / Average
Ethnicity:	White / Caucasian
Zodiac Sign:	Scorpio
Education:	Post grad
Occupation:	Artist

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Mike Kelley's Blurbs

About me:
Mike Kelley (b.1954)is an artist who works in Los Angeles. He recieved his undergraduates degree (BFA) from the University of Michigan and did his graduate work (MFA) at CalArts. Born in Detroit, he played in the band "Destroy all Monsters" (the band on this page is a different "Destroy all Monsters" - actual a female punk rock trio from singapore). Kelley is currently rocking it out at age 51 in LA in a band called "Poetics."
The younger generation might recognize his work from the cover of Sonic Youths album "Dirty."

BIOGRAPHY

1954 Born Detroit, Michigan 1976 BFA, University of Michigan, Ann Arbor 1978 MFA, California Institute of the Arts, Valencia, CA Present Lives and works in Los Angeles

AWARDS

2003 John Simon Guggenheim Memorial Foundation Fellowship 2000 The California Institute of the Arts Distinguished Alumnus Award 1998 The University of Michigan School of Art and Design Distinguished Alumnus Award 1997 Skowhegan Medal in Mixed Media 1990 National Endowment for the Arts Museum Program Exhibition Grant 1987 Awards in the Visual Arts Grant 1986 Artists Space Interarts Grant 1985 National Endowment for the Arts Visual Artists Fellowship Grant 1984 Louis Comfort Tiffany Foundation Grant

PUBLIC COLLECTIONS

Carnegie Museum, Pittsburgh Centre Georges Pompidou, Paris Detroit Institute of Art, Detroit Fonds National d’Art Contemporain Fundación “la Caixa”, Madrid Los Angeles County Museum of Art Louisiana Museum, Humleback, Germany Metropolitan Museum of Art, New York Museum Abteiberg Mönchengladbach, Mönchengladbach, Germany Museum Moderner Kunst, Vienna Museum of Contemporary Art, Chicago Museum of Contemporary Art, Los Angeles Museum of Fine Arts, Boston Museum of Modern Art, New York Solomon R. Guggenheim Museum, New York Statens Museum for Kunst, Copenhagen Stedelijke Museum, Eindhoven The Art Institute of Chicago Van Abbe Museum, Eindhoven Walker Art Center, Cincinnatti Whitney Museum of American Art, New York

