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Please join Grand Central, Guerilla Gay Bar Baltimore and us, S.H.E Productions, Saturday November 28th at 9pm for The Black Party to benefit Aids Action Baltimore! Come dressed in all black as there will be a contest for the sexiest black attire. Fabulous decor, themed drinks and music by Deejay Arturo and Darryl Strickland. Tickets are available NOW so email us here or on fb or at sheproductionsevents@yahoo.com so that we can get some to you. Tickets are $8 in advance and $12 at the door so make sure to get yours ASAP to save =) This event is 21+ and if you missed the white party you certainly don't want to miss the black party. Come help us raise money for a fantastic cause!! See you OUT!
....FRIZZ RECORDS is proud to announce our fourth LP release...
LEILA ADU has been described as 'A Nina Simone for the Noughties', and her two acclaimed albums infuse a broadly 'art-rock' approach with elements of torch song, speakeasy blues, avant garde jazz, gamelan, post-rock textures, and a David Lynch style dreamlike b-movie melodrama. As her website has it, exploring the "dissonant edges of familiar forms", but with that kind of 'dissonance' that they once accused Thelonious Monk or Debussy of, the kind that soon betrays it's own compelling melodic and harmonic logic to the attentive listener...
'Dark Joan', Leila's third album as a solo artist, was recorded in Chicago with the legendary Steve Albini (PJ Harvey, Joanna Newsome, Nirvana, Pixies), and Albini's genius has been to strip her sound back to it's essence, and hold it's most distinctive qualities up to the light. It doesn't hurt that this is by far Leila's most powerful set of songs to date, and if anything we are lead even deeper into her world by the pictures painted with just piano (or in some cases harpsichord or a grime-encrusted electric piano) and that voice...
Capable of anything from delicate heartbreaking purity to a fearsome dramatic power, her powers are seemingly limitless, yet unlike most other singers of her calibre, never does she resort to melodrama or show-boating, or any kind of pastiche, instead she employs her resources fully in the expression of her distinctive musical vision and the deep well-spring of her imagination. Nothing ever sounds as though it could have not been sung...
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