High octane, turbo, high performance, super-charged - MITCH RYDER & The Detroit Wheels didn't need to hail from the Motor City for those adjectives to be tossed their way, but it was certainly appropriate that they called Motown home. It was Mitch and The Wheels who served as the musical bridge between the Motown soul factory and the high energy, take no prisoners rock 'n' roll that would roar out of Detroit via Iggy & The Stooges, MC5, Ted Nugent and Bob Seger.
The explosive quality was there from the very start. Listen to the way the chords introducing Jenny Take A Ride are chomping at the bit to swoop down into the double-time mid-section, or how John Badanjek's thundering bass drum trigger's the ecstatic roll that kicks off Devil With A Blue Dress On. The Wheels must have known what they had. Witness the confidence -even cockiness- of telegraphing their punch forever on Little Latin Lupe Lu, building expectations to fever pitch before hammering down the riff with Jim McCarty's lead lick trailing behind. And nailing it big time. One punch, KO, Mike Tyson-style.
The records worked because they perfectly captured the kinetic frenzy of the live performances that had been the group's stock in trade since they first joined forces in Detroit early in 1964.
What followed was a wild two-year ride through the starmaking machinery of the record industry that brought them fame but no fortune and tore the group apart in the process. Late in 1965, Jenny Take A Ride climbed to 10 as The Wheels welded Chuck Willis' "C.C. Rider" to Little Richard's "Jenny, Jenny", and cannily tossed in an advertisement for their live show along the way (check how the backing vocals change to "See Mitch Ryder" during the second verse). Little Latin Lupe Lu cemented their commercial appeal when it reached 17 and set the general outline of the band's most popular sound- an R&B standard or two revved up, Wheels-style, with Mitch's peerless soul shouting ripping away over the top.
Late in 1966, the Devil With A Blue Dress On and Good Golly Miss Molly medleys exploded over the airwaves and indelibly stamped the high energy Mitch Ryder & The Detroit Wheels sound on anyone within an earshot as they hit 4 on the charts.
Early in 1967, prototypical, riff-rockin Sock It To Me Baby! became Ryder's final Top 10 single, despite being banned on several stations for being too sexually suggestive. The brassy Too Many Fishes In The Sea and Three Little Fishes medley was the final chart entry (at 24) for Mitch Ryder & The Detroit Wheels.
Ryder's career then took several detours, when Bob Crew encouraged him to pursue a solo career. Unhappy with the results, Mitch went to Memphis to record The Detroit-Memphis Experiment album with Stax luminaries Booker T. & The MGs and The Memphis Horns for Dot. He then returned home to a reunion with The Wheels drummer John Badanjek in the short-lived supergroup Detroit, which lasted just long enough to record one monster of a heavy-duty rock 'n' roll album in 1971. "Long Neck Goose" updated the classic Wheels sound as Ryder digs into the tune with a ferocious glee, but the climatic moment was "Rock N' Roll", kicked off by a mountainous guitar riff while Badanjek bounced a cow-bell off your skull at regular intervals. It was so powerful a performance that Lou Reed was quoted as saying that was how the song was supposed to sound.
Mitch left the active performing scene for the next 5 years, honing his songwriting skills at night. After returning to Detroit, he formed a band and released the confessional, autobiographical How I Spent My Vacation and then Naked But Not Dead on his own Seeds and Stems label. That helped trigger a resurgence of European interest in Ryder and he released several additional albums in the early '80s on the German Line label.
He came back to a major American label for the John Cougar Mellencamp - produced Never Kick A Sleeping Dog in 1983, highlighted by a world weary, gritty version of Prince's When You Were Mine that cut the original and all others to shreds. Currently enjoying another surge in European popularity, Mitch has released two more LPs for Line, Red Blood, White Mink and In The China Shop.
No one, but no one, ever kicked out the rockin' R&B jams better than Mitch.
Mitch, you and the band were awesome tonight! I hated for that show to come to an end.
I'm the guy who got you to autograph the Russian copy of The Detroit-Memphis Experiment, remember? And I told you that the Seattle Times had just run a photo of you taken back in '65? Well, turns out it was '67, actually (forgive the potholes on Memory Lane)... Anyway, here ya go - catch:
Benefit for my Dad on September 27, 2009 Hi Everyone, My Father Peter Aguayo passed away on Tuesday 9-8-2009. He was a Steelworker for 30 years. The company he worked for went Bankrupt and they took his Life Insurance and Medical as well. I am trying to raise enough money to give him a proper burial. Please find it in your heart to come out to the Benefit, he so deserves it. There will be 5-6 AWESOME bands. The bands that are already booked for the show are: The Midnight Rendezvous, StellarDrive & Bazooka Jones. Special Guests: Charlie Allen Martin (Bob Seger) & Psychild - Robert Noll, Tyuawn Brown (A Michael Jackson Impersonator) and Bruce Race (Charlie Chaplin Impersonator). Location is: Scott Lake Banquet Center (Located inside the Waterford Elks) 2100 Scott Lake Road. Waterford, MI 48328 Admission is $20.00 Benefit will start at 2pm and will end at 10pm, or later. 50/50 Raffle Door Prizes Cash Bar & Food Auction Items The Benefit will also be filmed by Comcast for my friend Big L's The Music Room TV Show. This will be a great time and it's for a great cause. I am also trying to raise awareness to the retiree's that they should not assume that they are taken care of, this is happening to people every day. It has been devestating due to the company's Bankruptcy, my Father hasn't been buried yet. Hope to see you there. More info to follow as it becomes available. Thank you for your thoughts and prayers. Help us Honor our Dad, he was a son, a husband and a wonderful Human Being. God Bless Jer & Angel
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If You Would Like To Be A Part Of The World 4 Day Music And Art Fair Please Let Me Know Leave Me A Comment Or Just E-mail Me. Go To My Page Read It From Top To Bottom My Blogs As Well. Join My Blogs For Up Dates. Does Not Madder Were In Our World You Live We Will Get You There If You Are A Part Of The Show. Take A Look At This Video It Will Tell You What It Takes To Put Together A Show Like This. Thank You Bob
FAR FUCKING OUT! Just saw you're coming to Seattle - my fair city! I didn't think we'd ever pry you out of Germany again! You have no idea how happy this makes me. I can't get this stupid grin off my face. I've already bought tickets and will be front row center. You're gonna like this venue, too! (I don't *think* you've ever played it, have you? Hasn't been here long.)
DUDE! Right ON!!!!! You have made me one happy mufka! Okay, I'm out of exclamation points now - used them all up in one burst of unbridled glee. Please be careful between now and then! Put that stuff down and pay attention, har.
HEY ALL!! DO YOU REMEMBER THE DOGS!!! THEY PLAYED WITH DETROIT BACK IN THE DAY!!!
ThankS for the Friendship! HOPE YOU ENJOY "DOGGY STYLE"!! The Dogs from Lansing/Detroit Rock City celebrate their 40th anniversary w/t 2 Disks, 25 tribute bands, 3 unreleased historic tracks from The Dogs from 1971 & 1976, 28 page booklet, liner notes by John Sinclair (MC5) and cover artwork by Rockin' Jellybean!!
Thanks million Mitch for joining our ministry of Blues. It's all about peace, love, understanding, and GROOVE! Hope to perform for you sometime. Enjoyed your music. Cool tunes. Wishing you the very best in Blues and life! -Big Daddy
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