ONE-ARTIST EXHIBITIONS

2005 "Mike Kelley: Day Is Done." Gagosian Gallery, New York. Exh. cat. 2004 “Mike Kelley” Galerie Ghislaine Hussenot, Paris, France. “Mike Kelley: The Uncanny.” Tate Liverpool, Liverpool, England. Museum Moderner Kunst Stiftung Luwig Wien, Vienna, Austria. Exh. cat. 2003 “Mike Kelley: Memory Ware, Wood Grain, Carpet.” Galleria Emi Fontana, Milan, Italy. Exh. cat. “Sod and Sodie Sock” (w/Paul McCarthy) Biennale d’art contemporain de Lyon, Institut d’art contemporain, Lyon, France. Exh. cat. “The Poetics Project 1977-1997” (w/Tony Oursler), The Curve, Barbican Centre, London, U.K. 2002 “Mike Kelley: Reversals, Recyclings, Completions, and Late Additions.” Metro Pictures, New York, NY. “Mike Kelley: The Poetry of Form: Part of an Ongoing Attempt to Develop an Auteur Theory of Naming.” Galerie Daniel Templon, Paris. “Mike Kelley: Test Room.” Galerie Art et Public, Geneva, Switzerland. “Black Out.” Patrick Painter Inc., Santa Monica, CA. “Mike Kelley: Selected Works 1982-1990.” Skarstedt Fine Art, New York. 2001 “Mike Kelley.” Sperone Jr, Rome, Italy. “Memory Ware.” Jablonka Galerie, Cologne, Germany. 2000 “The Poetics Project: 1977-1997 (Documenta Version).” Centre Georges Pompidou, Paris, France. Collaboration with Tony Oursler. “Consolation Prize: Mike Kelley and John Miller.” Belkin Art Gallery, Vancouver, B.C. Exh. cat. “Destroy All Monsters: Postmodern Multimedia and Musical Mutations (Mike Kelley, Jim Shaw and Cary Loren).” Center on Contemporary Art, Seattle, Washington. “Mike Kelley and Paul McCarthy: Collaborative Works.” Power Plant Contemporary Art Gallery, Toronto, Canada. Exh. cat. “Mike Kelley: Sublevel, Framed and Frame, Test Room.” Migros Museum, Museum für Gegenwartskunst, Zurich, Switzerland. “Unisex Love Nest.” Galerie Daniel Bucholz, Cologne, Germany. “Mike Kelley & Peter Fischli and David Weiss.” Sammlung Goetz and Lenbachhaus, Munich, Germany. Exh. cat. “Mike Kelley.” Galleria Emi Fontana, Milan, Italy. “Categorical Imperative and Morgue.” Van Abbe Museum, Eindhoven, The Netherlands. “Memory Ware.” Galerie Ghislaine Hussenot, Paris, France. “Mike Kelley: Paintings and Drawings from the Rowan Collection.” Christie’s, New York, NY. 1999 Patrick Painter Inc., Santa Monica, CA. Metro Pictures, New York, NY. “Mike Kelley and Ed Ruscha, Photographs.” Patrick Painter Inc., Santa Monica, CA. “Mike Kelley: Two Projects.” Kunstverein Braunschweig, Germany. Exh. cat. “Mike Kelley: Framed and Framed, Test Room, Sublevel.” MAGASIN: Centre National d’Art Contemporain de Grenoble. Grenoble, France. Exh. cat. “>Mike KelleyMusic (rock, pop, techno).” Museum of Contemporary Art, Sydney, Australia. “Beautiful Productions, art to play, art to wear, art to own: Collaborations with Parkett, 1984 to now.” Museum of Modern Art, New York, NY. The Whitechapel Art Gallery, London. Exh. Cat. “Trans>Editions.” Chac Mool Gallery, Los Angeles, CA. 2000 “21st Annual Benefit Art Auction.” Los Angeles Contemporary Exhibitions, Los Angeles, September 23. “Open Ends: 11 Exhibitions of Contemporary Art from 1960 to Now.” Museum of Modern Art, New York, New York. “Almost Warm & Fuzzy.” Tacoma Art Museum, Tacoma, Washington. “Apocalypse: Beauty and Horror in Contemporary Art.” Royal Academy of Arts, London, United Kingdom. Exh. Cat. “Arte Americana: Ultimo Decennio.” Ravenna, Loggetta Lombardesca, Italy. Exh. Cat. “Art in the 80’s.” P.S.1, New York, NY. “Let’s Entertain.” Walker Art Center, Minneapolis, MN. Portland Art Museum, Portland Art Museum, Portland Oregon; Centre Georges Pompidou, Paris France; Museo Rufino Tomayo, Mexico City (2001); Miami Art Museum, Miami, Florida (2001); Kunstmuseum Wolfsburg, Wolfsburg, Germany (2001). Exh.cat. “American Photographs.” Wako Works of Art, Tokyo, Japan. “There is Something You Should Know: Die EVN Sammlung im Belvedere.” Austrian Galerie Belvedere, Vienna, Austria. “Food for the Mind: Die Sammlung Udo and Anette Brandhorst.” Staatsgalerie moderner Kunst in the Haus der Kunst, Munich, Germany. Exh. cat. “Sonic Matters, Sonic Collaborations.” Printed Matter, Inc. New York, NY. “Made in California.” Los Angeles County Museum of Art. Exh. cat. “Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects. Works from the collection of Annick and Anton Herbert.” Casino Luxembourg – Forum d’art contemporain, Luxembourg. Exh. cat. 1999 “Fluffy.” Dunlop Art Gallery, Regina, Canada. “Zeitwenden.” Kunstmuseum Bonn, Bonn, Germany. Traveled to Museum Moderner Kunst Siftung Ludwig Wien and Kunstlherhaus Wien (2000) Exh. cat. “The Rowan Collection: Passion and Patronage.” Mills College Art Museum, Oakland, California. “Plain Air.” Barbara Gladstone Gallery, New York, New York. “Vergiss den Ball und speil’weiter: Das Bild des Kindes in zeitgenossischer Kunst und Wissenschaft.” Kunsthalle Nuremberg, Germany. Exh. cat. “Veronica’s Revenge: Photographies de la collection LAC-Suisse.” Casino Luxembourg and Musee National D’Histoire et D’art, Luxembourg. “Art de Vivre: une exposition d’oeuvres de la collection du Frac Languedoc-Roussillon.” ATA Centre d’Art Contemporain and Galerie Ata-ray, Sofia, Bulgaria "Six Americans: Gober, Kelley, Koons, Prince, Sherman, Wool." Skarstedt Fine Art, New York. "A.R.T. Press Portfolio." David Adamson Gallery, Washington DC. "Drawn By." Metro Pictures, New York, NY. "On the Sublime." Center for Contemporary Art Rooseum, Malmo, Sweden. Exh. cat. “Making It Real.” Independent Curator’s International, New York. Traveled to Aldrich Museum of Contemporary Art, Ridgefield, CT; the Reykjavik Municipal Art Museum, Reykjavik Iceland; the Portland Museum of Art, Portland ME; the Bayly Art Museum, University of Virginia, Charlottsville, VA; the Bakalar Gallery, Massachusettes College of Art, Boston MA; the Emerson Gallery, Hamilton College, Clinton, NY. “The American Century: Art and Culture 1950-2000.” Whitney Museum of American Art, New York. Exh. cat. 1998 "Out of Actions: Between Performance and the Object, 1949-1979." The Museum of Contemporary Art, Los Angeles; MAK-Austrian Museum of Applied Arts, Vienna; Museu d'art Contemporani de Barcelona, Spain; Museum of Contemporary Art, Tokyo (1999). Exh. cat. "Real Stories." Marianne Boesky Gallery with Friedrich Petzel Gallery, New York. "Presumed Innocence." Anderson Gallery, School of Fine Arts, Virginia Commonwealth University, Richmond. Traveled to CapcMusee d’art contemporain de Bordeaux, 2000. Exh. cat. "Wounds: Between Democracy and Redemption in Contemporary Art." Moderna Museet, Stockholm, Sweden. Exh. cat. "Figurative Sculpture." Patrick Painter, Inc., Santa Monica, California. "L.A. Times." Palazzo Re Rebaudengo per l'Arte Contemporanea, Guarene, Italy. "10 Years: Portikus Frankfurt." P.S.1, Institute for Art and Urban Resources Long Island City, New York. "L.A. on Paper 1." Galerie Krinzinger, Vienna. "L.A. Times." Palazzo Re Rebaudengo per l'Arte Contemporanea, Guarene, Italy. "Plaisir Deplaisir." Musee d'art contemporain, Bordeaux, France. "Crossings." Kunsthalle, Vienna. Exh. cat. "Emotion: Junge britische und amerikanische Kunste aus der Sammlung Goetz." Deichtorhallen, Hamburg, Germany. Exh. cat. "The Natural World." Vancouver Art Gallery, Vancouver, British Columbia. "Works from a California Collection." Dorothy Goldeen Art Advisory, Santa Monica, California. "Voor het verdwinjt en daarna." Stedelijk Museum voor Actuele Kunst, Gent, The Netherlands. "The 18th Annual Benefit Art Auction of Los Angeles Contemporary Exhibitions." Los Angeles Contemporary Exhibitions, Los Angeles, California. "Freie Sicht aufs Mittlemeer; Jung Schweizer Kunst." Kunsthaus Zurich, Switzerland; Kunsthalle Frankfurt, Germany. "Double Trouble: The Patchett Collection." MCA San Diego; Museo de Las Artes and Instituto Cultural Cabanas, Guadalajara Mexico; Museo de Monterrey, Monterrey, Mexico (1999); Museo Universitario Contemporaneo de Arte, Mexico City (1999); Auditorio de Galicia and Inglesia San Domingos de Bonaval, Santiago de Compostela, Spain (1999); Sala Amos Salvador, Logrono, Spain (2000). Exh. cat. "Isn’t it too early for the eighties yet?” Rooseum Center for Contemporary Art, Malmo, Sweden. "A.R.T. Press Portfolio." Vedanta Gallery, Chicago, Illinois. "50 Especes d’Espaces." Centre Georges Pompidou, Musee National d’art Moderne, Musees de Marseille, France 1998. Exh. cat. "American Playhouse: The Theatre of Self-Presentation. " The Power Plant, Toronto, Canada 1998. Exh. cat. 1997 "The Age of Modernism: Art in the 20th Century." Martin-Grobius-Bau, Berlin. Exh. cat. "Sunshine & Noir." Lousiana Museum of Modern Art, Humlebaek, Denmark; Kunstmuseum Wolfsburg, Germany; Castello di Rivoli, Museo d'Arte Contemporanae, Italy; UCLA at the Armand Hammer Museum of Art, Los Angeles (1998). Exh. cat. "Scene of the Crime." UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles. Exh. cat. "Exposition Images of Nature." Association l'enfrance de l'art, France. ":Engel:Engel." Kunsthalle, Vienna; Galerie Rudolfinum, Prague. Exh. cat. "Fort! Da! Cooperations." Villa Merkel Galerie der Stadt Esslingen, Stuttgart, Germany. Exh. cat. "Dan Graham, Rodney Graham, Mike Kelley, Edward Ruscha: Patrick Painter Editions." S.L. Simpson Gallery, Toronto, Canada. "Home Sweet Home." Deichtorhallen, Hamburg, Germany. Exh. cat. "Networking: Art By Post and Fax." Hayward Gallery, London. Exh. cat. "Educational Complex." Generali Foundation, Vienna. Exh. cat. "Mike Kelley, Carroll Dunham, Laurie Simmons, John Miller." Metro Pictures, New York. "Gothic." Institute of Contemporary Art, Boston Exh. cat. "Laying Low: Postminimalist/Scatter Art." Kunstnernes Hus, Oslo, Norway. Exh. cat. "Now on View." Metro Pictures, New York. "Making It Real." The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut; The Reykjavik Municipal Art Museum, Iceland; Portland Museum of Art, Maine; Bayly Art Museum, University of Virginia, Charlottsville. Exh. cat. "Groei: In de Collectie Peter Stuyvesant." Rothmans International European Headquarters, Amsterdam. Exh. cat. "Display: International Exhibition of Painting." The Charlottenborg Exhibition Hall, Copenhagen. Exh. cat. Collaboration with Paul McCarthy. "American Stories: Amidst Displacement and Transformation." Setagaya Art Museum, Tokyo. Exh. cat. "Die Saamlung Scharpff in der Hamburger Kunsthalle." Galerie Der Gegenwart, Kunsthalle, Hamburg, Germany. "Im Reich der Phantome: Fotografie des Unsichtbaren." Stadtisches Museum Abeitberg Monchengladbach, Germany; Kunsthalle Krens, Germany; Fotomuseum Winterthur, Germany. Exh. cat. Collaboration with David Askevold. "Documenta X." Kassel, Germany. Exh. cat. A collaboration with Tony Oursler. "Love Hotel." National Gallery of Australia. Exh. brochure. "Alpenblick." Kunsthalle, Vienna. "The End is Here!: Visionary Artists at the End of Time." Bookbeat, Oak Park, Michigan. "Patrick Painter Editions." Lehmann Maupin Gallery, New York. "Bring Your Own Walkman." W139, Amsterdam. "Kunstlerinnen 50 Positions." Kunsthaus Bregenz, Vienna. Exh. cat. "Chambris d'Amis." Ghent Museum of Contemporary Art, Belgium. Exh. cat. "One of You, Among With You: Homenaje a Martin Kippenberger." Galeria Juana de Aizpuru, Madrid, Spain. "Someone Else with my Fingerprints." David Zwirner Gallery, New York; Galerie Hauser & Wirth, Zurich; August SanderArchive/SK Stiftung Kultur, Cologne; Kunstverein, Munich, Germany; Kunsthaus, Hamburg, Germany. Exh. cat. "Art at the End of the 20th Century." Whitney Museum of American Art, New York. Exh. cat. "In De Collectie Peter Stuyvesant." Peter Stuyvesant Foundation, Amsterdam. Exh. cat. 1996 "Thinking Print: Books To Billboards, 1980-95." Museum of Modern Art, New York. Exh. cat. "Black and Blue." Susanne Hilberry Gallery, Birmingham, Michigan. "Shit." Baron Boisante Gallery, New York. "L'informe: Le modernisme a rebours." Centre national d'art et de culture Georges Pompidou, Paris. Exh. cat. "Distemper: Dissonant Themes in the Art of the 1990s." Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. Exh. cat. "Multiple Pleasure." Tanya Bonakdar Gallery, New York. "Contrafigura." Studio Guenzani, Milan, Italy. "Art at Home: Ideal Standard Life." Spiral Garden, Tokyo. "Discreet Images." Fifth Street Gallery, London, England. "Re-Read." Ac Project Room, New York. "Drawn From L.A." Alyce de Roulet Williamson Gallery, Art Center College of Design, Pasadena, California. "Do it." Hermann Gmeinerstrasse, Klagenfurt, Austria; Songlines, Paris; Kunsthalle Helsinki, Finland; Zerynthia, Rome; CCA Glasgow, Scotland; Forde Espace d'art Contemporain, Geneva, Switzerland; Reykjavik Municipal Museum, Iceland; ICA, Brisbane, Australia; Bangkok University, Thailand; Uppsala Art Museum, Sweden; IMA, Queensland, New Zealand; Kunstverein Kreis Gutersloh, Gutersloh, Germany. Lawrence Wilson Art Gallery, Perth, Australia. Exh. booklet. "Size Matters." Special Exhibitions, West Hollywood, California. "A/drift: Scenes from the Penetrable Culture." Center For Curatorial Studies Museum, Bard College, Annandale-on-Hudson, New York. "Playpen and Corpus Delirium." Kunsthalle, Zurich. Exh. cat. "Blind Spot Photography: The First Four Years." Paolo Baldacci Gallery, New York. "Flore et faune de la nature avant toute chose." L'Espace Riquet, Beziers, France. "The Importance of Toys: Childhood Memories, Adult Metaphors." Monique Knowlton Gallery, New York. "Destroy All Monsters." The Deep, Tokyo. "It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art." Contemporary Arts Center, Cinncinnati, Ohio; Lakeview Museum of Arts and Sciences, Illinois; Virginia Beach Center for the Arts, Virginia; Tacoma Art Museum, Washington; Jacksonville Museum of Contemporary Art, Florida; Dean Lesher Regional Center for the Arts, Bedford Gallery, California; Phoenix Art Museum, Arizona; Lowe Art Museum, Florida; Milwaukee Art Museum, Wisconsin; Arkansas Art Center, Arkansas. Exh. cat. "Family Values: American Art in the Eighties and Nineties." Galerie der Gegenwart, Kunsthalle, Hamburg, Germany. Exh. cat. "Feminimasculin: Le sexe de l'art." Centre national d'art et de culture Georges Pompidou, Paris. Exh. cat. "Limited Edition Artists Books." Brooke Alexander Gallery, New York. "L'art au corps." Musees de Marseille, France. Exh. cat. "Fourteenth World Wide Video Festival 1996." Stichting World Wide Video Centre, The Hague, The Netherlands. Exh. cat. 1995 “Neotoma.” Otis Gallery, Otis College of Art and Design, Los Angeles, California. "Action/Performance and the Photograph." Turner/Krull Galleries, Los Angeles. Exh. cat. "Murder." Bergamot Station Arts Center, Santa Monica, California. Exh. cat. "Mike Kelley, Paul McCarthy, Bruce Nauman, Franz West." David Zwirner, New York. "1995 Biennial Exhibition." Whitney Museum of American Art, New York. Exh. cat. "Selections From the Robert A. Rowan Trust Collection." Alyce de Roulet Williamson Gallery, Art Center College of Design, Pasadena, California. "Komix." Brooks Alexander Editions, New York. "The Moderns." Feature, New York. "The Big Night: In Honor of Colin Gardner." The Bradbury Building, Los Angeles. "Alternatives: 20 Years of Hallwalls Contemporary Arts Center, 1975-1995." Hallwalls, Buffalo, New York. "63 Artists' Editions." Peter Blum, New York. "Everything That's Interesting Is New." Museum of Modern Art, Copenhagen; "The Factory," Athens School of Fine Arts, Greece. Exh. cat. "From L.A. With Love." Galerie Praz-Delavallade, Paris. "In a Different Light." University Art Museum, University of California, Berkeley. "On Beauty." Regina Gallery, Moscow. Exh. cat. "Passions Privees." Musee d'art moderne de la ville de Paris, France. "Playtime: Artists and Toys." Whitney Museum of American Art at Champion, Stamford, Connecticut. Exh. cat. "XL." Galerie Borgmann Capitain, Cologne, Germany. "Zeichen & Wunder." Kunsthaus, Zurich; Centro Galego de Arte Contemporanae, Spain. Exh. cat. "ARS 95 Hesinki." Museum of Contemporary Art, Helsinki, Finland. Metro Pictures, New York. "Altered States: American Art in the 90s." Forum for Contemporary Art, Missouri. "Neotoma." Otis Gallery, Los Angeles. "Destroy All Monsters." Bookbeat Gallery, Oak Park, Michigan. "Abstract Photographs." The Baltimore Museum of Art, Maryland. "Is It Art?: Transgressions in Contemporary Art." Virginia Beach Center for the Arts, Virginia; Contemporary Arts Center, Cincinnati; The Katonah Museum of Art, New York. Exh. cat. Metro Pictures, New York. "Silent and Violent, Selected Artists' Editions." MAK Center for Art and Architecture, Los Angeles. Exh. cat. "L'Immagine Riflessa." Centro per l'Arte Contemporanae Luigi Pecci, Switzerland. Exh. cat. "Signos y Milagros." Centro Galego de Arte Contemporanae, Spain. Exh. cat. 1994 "Radical Scavenger(s): The Conceptual Vernacular in Recent American Art." Museum of Contemporary Art, Chicago. Exh. cat. "Don't Look Now." Thread Waxing Space, New York. "[Cut]-Los Angeles—90's Art Scene." Kunstforeningen, Copenhagen. Exh. cat. "World Morality in High Art." Kunsthalle, Basel, Switzerland. "Drawing: Reaffirming the Media." Gallery of Art, University of Missouri, Kansas City. Exh. cat. "Arrested Childhood." Center of Contemporary Art, North Miami, Florida. Exh. cat. "Zimmer in denen die Ziet nicht zahlt." Museum fur Gegenwartskunst, Basel, Switzerland. "Clouca Maxima." Museum der Stadtentwasserung, Zurich. Exh. booklet. "Modern Art/No Commodity." Torch, Amsterdam. "Guys Who Sew." University Art Museum, University of California, Santa Barbara, California. "Spielverderber." Forum Stadpark, Graz, Austria. "Transformers: The Art of Multiphrenia." Bard Center for Cultural Studies, Annandale-on-Hudson, New York. Exh. cat. "Das Americas." Isabella Prata Consultoria de Arte and Galeria Luisa Strina, Sao Paulo, Brazil. Exh. cat. "It's a Tough World Out There: Drawings by Mike Kelley, Joyce Pensato, and Raymond Pettibone." Saint Louis Art Museum, Missouri. "Hors limites: L'art et la vie." Centre national d'art et de culture Georges Pompidou, Paris. Exh. cat. "Oh Boy, It's a Girl: Feminismen in der Kunst." Kunstverein, Munich, Germany. Exh. cat. "Dirty Data: Sammlung Schurmann." Deichtorhallen, Hamburg, Germany. Exh. cat. "Frauenkunst Mannerkunst." Museum Fridericanum, Kassel, Germany. "The Use of Pleasure." Terrain, San Francisco. Exh. cat. "Uber Leben." Kunstverein, Bonn, Germany. Exh. cat. "Art Basel." Galerie Borgmann Capitain, Cologne, Germany. "Act Up Art Box." Josh Baer Gallery, New York. "(Tiny) Shoes." New Langton Arts, San Francisco. 