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A composer should be perceived as an element of secondary importance. It is the music that should be absolutely primal, surpassing in the existance its huma source. Is it possible to talk about creating any way? Maybe it would be more precise to use the words like: finding, experiencing some deep revelation or skilfully selecting the components. In music, everything is processed or some fragment, already shaped comes from nowwhere. That is why it does not make sens to talk about material, the devices we use while composing: analogy or digital processing, all tricks are allowed. We can mutter or tap a good music on our way to work or we can as well orchestrated it. What matters is whether it will reach the right place in the right time and, by its virtuosity to exclud it and create something more. A situation when a hearer can not find the words to describe what he has just heard is the best compliment for each musician- thus, the form has surpassed the most deeply rooted means of expression. Which form is the most perfect: silence or piercing buzz? On the basis of this spectrum, both may be right. Relativity in its most primeval form. Everything that is “outside”, all that influences the sound and is not of music origin should be consistently eliminated. All that matters is creation, consistency and... Each rustle and breath can be randomly processed and recorded. Each sound stimuli even those by all appearances spontaneous and unsystematic can be recorded on mathematic matrix. Everything may be reduced to numbers or derivated from it. Fortunately what comes form the outside is the most beautiful. It sits beside you and with its breath it pours the sounds accumulated somewhere in the unknown distance, the magic spirit of the univers, the eternal advocate. He is the last link of creation- the most precise cut, lasting from miliseconds and microsounds to hourlong opera acts. It is a manifestation of genius and inevitability. The greatest beauty in the world