1993 "Oh! Cet Echo!" Centre Culturel Suisse, Paris. Exh. cat. "1993 Biennial Exhibition." Whitney Museum of American Art, New York. Exh. cat. "Don't Ask, Don't Tell, Don't Pursue: Sexual Identity in Contemporary Printmaking." Lukacs Gallery, Fairfield, Connecticut. "The Language of Art." Kunsthalle, Vienna; Kunstverein, Frankfurt, Germany; Kunstlerhaus Bethanien, Berlin. "The Elegant, Irreverent and Obsessive: Drawing in Southern California." Visual Arts Center, California State University, Fullerton. "Dolls in Contemporary Art: A Metaphor of Personal Identity." Marquette University, Milwaukee, Wisconsin. Exh. cat. "Oeuvres sur papier." Galerie Ghislaine Hussenot, Paris. Studio Guenzani, Milan, Italy. "Zeitsprunge." Wilhelm-Hack-Museum, Berlin. "Sculpture and Multiples." Brooke Alexander Editions, New York. "Kustom Kulture." Laguna Art Museum, Laguna Beach, California; Maryland Institute College of Art, Baltimore; Center of Contemporary Art, Seattle. Exh. cat. "In Search of Self." Duke University Museum of Art, Durham, North Carolina. "Abject Art: Repulsion and Desire in American Art." Whitney Museum of American Art, New York. Exh. cat. "Mr. Serling's Neighborhood." Christopher Grimes Gallery, Los Angeles. "Group Exhibition." Galerie Max Hetzler, Cologne, Germany; Kunstlerhaus Bethanien, Berlin. "American Art of this Century." Martin-Gropius-Bau, Berlin; Royal Academy of Art, London. "Tables: Selections from the Lannan Foundation ." Lannan Foundation, Los Angeles. "Sampler." David Zwirner Gallery, New York. "Trancesex." Amanda Oberling, Los Angeles. "Domain." Centre d'art, le Domain de Kerguehennec, Bignan. Exh. cat. "In Search of Self." University Museum of Art, Durham, North Carolina. Exh. cat. "The Return of The Cadavre Exquis." The Drawing Center, New York. Exh. cat. "Sonsbeek 93." Sonsbeek, Arnhem, The Netherlands. Exh. cat. 1992 "Just Pathetic." American Fine Arts, New York. "Knowledge: Aspects of Conceptual Art." University Art Museum, University of California, Santa Barbara; Santa Monica Museum of Art, California; North Carolina Museum of Art, Raleigh. Exh. cat. "Helter Skelter: L.A. Art in the 1990s." The Museum of Contemporary Art, Los Angeles. Exh. cat. "Doubletake: Collective Memory and Current Art." Hayward Gallery, London; Kunsthalle, Vienna. Exh. cat. "Allegories of Modernism: Contemporary Drawings." The Museum of Modern Art, New York. Exh. cat. "Post Human." Musee d'art contemporain, Pully/Lausanne, Switzerland; Castello di Rivoli, Turin; Deste Foundation, Athens; Edelman, Lausanne, Switzerland; Deichtorhallen, Hamburg, Germany; Israel Museum, Jerusalem. Exh. cat. "Mostra da Cravura Cidade de Curitiba." Museu da Gravura, Curitiba, Brazil. "Songs of Innocence/Songs of Experience." Whitney Museum of American Art at Equitable Center, New York. "Recent Narrative Sculpture." Milwaukee Art Museum, Wisconsin. "Documenta IX." Kassel, Germany. Exh. cat. "Robert Gober, On Kawara, Mike Kelley, Martin Kippenberger, Jeff Koons, Albert Oehlen, Julian Schnabel, Cindy Sherman,Thomas Struth, Philip Taaffe, Christopher Wool. " Galerie Max Hetzler, Cologne, Germany. Exh. cat. "All Words Suck." Anders Tornberg Gallery, Lund, Sweden. "Ars Pro Domo: Zeitgenossische Kunst aus Kolner Privathesitz." Museum Ludwig, Cologne, Germany. Exh. cat. "Dirty Data: Sammlung Shurmann." Forum fur Internationale Kunst, Aachen, Germany. Exh. cat. "Re: Framing Cartoons." Wexner Art Center, Ohio State University, Columbus. Exh. cat. "Desordres: Nan Goldin, Mike Kelley, Kiki Smith, Jana Sterbak, Tunga." Galerie nationale du Jeu de Paume, Paris. Exh. cat. "Transgressions in the White Cube. Territorial Mappings." USDAN Gallery, Bennington College, Vermont. "New Deal." Bruno Brunnet Fine Arts, Berlin. "Recent Publications and Acquisitions." Brooke Alexander Editions, New York. "Not For Sale." Tel Aviv Museum of Art, Israel. "Privacy." Spazio Opos, Milan, Italy. Metro Pictures, New York. "LAX." Galerie Krinzinger, Vienna. Exh. cat. Collaboration with Paul McCarthy. "Expanded Art, II." Wiener Fest Wochen, Vienna. Exh. cat. 1991 "Telekinesis." Mincher/Wilcox Gallery, San Francisco. "Idiosyncrasies in the Expanded Field." Postmasters. "El jardin salvaje" (The Savage Garden). Fundacion Caja de Pensiones, Madrid, Spain. Exh. cat. "California Artists: William T. Wiley, Mike Kelley, Brad Dunning." Aldrich Museum of Contemporary Art, Ridgefield, Connecticut. Exh. booklet. "Carroll Dunham, Mike Kelley, Cindy Sherman." Metro Pictures, New York. "Enclosure." Los Angeles Municipal Art Gallery, Los Angeles. "FluxAttitudes." Hallwalls, Buffalo, New York. "Something Pithier and More Psychological." Simon Watson Gallery, New York. "Poets/Painters Collaborations." Brooke Alexander Editions, New York. "1991 Biennial Exhibition." Whitney Museum of American Art, New York. Exh. cat. "Metropolis: International Art Exhibition, Berlin 1991." Martin-Gropius Bau, Berlin. Exh. cat. "Individual Realities." Sezon Museum of Art, Tokyo; Tsukashin Hall, Osaka, Japan. Exh. cat. "Someone or Somebody." Meyers/Bloom Gallery, Santa Monica, California. "The Kelly Family." Esther Schipper Gallery, Cologne, Germany. "Body/Language." Lannan Foundation, Los Angeles. The Lick of the Eye." Shoshana Wayne Gallery, Santa Monica, California. "Presenting Rearwards." Rosamund Felsen Gallery, Los Angeles. Exh. cat. "Louder." Gallery 400, University of Illinois at Chicago, Chicago. "The Carnegie International 1991." Carnegie Museum of Art, Pittsburgh. Exh. cat. "The Devil on the Stairs: Looking Back on the Eighties." Institute of Contemporary Art, Philadelphia; Newport Harbor Art Museum, Newport Beach, California. Exh. cat. "Objects for the Ideal Home: The Legacy of Pop Art." Serpentine Gallery, London. "My History." Real Artways, Hartford, Connecticut. "An Exhibition to Benefit Act-Up." Paula Cooper Gallery, New York. "Just What Is It That Makes Today's Homes So Different, So Appealing?" The Hyde Collection, Glen Falls, New York. Exh. cat. Luhring, Augustine, Hetzler Gallery, Santa Monica, California. "Drawings Acquisitions 1980-91." Whitney Museum of American Art at Philip Morris, New York. "Residue Politics." Beaver College Art Gallery, Glenside, Pennsylvania. "Lieux communs, figures singulieres." Musee d'art moderne de la ville de Paris, France. Exh. cat. "Anna Novanta." Galleria Comunale d'Arte Moderna, Bologna, Italy. 1990 "Past & Present—Selected Works by Gallery Artists." Rosamund Felsen Gallery, Los Angeles. "Stained Sheets/ Holy Shroud." Krygier/Landau Contemporary Art, Santa Monica, California. Exh. cat. "The Thing Itself." Feature, New York. "Prints and Multiples." Luhring, Augustine, Hetzler; Santa Monica, California. "Drawings: Werner Buttner, Mike Kelley, Martin Kippenberger, Robert Longo, John Miller." Metro Pictures, New York. "Jessica Diamond, Mike Kelley." Interim Art, London. "Editionen." Galerie Gisela Capitain, Cologne, Germany. "Mike Kelley, Tim Rollins + K.O.S., Meyer Vaisman." Jay Gorney Modern Art, New York. "Re: Framing Cartoons." Loughelton Gallery, New York. Exh. cat. "Je viens de chez le charcuterie." Galerie Ghislaine Hussenot, Paris. "Word as Image." Milwaukee Art Museum, Wisconsin; Oklahoma City Art Museum, Oklahoma; Contemporary Arts Museum, Houston. Exh. cat. "The Children's Aids Project: A Benefit Exhibition." Daniel Weinberg Gallery, Los Angeles. "Le desenchantement du monde." Villa Arson, Nice, France. Exh. cat. "Figuring the Body." Museum of Fine Arts, Boston. "Viewpoints towards the 90's: Three Artists from Metro Pictures, Part II." Seibu Contemporary Art Gallery, Tokyo. "Sculpture." Daniel Weinberg Gallery, Los Angeles. "The Kitchen Art Benefit." Leo Castelli/Castelli Graphics and Curt Marcus Gallery, New York. "Semi-Objects." John Good Gallery, New York. "Just Pathetic." Rosamund Felsen Gallery, Los Angeles. Exh. cat. "Heart in Mouth." Fahey/Klein Gallery, Los Angeles. Exh. booklet. "Lotte or the Transformation of the Object." Kunstverein, Graz, Austria; Akademia der Bildender Kunst, Vienna. Exh. cat. "Total Metal." Simon Watson Gallery, New York. "Spirit of Our Time." Contemporary Arts Forum, Santa Barbara, California, Exh. cat. "Stuttering." Stux Gallery, New York. 1989 "A Forest of Signs: Art in the Crisis of Representation." Museum of Contemporary Art, Los Angeles. Exh. cat. "1989 Biennial Exhibition." Whitney Museum of American Art, New York. Exh. cat. "What is Contemporary Art?" Rooseum, Malmo, Sweden. Exh. cat. "Prospect 89: Eine Internationale Ausstellung aktueller Kunst." Kunstverein, Frankfurt, Germany. Exh. cat. "A Decade of American Drawing 1980-1989." Daniel Weinberg Gallery, Los Angeles. "Mike Kelley, Judy Pfaff, Keith Sonnier." Susanne Hilberry Gallery, Birmingham, Michigan. "Jennifer Bolande, Tim Ebner, Mike Kelley, Ken Lum." Robbin Lockett Gallery, Chicago. "They See God." Pat Hearn Gallery, New York; Metro Pictures, New York. "The Image of American Pop Culture Today III." La For?t Art Museum, Tokyo. "Filling in the Gap." Feigen, Chicago. Exh. brochure. "Kunsterlische Fotografie der 70er and 80er Jahre." Galerie Schurr, Stuttgart, Germany. "Erotophobia." Simon Watson Gallery, New York. "No Stomach." Installation, San Diego, California. "Jessica Diamond, Allen Ruppersberg, Mike Kelley." Christine Burgin Gallery, New York. 1988 "Striking Distance." Museum of Contemporary Art, Los Angeles; Triton Museum of Art, Santa Clara, California; Fresno Arts Center and Museum, California; University Art Gallery, Sonoma State University, Rohnert Park, California. "Awards in the Visual Arts 7." Los Angeles County Museum of Art, Los Angeles; Carnegie-Mellon Art Gallery, Pittsburgh; Virginia Museum of Fine Arts, Richmond. Exh. cat. "Recent Drawings: George Condo, Mike Kelley, Ellen Phelan, Janis Provisor." Whitney Museum of American Art, New York. "Monster with Three Heads." Don Soker Contemporary Art, San Francisco. "The 43rd Biennale of Venice, Aperto '88." Venice, Italy. Exh. cat. "Lost and Found in California: Four Decades of Assemblage Art. The Second Generation: The Narrative 1957-1987." Shoshana Wayne Gallery, Los Angeles; James Corcoran Gallery and the Pence Gallery, Santa Monica, California. Exh. cat. "Graz 1988." Kunstverein, Graz, Austria. Exh. cat. "The BiNational: American Art at the Late Eighties/German Art in the Late Eighties." Museum of Fine Arts and The Institute of Contemporary Art, Boston; Stadtische Kunsthalle, Kunstsammlung Nordrhein-Westfalen, Kunstverein fur die Rheinlande und Westfalen, Dusseldorf, Germany; Kunsthalle, Bremen, Germany; Wurttembergischer Kunstverein, Stuttgart, Germany. Exh. cat. "New Works on Paper." Rosamund Felsen Gallery, Los Angeles. "Art Against Aids." Pacific Design Center, Los Angeles. "Rene Daniels, Mike Kelley, Robert Longo, Cindy Sherman." Metro Pictures, New York. "Democracy: Cultural Participation." DIA Art Foundation, New York. "L.A. Hot and Cool: The Eighties." List Visual Arts Center, Massachusetts Institute of Technology, Cambridge. Exh.cat. 1987 "Avant-Garde in the Eighties." Los Angeles County Museum of Art, Los Angeles. Exh. cat. "Toyama Now '87." Museum of Modern Art, Toyama, Japan. Exh. cat. "1987 Phoenix Biennial." Phoenix Art Museum, Arizona. Exh. booklet. "Cal Arts: Skeptical Belief(s)." The Renaissance Society at the University of Chicago; Newport Harbor Art Museum, Newport Beach, California. Exh. cat. "Contemporary Diptychs: Divided Visions." Whitney Museum of American Art at Fairfield County, Stamford, Connecticut. Exh. brochure. "Art Against Aids." Metro Pictures, New York. "Head Sex." Feature, Chicago. "Nothing Sacred." Margo Leavin Gallery, Los Angeles. "L.A.C.E. Annuale." Los Angeles Contemporary Exhibitions, Los Angeles. "Schema." Baskerville + Watson Gallery, New York. Saxon-Lee Gallery, Los Angeles. 1986 "Baaa Baaa Ba'bel." The Alexandria Hotel, Los Angeles. "Spectrum: Natural Settings." The Corcoran Gallery of Art, Washington, D.C. Exh. booklet. "Poetic Resemblance." Hallwalls, Buffalo, New York; Loughelton Gallery, New York. Exh. cat. "Individuals: A Selected History of Contemporary Art, 1945-1986." Museum of Contemporary Art, Los Angeles. Exh. cat. "Meanwhile, Back at the Ranch...." Kuhlenschmidt/Simon Gallery, Los Angeles. "A New Abstraction." New City Gallery, Venice, California. Metro Pictures, New York. "Headhunters." Los Angeles Contemporary Exhibitions, Los Angeles. Exh. brochure. 1985 "Art in the Anchorage." The Brooklyn Bridge Anchorage, New York. "B & W." Los Angeles Institute of Contemporary Art, Los Angeles. Metro Pictures, New York. "Currents—7: Words in Action." Milwaukee Art Museum, Wisconsin. Exh. cat. "1985 Biennial Exhibition." Whitney Museum of American Art, New York. Exh. cat. "Best of the West." Zero One Gallery, Los Angeles. "Funny Art." Concord Gallery, New York. "Auto/Genetic/Photopsia." Christminster Gallery, New York. 1984 "The Fifth Biennale of Sydney—Private Symbol: Social Metaphor." The Gallery of New South Wales, Sydney, Australia. Exh. cat. "Contemporary Eccentrics." Edge Gallery, Fullerton, California. Rosamund Felsen Gallery, Los Angeles. "The First Newport Biennial: Los Angeles Today." Newport Harbor Art Museum, Newport Beach, California. Exh. cat. Metro Pictures, New York. "Explorations 1983-84." California Institute of the Arts, Valencia. Exh. booklet. "Signal Approach." The Funnel, Toronto. Exh. booklet. 1983 "The First Show: Painting and Sculpture from Eight Collections 1940-1980." Museum of Contemporary Art, Los Angeles. Exh. cat. "Summer Show." Rosamund Felsen Gallery, Los Angeles. "Sunday in Fiji." Los Angeles Contemporary Exhibitions, Los Angeles. "Art on Paper." Weatherspoon Gallery, University of North Carolina at Greensboro; Newport Harbor Art Museum, Newport Beach, California. "Word Works." Minneapolis College of Art and Design and Walker Art Center, Minneapolis. Hallwalls, Buffalo, New York. "Possible Acquisitions." Newport Harbor Art Museum, Newport Beach, California. 1982 "5 From L.A.: Kiki Maclinnis, Michael Kelley, Mary Jones, Michael McMillen, Jeffrey Vallance." Mandeville Art Gallery, University of California, San Diego. "Visiting Artist's Exhibition: John M. Miller, Michael Kelley, JoAnn Verburg." Minneapolis College of Art and Design, Minneapolis. 1981 "Exhibition: Tenth Anniversary." California Institute of the Arts, Valencia. Exh. cat. "Beware of the Dog: Work from Artists in the Cave Canem Book Project." The Mudd Club, New York. "Contemporary Drawings: In Search of an Image." University Art Museum, University of California, Santa Barbara. Exh. cat. White Columns, New York. Newspace, Los Angeles. Riko Mizuno Gallery, Los Angeles. 1980 "By-Products: Mike Kelley, Tony Oursler, Mitchell Syrop." Los Angeles Contemporary Exhibitions, Los Angeles. "Jim Casebere, Michael Glier, Mike Kelley, Kathryn Mish, Tom Sansone, and Others." Annina Nosei Gallery, New York. 1979 "Manifesto Show." 5 Bleeker Street, New York. "Sound." Los Angeles Institute of Contemporary Art, Los Angeles; P.S. 1, Institute for Art and Urban Resources, Long Island City, New York. Exh. cat.

PERFORMANCES, READINGS AND OTHER EVENTS

2002 “All Tomorrow’s Parties,” Detroy All Monsters performance. Curated by Sonic Youth at UCLA Royce Hall. 2000 “A Haute Voix.”, Espace Franquin, Angouleme, France. Theatre performance in conjunction with the exhibition “>Mike KelleyVIDEO SHOWS AND SCREENINGS 2004 “New York Video Festival”, VENUE??? “DIA and EAI at DIA: Chelsea”, A Day Long Screening of Video Works, Dia: Chelsea Bookshop, NY, New York. 2001 “New Video at EAI: A One Day Exhibition,” In Conjunction with Chelsea Art Walk, Electronic Arts Intermix, NY, New York. “Mike Kelley, New Video.” Dia Bookshop, New York, New York. 2000 “Videos by Mike Kelley.” Filmuseum, Munich. 1996 "Re-Read." AC Project Room, New York. 1995 "World Wide Video Festival." The Hague, The Netherlands. Exh. cat. 1993 "Mike Kelley et Tony Oursler." Centre d'Art Contemporain, Geneva, Switzerland. 1992 "Videos by and with Mike Kelley." Institute of Contemporary Art, London; Galerie nationale du Jeu de Paume, Paris; Kunsthalle, Basel, Switzerland; Walcheturm, Zurich; Kunsthalle, Vienna. "American Videos." Stadelschule, Frankfurt, Germany. Sponsored by 7.0.7. and Portikus. 1991 "1991 Whitney Biennial Exhibition." Collaboration with Ericka Beckman. Whitney Museum of American Art, New York. "My Life and Media." Broadway Cinema, Cologne, Germany. 1990 "New Works, First Runs." Collaboration with Ericka Beckman. The Kitchen, New York. 1989 "An Evening with Ericka Beckman and Mike Kelley." Museum of Contemporary Art, Los Angeles. "Mike Kelley—Post Renaissance Man." Pacific Film Archive, University Art Museum, University of California, Berkeley. 1987 "Kappa." Collaboration with Bruce and Norman Yonemoto. Saxon-Lee Gallery, Los Angeles. "1987 Biennial Exhibition." Collaboration with Bruce and Norman Yonemoto. Whitney Museum of American Art, New York. 1986 "Kappa." Collaboration with Bruce and Norman Yonemoto. Baskerville + Watson Gallery, New York. "The Fairy Tale: Politics, Desire,and Everyday Life." Collaboration with Bruce and Norman Yonemoto. Artists Space, New York. 1985 "Signal Approach." The Funnel, Toronto. Exh. booklet. 1984 "Performance On/And Video." Hallwalls, Buffalo, New York. "Video Pool." Winnipeg, Canada. 1983 "Head Hunters." Los Angeles Contemporary Exhibitions, Los Angeles. "WordWorks." Minneapolis College of Art and Design, in association with the Walker Art Center, Minneapolis, Minnesota.

CURATORIAL PROJECTS

2004 Mike Kelley’s Film Festival: über Das Unheimliche, Film Casino, Wien, Austria (in conjunction with “The Uncanny”) “Street Credibility.” Museum of Contemporary Art, Los Angeles, CA. “Mike Kelley Curates.” Detroit Artists Market, Detroit, Michigan. 1999 “Unisex Love Nest.” Palais Attems, Graz, Austria. Presented in conjunction with “Re-Make/Re-Model” a series of events produced for Steirischer Herbst, Graz, Austria. “The Revolution Will Not Be Televised.” Collaborative event Sponsored by the Center for the Study of Political Graphics. Mike Kelley was among the artists who selected posters for the exhibition. Track 16 Gallery, Los Angeles, CA. 1998 "Visitors' Gallery." Museum of Contemporary Art, Los Angeles. Co-curated with Paul McCarthy and sponsored by the Education Department as a series of events concurrent with "Out of Actions: Between Performance and the Object 1949-1979." 1993 "The Uncanny." Gementeem Museum, Arnhem, The Netherlands, in cooperation with "Sonsbeek 93."

LECTURES, SYMPOSIA, SEMINARS WITH THE ARTIST

2004 Discussion with Jerry Fialka on “Foul Perfection” and “Minor Histories”, “Artists and Authors in Dialogue” series. At the Rose Gallery, Bergamot Station, Santa Monica. September 29. 2003 “Whatever Happened to Installation Art?” Symposium on the occasion of the “Capp Street Project: 20th Anniversary Exhibition.” A conversation with Ralph Rugoff, director, CCAC Wattis Institute for Contemporary Arts. Held at the San Francisco Museum of Modern Art, Phyllis Wattis Theater, San Francisco, California 2000 Lecture. On the occasion of “Introjection: Tony Oursler Mid-Career Survey 1976-1999.” Museum of Contemporary Art Los Angeles, CA. 1999 “The History of Glitter.” Stadtzmuseum, Graz, Austria. Panel discussion in conjunction with “Re-Make/Re-Model” a series of events produced for Steirischer Herbst, 1999. "Mike Kelley in discussion with Bruce Yonemoto." On the occasion of “Bruce and Norman Yonemoto: Memory, Matter, and Modern Romance”, Japanese American National Museum, Los Angeles, CA. 1997 "Art in the Center." An evening of discussion with Mike Davis, Mike Kelley, Jeff Wall, Catherine David, Jean-Francois Chevrier. MAK Center For Art and Architecture, Los Angeles, CA. "Prog/Prole." Collaborative lecture with Diedrich Diedrichsen. Part of "100 Days" lecture series, an extension of Documenta X, Kassel, Germany. 1996 “Conceptualism: The Origins and Historiography.” Symposium with Eleanor Antin, David Askevold, John Baldessari, Robert Barry, Ann Goldstein, Joan Jonas, organized by Alexis Hall, Michelle Alperin and Mike Kelley on the occasion of the exhibition “Reconsidering the Object of Art. 1965-1975.”Museum of Contemporary Art, Los Angeles, CA. “Mike Kelley presents John Todd and His Songs by David Askevold.” Museum of Contemporary Art, Los Angeles, CA. 1995 Lecture. Detroit Institute of Arts, Oak Park, Michigan. 1993 "The Aesthetics of Ufology." Los Angeles County Museum of Art, Los Angeles. 1992 “Impurities.” Symposium with Paul McCarthy, Mike Kelley, Jim Shaw, Benjamin Weissman, Raymond Pettibon, moderated by Ralph Rugoff on the occasion of “LAX” organized by Galerie Krinzinger at Akstaal de Hochschule fur Angewandte Kunst, Vienna, Austria. 1986 “Seminars With Artists.” Whitney Museum of American Art, New York. 1985 “Teaching Non-Traditional Mediums in an Academic Institution.” Symposium with Eleanor Antin, John Baldessari, NancyBuchanan, Laurie Beth Clark, Jim Davis, Terry Fox, Howard Fried, Nancy Goldring, George Hermes, Bobby Jones, Mike Kelley, Tom Maroni, Paul McCarthy, Barbara Smith, Jeffrey Vallance. Organized by Chris Burden and the College Art Association.

Who I'd like to meet:
People who appreciate stuffed animals, textile banners, carpets.

WRITINGS BY THE ARTIST

"The Runaway Wheel." Journal: Los Angeles Institute of Contemporary Art (March 1979). "The Parasite Lily." High Performance, no. 11-12 (Fall-Winter 1980). Artist's Chronicle. "The Poltergeist." Journal: Los Angeles Institute of Contemporary Art. (September 1980). "Monkey Island." Lightworks (February 1981). "The Monitor and the Merrimac." High Performance, no. 14 (Summer 1981). Artists' Chronicle. "Meditation on a Can of Vernors." High Performance, no. 17-18 (Spring-Summer 1982). Artists' Chronicle. "Monkey Island." Cave Canem, Artist's Anthology (September 1982). "Slow Boat to Lesbos." Barney (1984). "Ajax." Journal: Los Angeles Institute of Contemporary Art (Spring 1984). "Urban Gothic." Spectacle, no. 3 (1985). "Excerpts from Plato's Cave, Rothko's Chapel, Lincoln's Profile." Journal, Los Angeles Institute of Contemporary Art (Fall 1985). "Excerpts from Plato's Cave, Rothko's Chapel, Lincoln's Profile." File, no. 27 (Spring 1987). "Three Projects: Statement." WhiteWalls, No. 20 (Fall 1988). "Foul Perfection: Thoughts on Caricature." Artforum, 27 (January 1989), pp. 92-99. Reprinted in Crime and Ornament. Eds. Bernie Miller and Melony Ward, Toronto, Canada: YYZ Books, 2002, 116-133. "Mekanik Destruktiw Kommandoh: Survival Research Laboratories and Popular Spectacle." Parkett, No. 21 (1989). "Theory, Garbage, Stuffed Animals, Christ (Dinner Conversation Overheard at a Romantic French Restaurant)." Forehead 2 (1989): 12-21. "Sonic Youth's Flashy Gordon." Interview by Mike Kelley with Kim Gordon Interview, 34. "Forget M/M, K/T is the Trip." Fama & Fortune Bulletin, no. 8 (November 1991). Interview with Kim Gordon. "In the Image of Man." Carnegie International Volume 1 (New York: Rizzoli and Pittsburgh: The Carnegie Museum of Art, 1991): 94. Excerpt reprinted in Documents sur l'art (Autumn 1997): 136-37. "Ahh. . .Youth!" 21st Century (Winter 1991-1992): 4-11. Eight portrait photographs. "Larry Clark. In Youth Is Pleasure." Flash Art (May-June 1992): 82-86. "Death and Transfiguration: A Letter From America." In Paul Thek. Exh. cat Turin: Castello di Rivara, 15-20. Reprinted in Texte zur Kunst (December 1992): 43-49. “Phobic.” In Tony Oursler Exh. cat. White Trash and Phobic. Geneva: Centre d’Art Contemporain, Kunst Werk, Berlin. 1993. “Jutta Koether.” Journal of Contemporary Art, Cologne: Summer, 1994. 7-24. Artist Statement and ‘Intervention’ for Radical Scavenger(s): The Conceptual Vernacular in Recent American Art. Exh. Cat. Chicago: Museum of Contemporary Art, 1994. "Mortal Remains." Intermedia Arts. Eds. Ricardo Bloch and Dan Celender. 1995. Fuku, Noriko. The Now Art Book. Korinsha Press and Co., Ltd., 1996, 84-86. "Mike Kelley: From Timeless/Authorless #9, 18 30 34, 44, 66. Whitewalls: A Journal of Language and Art, no. 38 (1996): 4. Play. "Mike Kelley: Repressed Architectural Memory Replaced by Psychic Reality." Architecture New York, no. 15 (1996): 36-39. Reprinted, De Witte Raaf, #96 (March/April 2002): 9. Brussels. "Mike Kelley on the Aliens Among Us." World Art, 14 November 1997, 48-53. Interview with M.A. Greenstein. "Shall We Kill Daddy?" In Origin and Destination: Alighiero E Boetti, Douglas Huebler. Exh. cat. Brussels: La Societe des Expositions du Beaux-Arts, 1997, 155-171. Also published in Striking Distance C31 Magazine, (12/96-1/97). http://strikingdistance.com. “David Askevold: The California Years.” David Askevold:Cultural Geographies and Other Works. Exh. cat. British Colombia: Confederation Centre Art Gallery and Museum, 1998. “Timeless/Authorless.” Asteroid Impaired: Righteous American Fiction: Volume 1 (Fiction Journal). Eds. Alexis Hall, Catherine Sullivan, Benjamin Weissman. Pasadena, California: Art Center College of Design, 1997. “My Universal System is a Dystopian One”, Sin Titulo (#5), Centro de Creacion Experimental, Cuenca, Spain, 1998. Interview with Jose Alvaro Perdices. “Hollywood Filmic Language, Stuttered (Caltiki the Immortal Monster and Rose Hobart).” More and Less, Ed. Sylvere Lotringer, Pasadena, California: Art Center College of Design, 1999. “Dyspeptic Universe: Cody Hyun Choi’s Pepto-Bismal Paintings.” Farewell to the 20th Century: Cody Choi, Kukje Gallery & Deitch Projects, New York, 1998. “We Communicate Only Through Our Shared Dismissal of the Prelinguistic.” New Observations, no. 118 (Spring 1998): 18-19. Also printed in Wrong:The Journal of Highly Speculative Ideas. Ed. Brian McCormick, Pasadena, California: Art Center College of Design, 1999. “The Greatest Tragedy of President Clinton’s Administration.” In Let’ s Entertain, Exh. Cat. Walker Art Museum, Minneapolis Minn., Centre Georges Pompidou, Paris, 2000. Text originally for poster published on the occasion of the exhibition “Mike Kelley” at Patrick Painter Inc., Santa Monica, 1999. To be read aloud (A lire a haute voix). Exh. cat. Discussion between Mike Kelley and Franz West. Verlag Pakesch & Schlebrugge, Vienna, Austria. 1999. “Go West.” John Miller: Parallel Econonies, Exh. cat. Grenoble, France: Magasin: Centre D’Art Contemporain de Grenoble, 1999. “The Meaning is Confused Spatiality, Framed.” Mike Kelley Exh. cat. Grenoble, France: Magasin: Centre D’Art Contemporain de Grenoble, 1999. Essays by Yves Aupetitallot, Laurence Rickels and Mike Kelley. “An Endless Script: Dialogue Between Tony Oursler and Mike Kelley.” Exh. Cat. Williamstown College, Williamstown, Massachusettes, 1999. “Here Comes Everybody: A Conversation Between Jim Shaw and Mike Kelley.” Exh. Cat. Casino Luxembourg/Smart Art Press, 1999. “Geheimgeschichten: Interviews with Mary Woronov, AA Bronson, Sebastian, and Pamela Des Barres.” Text zur Kunst, September, 1999. Interviews Conducted by Mike Kelley, Diederich Diederichsen, and Juliane Rebentisch. “Cross Gender/Cross Genre.” Performing Arts Journal, 64, (January 2000) XXII, No 1. 1-9. “A Domestic Scene.” Kim’s Bedroom Exh. cat. Purple Books, Paris, 2000. “Alma Pater.” Exh. Cat. Sammlung Goetz, 2000. Statement for re-installation of Alma Pater published on the occasion of the exhibition Mike Kelley, Peter Fischli and David Weiss, at Sammlung Goetz and Lenbachhaus, Munich, Germany, 2000. “Artist/Critic.” In When Down is Up Ausgewählte Schriften 1987-1999. Revolver Archiv für aktuelle kunst, 2001. “Myth Science.” Öyvind Fahlström: The Complete Graphics, Multiples, and Sound Works. Exh. cat. Vienna: BAWAG Foundation, 2001. “An Academic Cut-Up, in Easily Digestible Paragraph-Sized Chunks Or THE NEW KING OF POP: DR. KONSTANTIN RAUDIVE.” Sonic Process Exh. Cat. Paris: Éditions du Centre Pompidou, 2002. English language version printed in Grey Room No.11, (Spring 2003) . “Ufology: Aesthetics of UFO’s.” (1997/2002) Blastitude, no. 13 (August 2002). “Cross Gender/Cross Genre.” Just Love Me: Post/Feminist Positions of the 1990s from the Goetz Collection, Exh. Cat. pp. 84-99, Köln: Verlag Der Buchhandlung Walter König, 2002 “Mike Kelley,” Francis Picabia, Exh. cat., Paris: Musee d’Art Modern de la Ville de Paris, 2002. Foul Perfection: Essays and Criticism , edited by John C. Welchman ,Cambridge: MIT Press, 2003. “Mike Kelley Talks to Dennis Cooper.” Artforum 40th Anniversary Special Issue, The 1980s: Part Two , (April 2003) pp. 224-225, 255. “Excerpts from A Conversation: Mike Kelley and A.A. Bronson.” General Idea Editions: 1967-1995, Exh. cat., University of Toronto at Mississauga: Blackwood Gallery, 2003. Minor Histoires: Statements, Coversations, Proposals, edited by John Welchman, Cambridge: MIT Press, 2004. "Sonic Youth by Mike Kelley." Interview , August, 2004, pp 94-95. Mike Kelley interview of Sonic Youth. "Mike Kelley, Tony Oursler: Entretien" L'Horreur Comique: Esthétique Du Slapstick, 2004 Paris: Centre du Pompidou, pp. 147-157 ARTIST PROJECTS AND COVERS FOR MAGAZINES AND JOURNALS Artist Designed Recipe Cards, 2002. Artist’s recipe card. "Sod and Sodie Sock." Wirtschaft, (Austria) 23 September 1998, Artist’s page. With Paul McCarthy. "Fresh Acconci." Snowflake 3, no. 26 (1996): 4. Still photo. With Paul McCarthy. Color This!: A Collection of Los Angeles Artists' Drawings. Los Angeles Foundation for Art Resources, Inc., (1994): 56. "Monster Manse." Grand Street, no. 49 (1994): 224-233. Photographs by Daniel Faust. "Artist Page." Artpaper (February 1988). “Sketchbook Issue.” X-tra Volume 4. Issue 4 Spring, 2002. Drawings. Zyzzyva (Spring 1988). Flanagan, Bob. Slave Sonnets. Cold Calm Press, 1986. Cover design and artwork. Cover image. The Paris Review (Fall 1985). "The Spot Syndrome." New Observations (1984). With Ericka Beckman. Drawing. Beyond Baroque Foundation (Spring 1984): cover. Drawing. Spectacle, no. 1 (1984). "Conserve Energy." Los Angeles Herald Examiner, California Living Magazine. In conjunction with "A Meeting of Media" by Christopher Knight, 22 November 1981. INTERVIEWS WITH THE ARTIST Albertini, Rosanna. “On the Sex of Art.” Artpress (France), no. 205 (September 1995): 42-43. Interview. Antoine, Jean-Philippe. “Basket nocturne a dos d’ane.” Les Cahiers du Musee national d’art moderne, Centre Pompidou, Paris, no. 73 (Autumn 2000): 102-123. Bessa, Sergio. "Historic Kiosk." Zingmagazine, (New York) 2 (Summer 1998). Interview. Breitenberg, Mark. “Freak Culture.” Art & Text (February/April 2000): 54-61. Interview. Brugerolle, Mary de. “Fragments et Bribes.” Trouble. numero 2, 2002: 110-117. Interview. Burnichon, Marie-Cecile “Special Ketchup Forces” Interview with Mike Kelley , O2 No. 28, Hiver 2003/2004 pp. 32-33 (French) Chevrier, Jean-Francois. "Mike Kelley." Galeries Magazine (1991): 89-91, 153-155. Interview. Colin, Kim, and Mark Skiles. "Missing Space/Time: A Conversation With Mike Kelley." Offramp, no. 6 (1995): 80-99. Interview. Cooper, Dennis. “Trauma Club.” Artforum (October 2000): 126-129. Cooper, Dennis. “Mike Kelley Talks to Dennis Cooper.” Artforum (April 2003): 224-225, 255. Interview. Cotter, Holland. "Eight Artists." Art in America (May 1987): 162-197. Interview. Cranston, Meg. “Deploy All Monsters.” Raygun, April 1999. Interview. Eikmeyer, Robert "Destroy All Monsters." FACE/OFF: Im Körper des Feindes… Revolver Archiv Für Aktuelle Kunst, Frankfurt am Main. pp63-69 2004 Ekeberg, Jonas. “En Slags Perversion.” Hyperfoto. No.3-4, 1996. 36-41. Ed. "See You at the Velvet Goldmine, Richard Prince Meets Mike Kelley." Dazed and Confused (January 1999): 116-121. Ed. “Familien-Analyse: Interview with Mike Kelley and Paul McCarthy.” Schaufenster. (18 September 1998): 6-7. Ed. “Mike Kelley Babbles, Bullshits, and Speaks in Toungues.” Conduit, no. 1 (spring 2001). Interview. Gholson, Craig. "Mike Kelley." Bomb (Winter 1988). Hainley, Bruce and Waters, John. “Nine Sex Questions” in Art-A Sex Book (London:Thames & Hudson) 2003, pp. 43, 54,191-192 and cover. Hofleitner, Johanna. "Familien Analyse." Die Presse Schaufenster, 18 September 1998, 6-7. Decter, Joshua. "Stephen Prina and Mike Kelley." In A/drift. Exh. cat. Annandale on Hudson, New York: Bard College, 1997, 47-55. Jocks, Heinz-Norbert. "Mit sex kann man der Bourgeoisie heute keinen Schlag mer verpassen." Kunstforum, no. 130 (May-July 1995): 273-93. Interview. Jocks. Heinz-Norbet. "Als Kind war ich ein Bucherwurm, der davon traumte, eines Tages ein Erzahler zu werden." Kunstforum, no. 139 (December 1997-March 1998): 186-195. Interview. Kellein, Thomas. Mike Kelley/Thomas Kellein: A Conversation. Stuttgart, Germany: Cantz Verlag, 1994. Koether, Jutta. "Jutta Koether 100% Malerie oder wie aus Musik Malerie wird und Umgekehrt: ein Gesprach von Mike Kelley." Kunstforum, no. 134 (May-September 1996): 242-248. Interview. Kothenschulte, Daniel. “Black Nostalgia: an Interview with Mike Kelley.” Mike Kelley Exh. cat. Kunstverein Braunschweig, Verlag der Buchhandlung Walther Konig, Cologne, Germany, 1999. Kremer, Mark. “Mike Kelley: A Fucked-Up Mirror of Dominant Image Making.” Art press (France), no. 183 (September 1993): E5-E8. LÜtticken, Sven. “De infantiliseringscultuur” De Witte Raaf # 96 (March/April 2002): 9. Martin, Tim. "Mike Kelley im Gesprach mit Timothy Martin, Wien, 1992." In Kunstler Innen: 50 Gesprache. Exh. cat. 1997, 138-141. Interview. "The Dirty Boys: Conversations with Mike Kelley and John Waters." Grand Street: Dirt, no. 57 (1996): 8-22 McMullen, Dan. "Interview with Mike Kelley." Artists News (February 1981). Miller, John. "Die Depolitisierung der Hippiekultur trug zu ihrer Mystifizierung bei." Kunstforum, no. 134 (May-September 1996): 199-205. Interview. ________. “Interview with John Miller.” Mike Kelley. Bartman, William S., and Miyoshi Barosh, eds. New York: Art Resources Transfer, 1992. Interview with John Miller. Excerpts reprinted in Bomb (Winter 1992): 27-30. Muller, Markus/Groos, Ulrike. “Interview with Mike Kelley.” Make It Funky Cologne: Oktagon, 1998. 190-204. Interview. Reid, Larry. "Sympathy for Stuffed Animals and UFO Abductees: Kelley Explains Himself and Destroy All Monsters." Juxtapoz (Spring 1995): 28-35. Interview. Rollig, Stella. "Die Kunst wird wie die Liebe vollig grundlos fur ein Vergnugen gehalten." Artis (February 1992): 16-22. Rugoff, Ralph. "Dirty Toys: Mike Kelley Interviewed." 21st Century (Winter 1992): 4-11. Sanders, Mark. "Blah, Blah, Blah." Dazed and Confused, no. 17 (1995): 80-83. Interview. Sentinery, Robert. "Mike Kelley: Form and Disfunction." Zone 3, no. 2 (1994): 13-18. Interview. Smith, Ed. "Mike Kelley." Shiny, no. 3 (1987). Interview. Smith, Michael, "Mike Talks to Mike About Mike." High Performance, no. 33 (1986). Interview. Storr, Robert. "An Interview With Mike Kelley." Art in America (June 1994): 90-93. Sylvester, Julie. "Talking Failure." Parkett, no. 31 (1992): 100-103. Interview. Taylor, Paul. "Interview with Mike Kelley." Flash Art (October 1990). Wilder, Chris. "A Dialogue Between Chris Wilder and Mike Kelley." BE #5: Kunstlerhaus Bethanian, (Berlin) no. 5 (May 1998) 41-53. Interview. MONOGRAPHS, ONE-ARTIST EXHIBITION CATALOGUES, and ARTIST'S BOOKS Arden, Roy and Scott Watson, eds. Consolation Prize: Mike Kelley & John Miller. Exh. cat. Vancouver, Canada: Morris and Helen Belkin Art Gallery, 2000. Bartman, William S., and Miyoshi Barosh, eds. Mike Kelley. New York: Art Resources Transfer, 1992. Interview with John Miller. Cruz, Amada. Mike Kelley: Half a Man. Exh. cat. Washington D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1991. Kellein, Thomas. Mike Kelley. Exh. cat. Basel, Switzerland: Kunsthalle, 1992. _______. Mike Kelley/Thomas Kellein: A Conversation. Stuttgart, Germany: Cantz Verlag, 1994. Kelley, Mike. Plato's Cave, Rothko's Chapel, Lincoln's Profile. Venice, California: New City Editions; New York: Artist's Space, 1986. Kelley, Mike. Reconstructed History. Cologne, Germany: Galerie Gisela Capitain; New York: Thea Westreich, 1990. Kelley, Mike. The Uncanny. Arnhem, The Netherlands: Sonsbeek, 1993. Kelley, Mike. Missing Time Works on Paper 1974-76 Reconsidered. Exh. cat. Hannover, Germany: Kestner-Gessellschaft, 1995. Essays by Timothy Martin, Carsten Arhens, Carl Haenlein. Excerpts reprinted in Documents sur l'art (Autumn 1997): 138-141. Kelley, Mike. The Thirteen Seasons (Heavy on the Winter). Exh. cat. Cologne, Germany: Jablonka Galerie, 1995. Kelley, Mike. Land O'Lakes. Exh. cat. Tokyo: Wako Works of Art, 1996. Kelley, Mike, and Tony Oursler. The Poetics Project: 1977-1997 (Documenta version). Exh. cat. Tokyo: Watari-um, The Watari Museum of Contemporary Art, 1997. Kelley, Mike. Mike Kelley. London, England: Phaidon Press Ltd, 1999. Essays by John C. Welchman, Isabelle Graw, Anthony Vidler and Mike Kelley. Kelley, Mike. Exh. cat. Braunschweig, Germany: Kunstverein Braunschweig, 1999. Kelley, Mike & Fischli Peter, Weiss, David. Exh. cat. Munich, Germany: Collection Goetz. Kelley, Mike and Tony Oursler. Tony Oursler and Mike Kelley: The Poetics Project. Exh. cat.Tokyo: Watari-um, The Watari Museum of Contemporary Art, 1997. Kelley, Mike. Exh. cat. Memory Ware, Wood Grain, Carpet. Milano, Italy: Galleria Emi Fontana, 2004. Kelley, Mike, The Uncanny by Mike Kelley, Artist. Essays by Mike Kelley, John Welchman, , Christoph Grunenberg. Exh cat. Liverpool, England: Tate Liverpool; Vienna, Austria: Museum Moderner Kunst Stiftung Ludwig Wien, 2004. English and German-English editions. Knight, Christopher. Mike Kelley. Exh. cat. Cologne, Germany: Jablonka Galerie, 1989. McCarthy, Paul, and Mike Kelley. Heidi: Midlife Crisis Trauma Center and Negative Medida-Engram Abreaction Release Zone. Exh. cat. Vienna: Galerie Krinzinger, 1992. Essay by Tim Martin. Published on the occasion of the exhibition "LAX." Nilsson, Bo, and Jose Lebrero Stals eds. Mike Kelley. Exh. cat. Malmo, Sweden: Rooseum Center for Contemporary Art, 1997. Johannes Schlebrügge, ed., Mike Kelley, Franz West. Exh. cat. Brussels, Belgium: One Two Three, 2001. Singerman, Howard, and John Miller. Mike Kelley: Three Projects: Half a Man, From My Institution to Yours, Pay For Your Pleasure. Exh. cat. Chicago: The Renaissance Society at the University of Chicago, 1988. Stals, Jose Lebrero, ed. Mike Kelley 1985-1996. Exh. cat. Barcelona: Museu d'Art Contemporani, 1997. Essays by Timothy Martin, Jose Lebrero Stals, Elizabeth Sussman, Mike Kelley, Anthony Vidler. Sussman, Elizabeth. Mike Kelley: Catholic Tastes. Exh. cat. New York: Whitney Museum of American Art, and Harry M. Abrams Inc., 1993. Essays by Richard Armstrong, Dennis Copper and Casey McKinney, Deidrich Diedrchsen, Jutta Keother, Martin Prinzhorn, Howard N. Fox, Colin Gardner, Kim Gordon, John G. Hanhardt, David Marsh, Timothy Martin, John Miller, Ralph Rugoff, Paul Schimmel, Howard Singerman.

GROUP EXHIBITION CATALOGUES AND REFERENCE BOOKS

Abject Art: Repulsion and Desire in American Art. Exh. cat. Ed. Jane Philbrick. New York: The Whitney Independent Study Program, 1995. Action/Performance and the Photograph. Exh. cat. Ed. Robert C. Morgan. Los Angeles: Turner/Krull Galleries, 1993. The Age of Modernism: Art in the 20th Century. Exh. cat. Berlin: Martin-Grobius-Bau, 1997. Allegories of Modernism: Contemporary Drawing. Exh. cat. Ed. Bernice Rose. New York: The Museum of Modern Art, 1992. American Art from the Goetz Collection, Munich. Exh. cat. Eds. Noemi Smolik and Rainald Schumacher. Prague: Galerie Rudolfinum, 2001. American Film & Video: WHITNEY BIENNIAL, Electronic Undercurrents. Exh. cat. Eds. Vibeke Petersen and Marianne Torp Ockenholt. Copenhagen: Statens Museum for Kunst, 1996. American Stories: Amidst Displacement and Transformation. Exh. cat. Tokyo: Setagaya Museum of Art, 1997. American Playhouse: The Theatre of Self-Presentation. Exh. cat. Toronto: The Power Plant, 1998. American Visionaries: Selections from the Whitney Museum of American Art. Maxwell Anderson. New York: Whitney Museum of American Art, 2002, 162. Animals Exh. cat. Ed. Christiane Schneider. London: Haunch of Venison Gallery, 2004. Après:7E Biennale D’Art Contemporain De Lyon. Exh. cat. Eds. Xavier Douroux, Franck Gautherot, Eric Troncy; with Robert Nickas, Anne Pontégnie. Les Presses du réel/Fage éditions, 2003. Arrested Childhood. Exh. cat. Ed. Bonnie Clearwater. North Miami, Florida: Center for Contemporary Art, 1994. Ars Pro Domo: Zeitgenossische Kunst aus Kolner Privathesitz. Exh. cat. Ed. Wilfried Dickhoff. Cologne, Germany: Museum Ludwig, 1992. Art After Appropriation: Essays on Art in the 1990s. John Welchman. Amsterdam: G+B Arts International, 2001. Art at the End of the 20th Century. Exh. cat. Eds. David A. Ross and Eugenie Tsai. New York: Whitney Museum of American Art, 1997. Art Now. Cat. Eds. Uta Grosenick. and Burkhard Riemschneider. Cologne: Taschen, 2001. Art of the 20th Century: Volume II (Anthology). Ed. Ingo F. Walther. Cologne, Lisboa, London, New York, Paris, Tokyo: Taschen, 1998. L'art au corps. Marseilles: Musees de Marseille, 1996. Artificial Intelligence in the Arts, nr. 1 "Brainwork." Ed. Richard Kriesche. Graz, Austria: Steirischer Herbst, 1985. Art-A Sex Book , Bruce Hainley and John Waters. London:Thames & Hudson, 2003. Art in the Center: Two Discussions on Documenta X. Ed. Peter Noever. Vienna: MAK-Austrian Center for the Applied Arts, 1997. Art at Home: Ideal Standard Life. Exh. cat. Ed. Takayo Lida. Tokyo: Spiral Garden, 1997. Art at Ringier: 1995-1998. Ringier AG, Zurich: 1999. Art Since 1940: Strategies of Being. Johnathan Fineberg, 2nd ed., Englewood Cliffs, New Jersey: Prentice Hall, 2000,482-483. Artists Take on Detroit: Projects for the Tricentennial. Web-based exh. cat. Detroit: Detroit Institute of the Arts, 2001. Art Today. Brandon Taylor. London: Laurence King Publishing Ltd, 2005. Au-dela du Spectacle. Exh. Pamphlet. Paris: Centre Pompidou, 2000. Avant: 7th Biennale d’Art Contemporain de Lyon. Exh. cat. Lyon: Fage editions, 2003. Avant-Garde in the Eighties. Exh. cat. Ed. Howard N. Fox. Los Angeles: Los Angeles County Museum of Art, 1987. Awards in The Visual Arts 7. Exh. cat. Winston-Salem, North Carolina: South Eastern Center for Contemporary Art, 1988. Bad Girls and Sick Boys. Ed. Linda Kauffman. California: University of California Press, 1998. The BiNational: American Art of the Late 80s/German Art in the Late Eighties. Exh. cat. Eds. Trevor Fairbrother, David Joselit, and Elisabeth Sussman. Boston: The Institute of Contemporary Art and Museum of Fine Arts, 1988. Catalogue Raisonné: Collection of Contemporary Art Fundación “la Caixa” Volume I. Barcelona: Fundación “la Caixa”, 2002. Catalogue Raisonné: Collection of Contemoprary Art Fundación “la Caixa” Volume II. Barcelona: Fundación “la Caixa”, 2002. Cal Arts: Skeptical Belief(s). Exh. cat. Eds. Catherine Lord et al. Chicago: The Renaissance Society at The University of Chicago; Newport Beach, California: Newport Harbor Art Museum, 1987. California Artists: William T. Wiley, Mike Kelley, Brad Dunning. Exh. booklet. Ridgefield, Connecticut: Aldrich Museum of Contemporary Art, 1991. The Carnegie International 1991. Vol. 1. Exh. cat. Eds. Lynne Cooke and Mark Francis. Pittsburgh: The Carnegie Museum of Art, 1992. Chambris d'Amis. Exh. cat. Ghent, Belgium: Museum of Contemporary Art, 1997. Columbia: A Journal of Literature and Art. New York: Columbia University, 1999. Contemporary Diptychs: Divided Visions. Exh. brochure. Ed. Roni Feinstein. Stamford, Connecticut: Whitney Museum of American Art at Fairfield County, 1987. Contemporary Drawings: In Search of an Image. Exh. cat. Santa Barbara: University Art Museum, University of California, 1981. Essay by Vivian Ebersman and Justin Ebersman. A Creative Legacy: A History of The National Endowment for The Arts Visual Artists’ Fellowship Program 1966-1995. Essays by Nancy Princethal and Jennifer Dowley. New York: Harry N. Abrams, Inc., Publishers in association with National Endowment for the Arts, 2002. Currents—7: Words in Action. Exh. cat. Wisconsin: Milwaukee Art Museum, 1985. [Cut]-Los Angeles—90's Art Scene. Exh. cat. Copenhagen: Kunstforeningen, 1994. Das Americas. Exh. cat. Ed. Carlos Basualdo. Sao Paulo, Brazil: Isabella Prata Consultoria de Arte and Galerie Luisa Strina, 1994. Desorders: Nan Goldin, Mike Kelley, Kiki Smith, Jana Sterbak, Tunga. Exh. cat. Eds. Catherine David and Veronique Dabin. Paris: Galerie nationale du Jeu de Paume, 1992. The Devil on the Stairs: Looking Back on the Eighties. Exh. cat. Newport Beach, California: Newport Harbor Art Museum, 1991. Dirty Data: Sammlung Schurmann. Exh. cat. Aachen, Germany: Ludwig Forum fur Internationale Kunst, 1992. Dirty Data: Sammlung Schurmann. Exh. cat. Hamburg, Germany: Deichtorhallen, 1994. The Disembodied Spirit. Exh. cat. Bowdoin College Museum, Brunsick, Maine: Bowdoin College, 2003. Display: International Exhibition of Painting. Exh. cat. Ed. Mikael Anderson. Copenhagen: The Charlottenborg Exhibition Hall, 1997. Disparities & Deformations: Our Grotesque. Exh. Cat. With essay and text by Robert Storr. Santa Fe, New Mexico: SITE Santa Fe Fifth International Biennial, 2004. Distemper: Dissonant Themes in the Art of the 1990s. Exh. cat. Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1996. Documenta IX. 3 volumes. Exh. cat. Eds. Roland Nachtigaller and Nicola von Velsen. Stuttgart, Germany: Edition Cantz; New York: Harry N. Abrams, 1992. Documenta X. Exh. cat. Stuttgart, Germany: Edition Cantz, 1997. Documenta X – the book. Exh. cat. Ed. Bernhard Balkenhol/Heiner Georgsdorf. Kassel: Universitat Gesamthochschule, 1998. Do it. Exh. booklet. Klagenfurt, Austria: Hermann Gmeinerstrasse, 1996. Do it. Exh. booklet. Australia: Lawrence Wilson Art Gallery, The University of Western Australia, 2001. Dolls in Contemporary Art: A Metaphor of Personal Identity. Exh. cat. Ed. Curtis L. Carter. Milwaukee: Marquette University, 1993. Domain. Exh. cat. Ed. Denys Zacharopoulos. Bignan: Le Domain de Kerguehennec, Centre d'art, 1993. Don't Look Now. Exh. cat. Ed. Joshua Decter. New York: Thread Waxing Space, 1994. Doubletake: Collective Memory and Current Art. Exh. cat. Eds. Lynne Cooke, Bice Curiger, and Greg Hilty. London: Hayward Gallery, 1992. Drawing: Reaffirming the Media. Exh. cat. Kansas City: Gallery of Art, University of Missouri, 1994. Drawings Acquisitions 1980-91. Exh. cat. New York: Whitney Museum of American Art, 1991. Educational Complex. Exh. cat. Eds. Sabine Breitwieser and Lindsay Anderson. Vienna: Generali Foundation, 1997. Emotion: Junge britische and amerikanische Kunst aus der Sammlung Goetz. Exh. cat. Hamburg: Deichtorhallen Hamburg, 1998. Engel:Engel. Exh. cat. Vienna: Kunsthalle Wien, 1997. Everything That's Interesting Is New. Exh. cat. Ed. Jeffrey Deitch. Athens, Greece: DESTE Foundation for the Arts, 1996. Exhibition: Tenth Anniversary. Exh. cat. Valencia: California Institute of the Arts, 1981. Expanded Art, II. Exh. cat. Ed. Dr. Cathrin Pichler. Vienna: Wiener Fest Wochen, 1992. Explorations 1983-84. Exh. booklet. Valencia: California Institute of the Arts, 1984. Eye Infection. Exh. cat. Amsterdam: Stedelijk Museum, 2001. FACE/OFF: Im Körper des Feindes… Exh. Cat. Ed. Robert EIkmeyer(HG.) Revolver Archiv Für Aktuelle Kunst Frankfurt am Main, Kunstlauf & Revolver, 2004 contains interview with Mike Kelley Falsa Innocencia Falsa Inocencia False Innocence. Exh. cat. Ed. Victoria Izquierdo Brichs. Barcelona: Fundació Joan Miró, 2003 Family Values: American Art in the Eighties and Nineties. Exh. cat. Hamburg, Germany: Galerie der Gegenwart, Kunsthalle, in association with Cantz Verlag, 1996. Fast Forward Media Art Sammlung Goetz. Exh. cat. Ed. Engvild Goetz and Stephen Urbaschek. Munich: Kunstverlag Ingvikd Goetz G.m.b.H., 2003. Feminimasculin: Le sexe de l'art. Exh. cat. Paris: Centre national d'art et de culture, Centre Georges Pompidou, 1996. The Fifth Biennale of Sydney—Private Symbol: Social Metaphor. Exh. cat. Eds. Stuart Morgan et al. Sydney, Australia: The Art Gallery of New South Wales, 1984. 50 especes d’espaces: oeuvres du Centre Georges Pompidou, Musee national d’art moderne. Exh. cat. Marseille: Musees de Marseille. Filling in the Gap. Exh. brochure. Ed. Saul Ostrow. Chicago: Feigen, 1989. The First Newport Biennial: Los Angeles Today. Exh. cat. Newport Beach, California: Newport Harbor Art Museum, 1984. Essays by Timothy Martin and Benjamin Weissman. The First Show: Painting and Sculpture from Eight Collections 1940-1980. Exh. cat. Los Angeles: The Museum of Contemporary Art, 1983. The First Valencià Biennial/Communication Between the Arts: The Passions. Exh. cat. Valencia: IVAM-Institut Valencià d’Art Modern, 2001. A Forest of Signs: Art in the Crisis of Representation. Exh. cat. Eds. Ann Goldstein, Mary Jane Jacob, and Howard Singerman. Los Angeles: The Museum of Contemporary Art, 1989. Formless, A User's Guide. Eds. Yve-Alain Bois and Rosalind E. Krauss. New York: Zone Books, 1997. "Fort! Da! Cooperations. Exh. cat. Ed. Renata Damsch-Wiehager. Stuttgart, Germany: Villa Merkel Galerie der Stadt Esslingen, 1997. Fourteenth World Wide Video Festival 1996. Exh. cat. The Hague: Stichting World Wide Video Centre, 1996. The 43rd Biennale of Venice, Aperto '88. Exh. cat. Venice, Italy: 1988. Gothic. Exh. cat. Boston: Institute of Contemporary Art, 1997. Graz 1988. Exh. cat. Graz, Austria: Kunstverein, 1988. Essays by Edward Limonov, Viktor Misiano, Anda Rottenberg etal. Groei: In de Collectie Peter Stuyvesant. Exh. cat. Amsterdam: Rothmans International European Headquarters, 1997. Guggenheim Museum Collection A to Z. Ed. Nancy Spector. New York: Guggenheim Museum Publications, 2001. Guys Who Sew . Exh. booklet. Santa Barbara: University Art Museum, University of California, 1994. Headhunters. Exh. brochure. Los Angeles: Los Angeles Contemporary Exhibitions, 1986. Essay by Timothy Martin. Heart in Mouth. Exh. booklet. Eds. Sue Spaid and Nick Taggart. Los Angeles: Fahey/Klein Gallery, 1990. Helter Skelter: L.A. Art in the 1990s. Exh. cat. Ed. Catherine Gudis. Los Angeles: The Museum of Contemporary Art, 1992. Home Sweet Home. Exh. cat. Ed. Zdenek Felix. Hamburg, Germany: Diechtorhallen, 1997. Hors limites: L'art et la vie. Exh. cat. Centre national d'art et de culture, Centre Georges Pompidou, 1994. Individual Realities. Exh. cat. Tokyo: Sezon Museum of Art, 1991. Individuals: A Selected History of Contemporary Art, 1945-1986. Exh. cat. Ed. Julia Brown Turrell. Los Angeles: The Museum of Contemporary Art, 1986. Les Enfants Terrible: Il linguaggio dell'infanzia nell'Arte 1909-2004 Museo Cantonale di Lugano, Italy, 2004. Exh. cat. L'informe: Le modernisme a rebours. Exh. cat. Paris: Centre national d'art et de culture, Centre Georges Pompidou, 1996. In Search of Self. Exh. cat. Durham, North Carolina: University Museum of Art, 1993. "Is It Art?: Transgressions in Contemporary Art." Exh. cat. Virginia: Virginia Beach Center for the Arts, 1995. It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art. Exh. cat. Ed. David Rubin. Cincinnati, Ohio: Contemporary Arts Center, 1996. Jackson Pollock: und die Maleri nach der Organisation der Maleri. Udo Kittelmann, Germany: Sammlung Frieder Burda and StaatlicheKunsthalle Baden-Baden. Jahresgaben 04/05 Kunstverein Braunschweig. Exh and Sale Cat. , Braunschweig, Germany: Kunstverein Braunschweig, 2004. El jardin salvaje. Exh. cat. Ed. Dan Cameron. Madrid, Spain: Fundacion Caja de Pensiones, 1991. Just Love Me: Post /Feminist Positions of the 1990s from the Goetz Collection. Exh. Cat. Ed. Rainald Schumacher, Matthias Winzen. Köln: Verlag Der Buchhandlung Walter König, 2003. Just Pathetic. Exh. cat. Ed. Ralph Rugoff. Los Angeles: Rosamund Felsen Gallery, 1990. Just What Is It That Makes Today's Homes So Different, So Appealing? Exh. cat. Ed. Dan Cameron. Glen Falls, New York: The Hyde Collection, 1991. Knowledge: Aspects of Conceptual Art. Exh. cat. Eds. Francis Colpitt and Phyllis Plous. Santa Barbara: University Art Museum, University of California, 1992. Künstler: Kritisches Lexikon de Gegenwartskunst. Eds. Lothar Romain and Dr. Ivo Ktanzfelder. Munchen: Verlage Weltkunst and Bruckman, 2000. Essay by Yves Cohn-Thibault. KunstlerInnen: 50 Gesprache. Exh. cat. Vienna: Kunsthaus Bregenz, 1997. Kustom Kulture. Exh. cat. Laguna Beach, California: Laguna Art Museum, 1993. L.A. Hot and Cool: The Eighties. Exh. cat. Eds. Dana Friis-Hansen et al. Cambridge: List Center for the Visual Arts, Massachusetts Institute of Technology, 1987. Laid Bare. Exh. Cat. in Hot Rod, no. 17 (Oslo, Norway: 2002). Laying Low: Postminimalist/Scatter Art. Exh. cat. Oslo, Norway: Kunstnernes Hus, 1997. LAX. Exh. cat. Vienna: Galerie Krinzinger, 1992. Le desenchantment du monde. Exh. cat. Ed. Christian Bernard. Nice, France: Centre national d'art contemporain, Villa Arson, 1990. Lieux communs, figures singulieres. Exh. cat. Paris: Musee d'art moderne de la ville de Paris, 1991. Life, Death, Love, Hate, Pleasure, Pain: Selected Works from the Museum of Contemporary Art, Chicago, Collection. Ed. Eliabeth A.T. Smith, Chicago: Museum of Contemporary Art, Chicago, 2002. Likeness: Portraits of Artists by Other Artists. Exh. cat. Ed. Matthew Higgs, Kevin Killian and David Robbins. New York: Independent Curators International, 2004. L'Immagine Riflessa. Exh. cat. Switzerland: Centro per l'Arte Contemporanae Luigi Pecci,1995. Lost and Found in California: Four Decades of Assemblage Art. The Second Generation: The Narrative 1957-1987. Exh. cat. Santa Monica, California: James Corcoran Gallery and The Pence Gallery, 1988. Lotte or the Transformation of the Object. Exh. cat. Ed. Clementine Deliss. Graz, Austria: Kunstverein, 1990. Love Hotel. Exh. brochure. Australia: National Gallery Of Australia, 1997. MACBA Collection 1: Itinerary. Cat. Barcelona: Museu d’Art Contemporani de Barcelona, 2002. Made in California: Art, Image, and Identity 1900-2000. Exh. cat. Eds. Stephanie Barron, Sheri Bernstein, Ilene Susan Fort, Los Angeles: Los Angeles County Museum of Art, Berkeley, Los Angeles, London: University of California Press, 2000. Making It Real. Exh. cat. Ridgefield, Connecticut: The Aldrich Museum of Contemporary Art, 1997. Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects. Exh. cat. Casino Luxembourg, 2000. Micropolitics: Art and Everyday Life (2001-1968). Exh. cat. Eds. Juan Vicente,Aliaga, María De Corral, José Miguel G. Cortés. Espai d’Art Contemporani de Castello, Valenciana, 2002. Metropolis: International Art Exhibition Berlin 1991. Exh. cat. Eds. Christos M. Joachamides and Norman Rosenthal. Berlin: Martin-Gropius-Bau, 1991. Modern Contemporary: Art at MOMA Since 1980. Exh. cat in conjunction with the exhibition “Open Ends”, Museum of Modern Art, New York , 2000/01. Ed. Kirk Varnedoe, Paola Antonelli, Joshua Siegel. NY: Museum of Modern Art, 2000. Monument To Now: The Dakis Joannou Collection. Exh. Cat. Ed. Jeffrey Deitch. DESTE Foundation for Contemporary Art, Athens, Greece, 2004. Curators Dan Cameron, Jeffrey Deitch, Allison M. Gingeras, Massimiliano Gioni, Nancy Spector. Murder. Exh. cat. Ed. John Yau. Santa Monica, California: Bergamot Station Arts Center, in association with Smart Art Press, 1995. My Name: Sammlung Falkenberg. Exh. cat. Cologne, Germany: Oktagon, 1999. Natural Settings. Exh. booklet. Ed. Ned Rifkin. Washington D.C.: The Corcoran Gallery of Art, 1986. Neue Welt. Exh. cat. Frankfurt, Germany: Frankfurter Kunstverein. 2001. New Art. Ed. et al. New York: Harry N. Abrams, 1990. New Material As New Media: The Fabric Workshop and Museum. Ed. Marion Boulton Stroud. Cambridge, Massachusetts: The MIT Press, 2002. Networking: Art by Post and Fax. Exh. cat. Ed. Andrew Patrizio. London: Hayward Gallery, 1997. 1985 Biennial Exhibition. Exh. cat. Eds. Richard Armstrong et al. New York: Whitney Museum of American Art, 1985. 1987 Phoenix Biennial. Exh. booklet. Ed. Bruce D. Kurtz. Arizona: Phoenix Art Museum, 1987. 1989 Biennial Exhibition. Exh. cat. Eds. Richard Armstrong et al. New York: Whitney Museum of American Art, 1989. 1991 Biennial Exhibition. Exh. cat. Eds. Richard Armstrong et al. New York: Whitney Museum of American Art, 1991. 1993 Biennial Exhibition. Exh. cat. New York: Whitney Museum of American Art, 1993. 1995 Biennial Exhibition. Exh. cat. New York: Whitney Museum of American Art, 1995. Not Afraid: Rubell Family Collection Phaidon Press Inc: New York 2004 pp. 136, 137,139 The Not-So-Still-Life. Exh. cat. Susan Landauer, William H. Gerdts, Patricia Trenton. Berkeley and Los Angeles: University of California Press, 2003. The Object Sculpture. Exh. Cat. Leeds: Henry Moore Institute, 2002. Oh Boy, It's a Girl: Feminismen in der Kunst. Exh. cat. Munich, Germany: Kunstverein, 1994. Oh! Cet Echo! Exh. cat. Paris: Centre Culturel Suisse, 1993. On Beauty. Exh. cat. Moscow: Regina Gallery, 1995. 100 Artists see God. Exh. cat. John Baldessari and Meg Cranston with an essay by Thomas McEvilley Editor David Frankel. New York: Independent Curators International, 2004. Out of Actions: Between Performance and the Object, 1949-1979. Exh. cat. Los Angeles: The Museum of Contemporary Art, 1997. Out of Actions: Actionism, Body Art and Performance 1949-1979. Exh. cat. MAK, Vienna: Cantz Verlag, Ostfildern and MOCA Los Angeles, 1998. Out of Actions: Between Performance and the Object, 1949-1979. Exh. cat. Japanese edition: The Museum of Contemporary Art, Tokyo, 1999. Painting at the Edge of the World. Exh. cat. Minneapolis: Walker Art Center. Parkett: Collaborations & Editions since 1984. Exh. cat. Zurich: Parkett Publishers, 2001. Play’s the Thing: Critical and Transgressive Practices in Contemporary Art. Exh. Booklet. New York: Whitney Museum of American Art Independent Study Program Exhibition, 2001. Playtime: Artists and Toys. Exh. cat. Stamford, Connecticut: Whitney Museum of American Art at Champion, 1995. Poetic Resemblance. Exh. cat. Ed. Barbara Broughel. Buffalo, New York: Hallwalls, 1986. Post Human. Exh. cat. Ed. Jeffrey Deitch. Lausanne, Switzerland: Musee d'art contemporain, 1992. Portikus Frankfurt am Main 1987-1997. Ed. Brigitte Kolle. Frankfurt: Portikus, 1997. Presenting Rearwards. Exh. cat. Ed. Ralph Rugoff. Los Angeles: Rosamund Felsen Gallery, 1991. Presumed Innocence. Exh. cat. Ed. Jean Crutchfield. Virginia: Anderson Gallery School of Fine Arts, 1997. Prospect 89: Eine Internationale Ausstellung aktueller Kunst. Exh. cat. Frankfurt: Kunstverein, 1989. Punk Picasso, Larry Clark, Frieze interview with Larry Clark reproduced, 2004 Radical Scavenger(s): The Conceptual Vernacular in Recent American Art. Exh. cat. Chicago: Museum of Contemporary Art, 1994. The Return of The Cadavre Exquis. Exh. cat. Ed. Jane Philbrick. New York: The Drawing Center, 1993. Re: Framing Cartoons. Exh. booklet. Ohio: Wexner Center for the Arts, 1992. Re: Framing Cartoons. Exh. cat. New York: Loughelton Gallery, 1990. Retorn al País del les Meravelles: L’ art contemporani i la infància. Exh. cat. Barcelona: Fundació “la Caixa,” 2001. Robert Gober, On Kawara, Mike Kelley, Martin Kippenberger, Jeff Koons, Albert Oehlen, Julian Schnabel, Cindy Sherman,Thomas Struth, Philip Taaffe, Christopher Wool. Exh. cat. Eds. Jean-Christoph Amman and Jerry Saltz. Cologne: Galerie Max Hetzler, 1992. Rooseum 1988-1998. Eds. Jaana Jarretorp, Ulrike Leven. Malmo, Sweden: Rooseum - Center for Contemporary Art, 1998. Scene of the Crime. Exh. cat. Eds. Anthony Vidler and Peter Wallen. Los Angeles: UCLA at The Armand Hammer Museum of Art and Cultural Center, 1997. Signal Approach. Exh. booklet. Toronto: The Funnel, 1984. Signos y Milagros. Exh. cat. Ed. Bice Curiger. Spain: Centro Galego de Arte Contemporanae, 1995. Silent and Violent: Selected Artists' Editions. Exh. cat. Ed. Peter Noever. Zurich, Frankfurt, New York: Parkett Publishers; Vienna: MAK-Austrian Museum Applied Arts, 1995. Published on the occasion of the exhibition at the MAK Center for Art and Architecture, Los Angeles. Someone Else with My Fingerprints. Exh. cat. Ed. Wilhelm Schurman. Cologne: Salon Verlag, 1997. Sonic Process: Une Nouvelle géographie des sons. Ex. cat. Paris: Centre Pompidou Editions, 2002. Sonic Process: A New Geography of Sounds. Ex. cat. Barcelona: Museu d’Art Contemporani de Barcelona, 2002. Sonsbeek 93. Exh. cat. Eds. Jan Brand, Catelejne de Muynck, and Valerie Smith. Arnhem, The Netherlands: International Art Exhibition Sonsbeek, 1993. Sound. Exh. cat. Los Angeles: Los Angeles Institute for Contemporary Art; Long Island City, New York: P.S.1, Institute for Art and Urban Resources, 1979. Spectrum: Natural Settings. Exh. booklet. Washington, D.C.: The Corcoran Gallery of Art, 1986. Spirit of Our Time. Exh. cat. Santa Barbara, California: Contemporary Arts Forum, 1990. Stained Sheets/ Holy Shroud. Exh. cat. Santa Monica, California: Krygier/ Landau Contemporary Art, 1990. Sunshine & Noir. Exh. cat. Humlebaek, Denmark: Lousiana Museum of Modern Art, 1997. Taschen Collection. Exh. cat. Madrid, Spain: Museo Nacional Centro de Arte Reina Sofia, , 2004. Thinking Print: Books To Billboards, 1980-95. Exh. cat. New York: Museum of Modern Art, 1996. Toyama Now '87. Exh. cat. Toyoma, Japan: Museum of Modern Art, 1987. Transformers: The Art of Multiphrenia. Exh. cat. Ed. Ralph Rugoff. New York: Independent Curators Incorporated, and Annandale-on-Hudson, New York: Center for Cultural Studies, Bard College, 1995. Uniform Order and Disorder. Exh. cat. Eds. Francesco Bonami, Maria Luisa Frisa, Stephano Tonchi. Milan: Edizioni Charta, 2000. Uber Leben. Exh. cat. Ed. Annie Pohlen. Bonn, Germany: Kunstverein, 1994. The Use of Pleasure. Exh. cat. San Francisco: Terrain. Video Acts: Single Channel Works from the Collection of Pamela and Richard Kramlich and New Art Trust. Exh. cat. Eds. Klaus Biesenbach, Anthony Huberman, Amy Smith. Long Island City, New York: P.S.1 Contemporary Art Center, 2002. The Lannan Collection. Art Institute of Chicago, Museum Studies, Volume 25, No.1. 2000. Warped Space, Anthony Vidler. Cambridge, Massachusetts, The MIT Press, 2000. What is Contemporary Art? Exh. cat. Malmo, Sweden: Rooseum. Whitney Biennial 2002. Exh. cat. New York: Whitney Museum of American Art, 2002. Word as Image: American Art 1960-1990. Exh. cat. Wisconsin: Milwaukee Art Museum, 1990. A World History of Art. Eds. Hugh Honour & John Fleming, 6th ed., London, Great Britain: Laurence King Publishing, 2002, 902-3. Zeichen & Wunder. Exh. cat. Ed. Bice Curiger. Zurich: Kunsthaus, 1995.

REVIEWS AND ARTICLES

2004 Gottlieb, Shirley "When You're Strange" Review of Street Credibility, U Press-Telegram, Jan. 30, 2004 Vogel, Carol, "An Appropriate Finale for a 9.2 Million Auction", The New York Times , Nov. 9, 2004 "Get on the Arbus", LA Downtown News.com., Jan19, 2004 "Street Credibility" Profile. Art Now Gallery Guide, Jan 2004 Meyers, Laura, "Artists Blur Reality in Los Angeles Photo Fair", Art Business , March, 2004 Prime, Rebecca, "MOCA Goes for Street Cred" Photo District News, NY,NY April 2004 de Brugerolles, Marie, “Foul Perfection: Essays and Criticism”, Art Press p.66 2004 Searle, Adrian, “Inside the Mind of an Insane Collector” The Guardian Feb 24, 2004, pp 12-13 Key, Phillip, “An Uncanny Encounter With Art “ A.P. Arts, Feb 2004 Harvey, Doug , “Making Believe for Real: The Revelations of Diane Arbus, L.A. Weekly, Feb 27-Mar 4, 2004 pp 32-35 Jones, Leslie, “Street Credibility-Artist Mike Kelley Curates a Photography Exhibition at Los Angeles MOCA" Art on Paper May/June, 2004 pp. 70-73 Storr, Robert, “What’s Not to Like?: Robert Storr on Mike Kelley”, Artforum pp. 263-265, 306 Tumlir, Jan, “Jan Tumlir on Destroy All Monsters” Artforum , October, 2004: pp. 85-86, 276 Spiegler, Almuth, “Wahn des wieder Erkennens” Die Presse 17 Juli, 2004: p. 29 “Die lieben kleinen Monster”, Review of “The Uncanny”, AD (Architectural Digest German) p.? Farquharson, Alex. “The Uncanny,” Review Frieze, May, 2004 pp. ?___ “Make Yourself at Home. Memory Ware, Carpet, Woodgrain at Emi Fontana" State of the Art (magazine) , 2004 Modern Painters, December 1, 2003. Artist’s Writings /Foul Perfection: Essays and Criticism pp. 141-42 Müller, Vanessa Joan, “Monster’s Ball: The Uncanny von Mike Kelley in der Tate Liverpool" Texte Zur Kunst: Escape to New York, June 2004 14 Jahrgang Heft 54pp 206-208 Newall, Michael. “Repetition Compulsion: Mike Kelley’s Uncanny Reanimated”, Broadsheet, 2004 pp. 38-40 Niegelhell, Franz “ Das Zauberreich des Unheimlichen” Der Standard Juli 17/18, 2004: p. 25 Levine, Cary. “A Diderot of the Low” Review of “Foul Perfection” and “Minor Histories” in Art in America, Jan, 2004: pp.39,41 2003 Ardenne, Paul. Interview w/ Anne Pontegnie, curator in Art Press-Édition Spéciale ,Biennale D’Art Contemporain De Lyon 2003, “c’est arrive demain”, p.10 Welchman, John, C. “Provisorische Massnahmen: Mike Kelley als Autor,” Texte Zur Kunst, 13 Jahrgang, Heft 51 (September 2003): pp.126 -131. Danto, Arthur, C.; Graw, Isabelle; De Duve, Thierry; Joselit, David; Bois, Yves-Alain; Reed, David; Sussman,Elizabeth. “The Mourning After” Artforum 40th Anniversary Issue, The 1980’s: Part One, March 2003: p.208. Falguirès, Patricia. “Artists Curate: Bernard Frize, “ Artforum, XLI, no.6 (February 2003): pp118-123 Harvey, Doug. “Don’t Look Back: Mike Kelley’s Proposal,” LA Weekly: 25 Years, Vol 25, No. 3, 2003: p.68. Leffingwell, Edward. “Mike Kelley at Metro Pictures.” Art in America, April, p. 134. 2002 Chapuis, Yvane. “Mike Kelley: The Body General,” artpress, no. 282 (September 2002): pp. 36-40. Diederichsen, Diedrich. “A Fan’s Notes: Diedrich Diederichsen on Mike Kelley’s Writings,” Artforum, XLI, no. 5 (January 2003): pp. 33-34. Dzuverovic-Russell, Lina. “Sonic Process: A New Geography of Sounds,” Artforum, XLI, no. 4 (December 2002): p.134. Hainley, Bruce. “Mike Kelley,” Artforum, XL, no. 2 (October 2002): p. 150. Harvey, Doug. “Digging the Dirt: Mike Kelley, relentlessly,” LA Weekly, 1-23 May 2002. Israel, Nico. “Tribal Counsel,” Artforum, XL, No. 5 (January 2002): pp. 47-48. Kelsey, John. “Mike Kelley: ‘Reversals, Recyclings, Completions, and Late Additions,” TimeOut, No. 374, (November 28 – December 5, 2002): Knight, Christopher. “Dredging Up a Sense of Adolescent Place,” Los Angeles Times, May 17, 2002, Sec. F, p. 26. LaBelle, Charles. “Mike Kelley,” Frieze, no. 69 (September 2002): pp. 102-3. “Obscured Visions: ‘Eye Infection’ Artforum talks with Mike Kelley, Introduction by Robert Storr,” Artforum, XL, No. 5 (March 2002): pp. 114-119. Summers, Francis. “Hungry for Death?,” Untitled, No. 28 (Summer 2002): pp.16-19. 2001 Colby, Joy Hakanson. “Rediscovered Treasures,” The Detroit News, Wednesday, October 17, 2001, Sec. D, pp. 1-2. Leibowitz, Ed. “Highs and Lows: Between the Covers with Publisher Benedikt Taschen,” Buzz, September 2001, pp. 39-42. Gellatly, Andrew, “Apocalypse.” Frieze, no. 4, March 2001, pp. 95-96. Kothenschulte, Daniel, “Es wird noch alles gold, was glanzt,” Stadt Kebre, Köln Magazin, Juli 1, 2001, np. Kothensculte, Daniel, “Für die Elster in uns: Mike Kelleys buntschillernde Memory Ware in Köln,” Frankfurter Rundschau, Juni 19, 2001, Nr. 139. Roos, Renate, “Kelleys Memory,” Kölner Stadt Anzeiger, 30 Juni/1 Juli 2001, Nr. 149. 2000 Bellet, Harry. “The Poetics Project, avec le temps.” Le Monde, 4 January 2000, 36. Breerette, Geneviève, “Séduire ou déplaire.” Le Monde, 6 November 2000, 25. Burn, Gordon, “Art imitating death.” Life: The Observer Magazine, September 17, 2000, pp. 30-37. Casavecchia, Barbara and Kontova, Helena, “Mike Kelley: Non Aprite Quella Porta.” Flash Art, no. 223 (2000): 82-85. Casadio, Mariuccia, “Mike Kelley.” L’uomo Vogue (Milan), no. 313, September 2000. Fulcheri, Fabienne. “Des barbeles sur la prairie.” Mouvement, February/March 2000, 46-49. Pecoil, Vincent. “I Rip You, You Rip Me.” Documents Sur L’Art, No.12, 2000, 108-115. Perrella, Cristiana, “Mike Kelley, l’estetica del rifiuto.” il manifesto, July 22, 2000: 15. Francesco Poli, “Mike Kelley.” Tema celeste, no. 82, October/December 2000, pp. 80, 88. Ruhle, Alex. “Der geheime Satz der Kaffeemaschine.” Suddeutsche Zeitung Nr. 134, June 13, 2000, 18. 1999 Aupetitallot, Yves. “Mike Kelley: Le Magasin.” Artpress, Octobre 1999, 14-17. Berger, Andreas. “Das sexualle Leben der Kuscheltiere.” Braunschweiger Zeitung, 3 September, 1999. Breerette, Genvieve. “Les trompe-l’oeil multimedias de Mike Kelley, Californien jubilatoire.” Le Monde, 25 October, 1999, 26. Ed., “Mike Kelley.” The New Yorker, 26 April 1999, 22-23. Ed., “Horror im Kinderzimmer.” Der Spiegel, 6 September, 1999, 250-51. Glueck, Grace. “Mike Kelley: Metro Pictures.”, The New York Times, 16 April, B35. Shulman, Dave. "What Makes the Worm Growl: Mike Kelley’s Health Plan." L.A. Weekly, 22-28 January 1999, 39. Levin, Kim. “Mike Kelley.” The Village Voice, 27 April, 82. Miles, Christopher. “Mike Kelley at Patrick Painter Inc.” Artforum, April, 1999, 127. Marignac, Thierry. “Art, Craft, Sex, and Man.”, Omnibus, October, 1999, 2-3. Pieters, Rudy. “ Sofakunst en overschotjes.” CafédesArts, 18 December, 1999. Peter, Sascha. “Sex to Sexty.” Subway. October, 1999. Shaheri, Tami. “Seattle Museum Seeks Creative Murderer.”http://www.apbonline.com, 6 May, 1999. Winter, Peter. “Folterkammern fur Schmuddlekinder.” FAZ, 14 October, 1999. 1998 Crawford, Ashley. "Monster Men." World Art, (Winter 1998): 28-31. Dziewior, Yilmaz. “Mike Kelley.” Artforum, December 1998, 139. Harvey, Doug. "Mike Kelley and Tony Oursler at Patrick Painter." L.A. Weekly, 9-15 January 1998, 39. Ed. "Labyrinth voll spitzer Stein." Kolner Stadt-Anzeiger, 19 July 1998, 40. MacInnis, Michael. "Probing the Poetics." Flatiron News (Spring 1998): 55. McCormick, Carlo. "Mike Kelley." Juxtapoz (Fall 1998): 48-49. Schwendener, Martha. "Mike Kelley." Time Out (New York), 25 June-2 July 1998, 58. Shamash, Diane. "A History Lesson." Art in America (October 1998): 112-115. Ed. "Tips und Termine." Kolner Anzeiger, 24 July 1998. Ed. "Uberraschung im Kunst-Tunnel." Express Kulture, 11 June 1998. 1997 Goldman, Robert. "Artist's Diary." http:/www.artnet.com (April 1997). Halle, Howard. "Four on the Floor." Time Out (New York), 17-24 April 1997, 41. Hapgood, Susan. "'Shit' at Baron/Boisnate." Art in America (1997): 109-110. Hidenaga, Ohtori. "The Twentieth Century Polyphonic Art Theatre." Weekly Yasahigraph (Japan), no. 2.21, 46-49. Kandel, Susan. "Poetics' Project Relives Group's Heady Days." Los Angeles Times, 12 December 1997, F28. Knight, Christopher. "Look Out World, Here They Come." Los Angeles Times, 3 March 1997, 63-64. Kozloff, Max. "Sunshine and Noir: Art in LA, 1960-1997." Artforum (November 1997): 110-111. Krauss, Rosalind, and Helen Molesworth. "The Good, the Bad, and the Ugly." Documents 8 (1997): 47-52. Lyttelton, Celia, and Waldemar Januszczak. The Art Now Book (1997): 84-86. Pecoil, Vincent. "Mike Kelley, A Minor Art." Documents sur l'art (Autumn 1997): 125-135. Rimanelli, David. "A/drift." Artforum (February 1997): 83. Ed. "Special Feature: Mike Kelley and the L.A. Art Scene." BT (February 1997): 16-80. 1996 Blom, Ina. "Mike Kelley." Material (Stockholm), no. 28 (1996): 11-12. Chapman, Jake, and Dinos Chapman. "Jake & Dinos Fine Arts Inc." Dazed & Confused, no. 16 (1996): 78-88. Drohojowska, Hunter. "L.A.'s Kunstler auf der Jagd nach dem Teen Spirit." Kunstforum, no. 134 (May 1996): 194-198. Donohue, Marlena. "In the Studio: Mike Kelley." Sculpture (April 1996): 8-9. Foster, Hal. "Obscene, Abject, Traumatic." October 78 (Fall 1996): 107-124. Hindry, Ann. "Operating with the 'Informe.'" Art Press, no. 213 (May 1996): 34-41. Interview with Rosalind Krauss. Krauss, Rosalind. "Informe Without Conclusion." October 78 (Fall 1996): 86-105. Lunenfeld, Peter. "Technofornia." Flash Art (March-April 1996): 69-71. Van de Walle, Mark. "Mike Kelley." Artforum (January 1996): 81. Wlodarski, Lisa. "Playtime (Sort Of)." The Advocate & Greenwich Time, 7 January 1996, D3-4. Zimmerman, William. "No Simple Innocence, Childhood Now Invoked Has More in Tow." New York Times, 21 January 1996, CN16. 1995 Albig, Von Jorg-Uwe. "Mike Kelley." Art (April 1995): 78-85. Dahlqvist, Dennis. "Har." Expressen, 28 December 1995, 5. Greene, David A. "Mike Kelley." Los Angeles Reader, 24 February 1995. Howard, Halle. "School Daze: Mike Kelley's Class Struggle." Time Out (New York), 1-8 November 1995, 24. Hess, Elizabeth, "Stolen Cookies." The Village Voice, 16 November 1995, 111. Jorg, Von, and Uwe Albig. "Mike Kelley—ein Kunstler bekampft die Romantik." Art (April 1995): 78-85. Kimmelman, Michael. "Mike Kelley." New York Times, 24 November 1995. Kothenschulte, Daniel. "Memories are Made of This." Stadt Revue (March 1995): 140-1. Tom Kummer. "Der Schreck der Kusheltiere." §uddeutsche Zeitung Magazin, 10 February 1995, 18-23. Miro, Marsha. "Destroy all Preconceptions." Detroit Free Press, 16 October 1995, G1, G3. Poschardt, Ulf. "Der Ordnungswuter." Deutsch Vogue (March 1995): 252-255. Schutz, Heinz, "Mike Kelley, Katholische Vorleiben, Haus de Kunst, Munchen." Kunstforum, no. 130 (May-July 1995): 371-74. Schjeldahl, Peter. "More Dirty Looks." The Village Voice, 7 November 1995, 81. Steiger, Walter. "What is Art?" Le Millenium (Spring-Summer 1995). Stephen, Gary. "Mike Kelley." The New York Art Intelligencer 1 (Fall 1995): 18. Sussman, Elizabeth, "Mike Kelley." Art in America (Czech Republic) (January-February): 1995. Ed. "Mike Kelley." The New Yorker, 20 November 1995, 24. 1994 Calhoon, Sharon L. "Art and the Notorious." Dialogue (September-October 1993): 14-15. Clearwater, Bonnie. "Arrested Childhood." Art Press, no. 197 (December, 1994): 33-40. Decter, Joshua. "Stupidity as Destiny: American Idiot Culture." Flash Art 27, no. 178 (October 1994): 73-76. Duncan, Michael. "Kelley's Junk Shop Pop." Art in America (June 1994): 84-89. Graaf, Vera. "Den Verv der Zeit Getroffen." Sudelin Zeit 4, (1994). Indiana, Gary. "Wiretap: A Walk through the Whitney, or What We Really Say When We Talk about Art." Artforum (March 1994): 70-73. Knight, Christopher. "Nothing Like a Little Enlightened Impurity." Los Angeles Times, 1 July 1994, F1, F20. _______. "Two Artists and the Meaning of Identity." Los Angeles Times Calendar, 21 August 1994, 58, 62. Kohen, Helen L. "Art Review (Arrested Childhood)." The Herald, 22 May 1994, 11. Lewis, Jim. "Mike Kelley." Texte zur Kunst (1994): 32-35. Myers, Terry R. "The Mike Kelley Problem." New Art Examiner (Summer 1994): 24-29. Pagel, David. "Mike Kelley." Art Issues (September-October 1994): 50. Rimanelli, David. "More Art Hours Than Can Ever Be Repaid." Frieze (January-February 1994): 16-21. Sussman, Elizabeth. "Mike Kelley: Operaio Anarchico del Midwest." Flash Art, no. 186 (1994): 15-22. Ward, Frazer. "Abject Lessons." Art + Text, no. 48 (May 1994): 46-51. Welchman, John C. "Mike Kelley." Art + Text, no. 48 (May 1994): 79. Weissman, Benjamin, "Crashing through Id-land." L.A. Weekly, 22-28 July 1994, 31-32. Wylie, Charles. "'It's a Tough World Out There': Drawings by Mike Kelley, Joyce Pensato and Raymond Pettibon." The Print Collector's Newsletter 25, no. 5 (November-December 1994). Von Uf Erdman/Ziegler. "Die Verschlusselten Knuddeltiere," Die Zeit, 14 January 1994, 53. 1993 Avgikos, Jan. "Mike Kelley, Metro Pictures." Artforum (March 1993): 92-93. Breslauer, Jan. "Mister Mike." Vanity Fair (December 1993): 87. Cameron, Dan. "The Apocalyptic Vulgarian." Art & Auction (November 1993): 90. Curtis, Cathy. "On Drawing: Get the Point." Los Angeles Times (Orange County Edition), 27 April 1993, F1-2. Duncan, Michael. "L.A. The Dark Side." Art in America (March 1993): 41-43. _______. "Kelley's Junk-shop Pop." Art in America (June 1993): 85-89. Heath, Chris. "Artful Dodgers." Details (November 1993): 118-123, 175-176. Hughes, Robert. "Dolls and Discontents." Time, 6 December 1993, 79. Joo, Michael. "Mike Kelley, Metro Pictures." Flash Art (March-April 1993): 82. Knight, Christopher. "Mike Kelley's Messy, Underbelly World." Los Angeles Times, 8 November 1993, F1, F7. _______. "Crushed by Its Good Intentions." Los Angeles Times, 10 March 1993, F1, F8-9. Kremer, Mark. "A Fucked-Up Mirror of Dominant Image Making." Art Press (September 1993): E5-8. Lambrecht, Luk. "Sonsbeek '93." Flash Art (October 1993): 119. Larson, Kay. "Valley of the Dolls." New York, 22 November 1993, 87-88. _______. "What a Long Strange Trip." New York, 71-72. McKenna, Kristine. "Mike Kelley's Disturbing Memories." Art News (November 1993) 150-155. _______ "The Outlaw Gets Legit." Los Angeles Times Magazine, 1993, 34-38, 60-61. Morgan, Stuart. "Into the Trees." Frieze (September-October 1993): 22-25. Princenthal, Nancy. "Going to Extremes, Violence in Contemporary Sculpture." Sculpture (March-April 1993): 58-61. _______. "Mike Kelley at Metro Pictures." Art in America (April 1993): 127. Schjeldahl, Peter. "Art + Politic Missing: The Pleasure Principle." The Village Voice, 18 March 1993, 34, 38. Roberta Smith. "A Whitney Biennial with a Social Conscience." New York Times, 5 March 1993, C1, C27. _______. "Mike Kelley's Messages: Mixed and Mystical." New York Times, 5 November 1993, C33. Solomon, Deborah. "A Showcase for Political Correctness." The Wall Street Journal, 5 March 1993, A7. Wallach, Amei. "Art with an Attitude." New York Newsday, 5 March 1993, 52-53. Wallis, Brian, "Mike Kelley's 'The Uncanny.'" Art in America (October 1993): 55. 1992 Adams, Brooks "Mike Kelley on l'esthetique de l' echec." Art Press (June 1992): 32-37. Baker, Kenneth. "New York: Allegories of Modernism." Artspace (July-August 1992): 62-63. Bernardi, David. "The ABC's of Perversion." Flash Art (January-February 1992): 126. Diederichsen, Diedrich. "Yet Another Discovery: Mike Kelley in Video." Parkett, no. 31 (1992): 77-81. Fairbrother, Trevor. "Mike Fucking Kelley." Parkett, no. 31 (1992): 64-68. Francois, Alain-Henri. "Lieux communs, figures singulieres banal." Voir, (February 1992): 16f. Gardner, Colin. "Helter Skelter at the Temporary Contemporary." Artforum (April 1992): 103-104. Grazioli, Elio. "Art '90: To contain, to tie, to wrap." Annual Tessuti (1992). Kandel, Susan. "L.A. in Review." Arts Magazine (April 1992): 98-99. _______. "Join the Club." Los Angeles Times, 9 July 1992, F5. _______. "An Art of Darkness at MOCA." Los Angeles Times, 28 January 1992, F1, F4-5. Knight, Christopher. "Mike Kelley." Los Angeles Times, 5 July 1992, 70-71. Liu, Catherine. "Just Pathetic." Artforum (April 1992): 95-96. Marcade, Bernard. "The World's Bad Breath." Parkett, no. 31 (1992): 97-99. McKusik, Tom, and Mike Tronnes. "Pathetic Aesthetic (Does the low frontier of pathetic art signal the end of irony?)." Utne Reader (November-December 1992): 97-103. Muchnic, Suzanne. "Art in the City of Angels and Demons." Los Angeles Times Calender, 26 January 1992, 4-5, 76-78. Myers, Terry R. "Mike Kelley." Tema Celeste (Autumn 1992): 98-99. Nesbitt, Lois. "Art's Bad Boys." Elle (March 1992): 130. Plagens, Peter. "Welcome to Manson High." Newsweek, 2 March 1992, 65-66. Relyea, Lane. "Wild Kingdom." Parkett, no. 31 (1992): 82-85. _______. "Politically Correct/Incorrect: On Graduates and Dropouts." Artspace (July-August 1992): 28-30. Rugoff, Ralph. "MOCA's Helter Skelter and the Art of Our Times Apocalypse Noir." L.A. Weekly, 31 January-6 February1992, 18-20, 22-25. Sutton, Fiona Byrne. "Cologne Galleries and Art Fair." Alba (December-January 1992) 27. Trenkler, Thomas. "Ganz Schon LAX." Wirtschafts Woche, no. 45 (November 1992): 78-79. Whitington, G. Luther. "L.A.'s New Look." Art & Auction (January 1992): 82-85. Ed. "Mike Kelley Solo Exhibition." Wolgan Misool Monthly Art Magazine (November 1992): 104-108. 1991 Alden, Todd, and Terry R. Myers. "Total Metal." Arts Magazine (February 1991): 80. Bass, Ruth. "Carroll Dunham, Mike Kelley, Cindy Sherman." Art News (May 1991): 151-152. Britton, Donald. "Mike Kelley." Art Issues (December 1990-January 1991): 37. Fehlau, Fred. "Mike Kelley." Flash Art (January-February 1991): 136. _______. "Presenting Rearwards." Flash Art (November-December 1991): 164. Kandel, Susan. "Heart in Mouth." Arts Magazine (February 1991): 109. Kimmelman, Michael. "Mike Kelley's Toys Play Nasty Games." New York Times, 7 April 1991, 33. _______. "At the Whitney, a Biennial That's Eager to Please." New York Times, 19 April 1991, C1, C24. _______. "At Carnegie 1991, Sincerity Edges Out Irony." New York Times, 27 October 1991, 31, 34. Knight, Christopher. "Slouching Toward the Present." Los Angeles Times Calendar, 11 August 1991, 8, 79, 86. _______. "Carnegie International Strikes a One-Note Theme." Los Angeles Times, 26 October 1991, F18. Larson, Kay. "A Shock To The System." New York Magazine, 29 April 1991, 86-87. _______. "Whitney Biennial." Galeries Magazine (June-July 1991): 68-71. Lewis, James. "Beyond Redemption." Artforum (Summer 1991): 71-75. _______. "Home Boys." Artforum (October 1991): 101-105. McEvilley, Thomas. "New York: The Whitney Biennial." Artforum (1991): 98-101. Rugoff, Ralph. "Missing Persons: The Desecration of the Body." L.A. Weekly, 2-8 August 1991, 37. Schulz, Bernard. "Handwerk hat goldenen Boden." Der Tagesspiegel, 20 April 1991. Viegener, Matias. "Heart in Mouth." Art Issues, no. 16 (February-March 1991): 29. Ed. "Mike Kelley." The Print Collector's Newsletter (January-February 1991). Ed. "Conceptual Realities." B.T. Monthly Art Magazine (July 1991): 46-47. 1990 Abrams, Harry N. "New Art." New York, 102-103. Anderson, Carolyn G. "Exalting the Visceral." Artweek, 22 November 1990. Artner, Alan G. "Mike Kelley." Chicago Tribune, 12 January 1990, sec. 7, 50. Cottingham, Laura. "Mike Kelley, Metro Pictures." Tema Celeste (July-October 1990): 66. Cameron, Dan. "Changing Priorities in American Art." Art International (Spring 1990): 86-90. Curtis, Cathy. "Mike Kelley." Los Angeles Times, 1 May 1990, sec. F, 5. Gutterman, Scott. "World Chronicle—New York." Art International, no. 12 (Autumn 1990): 58. _______. "Mike Kelley." Art International (Autumn 1990). Hartigan, Patti. "ICA Faces Rejection of Grant by NEA." Boston Globe, 22 October 1990. Hawkins, Richard. "Just Pathetic." Art Issues (November 1990). Henry, Gerrit. "Mike Kelley, Metro Pictures." Contemporanea (September 1990): 103. Humphrey, David. "Stained, Sheets/Holy Shroud." Arts Magazine (December 1990): 58-62. _______. "Hair Piece." Art Issues (February 1990). Jones, Nancy. "Anxieux objects made in the USA." Artstudio (Winter 1990): 116-25. Kandel, Susan. "L.A. in Review: Just Pathetic." Arts Magazine (November 1990): 126. Kent, Sarah. "Jessica Diamond, Mike Kelley." Time Out (New York), 25 April-2 May 1990. Koether, Jutta. "C-Culture and B-Culture." Parkett no. 24 (1990): 97-106. From an interview with Elisabeth Sussman andDavid Joselit. Kornblau, Gary. "Mike Kelley." Art Issues (March-April 1990): 24-25. Knight, Christopher. "Disheveled Dolls Center of Mike Kelley's Show." Los Angeles Times, 10 October 1990, F4. _______. "The Pathetic Aesthetic: Making Do with What Is." Los Angeles Times, 14 August 1990, F8. Knight, Christopher "Is L.A. a World-Class Art City?" Los Angeles Times Calendar, 8 April 1990, 7-9. Levin, Kim. "Dogs and Babies." The Village Voice, May 1990, 98. Lillington, David. "Mike Kelley en Jessica Diamond." Metropolis M. (Summer 1990). Mahoney, Robert. "New York in Review: Mike Kelley." Arts Magazine (September 1990): 100. Markus, Liz. "Mike Kelley, Metro Pictures." Sculpture (July-August 1990): 60. Nesbitt, Lois E. "Not a Pretty Sight." Artscribe (September-October 1990): 64-67. Parachini, Allan. "NEA Won't Fund Boston Show of L.A. Artist." Los Angeles Time

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