Photo of Clara Rockmore

Clara Rockmore

General Info

  • Genre: Classical / Electronica

    Location Vilnius, LT

    Profile Views: 159485

    Last Login: 9/17/2010

    Member Since 7/15/2006

    Record Label Delos

    Type of Label Major

  • Bio

    Clara Rockmore (born Clara Reisenberg, Vilnius, Lithuania, March 9, 1911; d. New York City, May 10, 1998) is generally considered to be the greatest player of the theremin electronic musical instrument since its invention and was without peer in the early decades of its use. While many listeners familiar with the theremin have heard it used mostly as a spooky special-effects device, Rockmore, a classically-trained musician, used it to perform classical works. Under her control, the theremin sounded like a blend of the violin and the human voice. Rockmore had a number of gifts that enabled her to play the Theremin so well. She had active perfect pitch, critical to playing an instrument that can generate tones of any frequency. She was a child prodigy as a violinist, but was unable to play it past her teen years, because of bone problems due to childhood malnutrition in her native Russia. She had extremely precise and rapid control of her movements, an absolute requirement for playing an instrument that depends on motion and proximity, rather than touch. One final advantage is that she worked with Léon Theremin directly from the early days of the instrument's development. Indeed, a number of refinements of the early instruments were due to her input or were on her behalf. Rockmore knew how to evoke the music she wanted from the Theremin, and could do so in a way that was considered beautiful to watch as well as to hear. ..
  • Members

    Clara Rockmore-theremin Nadia Reisenberg-piano
  • Influences

    Leon Theremin,Sergei Rachmaninov, Camille Saint-Saëns, Manuel de Falla, Joseph Achron, Henri Wieniawski, Igor Stravinsky, Maurice Ravel, Peter Ilyich Tchaikovsky, Alexander Glazunov
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Bio:

Clara Rockmore (born Clara Reisenberg, Vilnius, Lithuania, March 9, 1911; d. New York City, May 10, 1998) is generally considered to be the greatest player of the theremin electronic musical instrument since its invention and was without peer in the early decades of its use. While many listeners familiar with the theremin have heard it used mostly as a spooky special-effects device, Rockmore, a classically-trained musician, used it to perform classical works. Under her control, the theremin sounded like a blend of the violin and the human voice. Rockmore had a number of gifts that enabled her to play the Theremin so well. She had active perfect pitch, critical to playing an instrument that can generate tones of any frequency. She was a child prodigy as a violinist, but was unable to play it past her teen years, because of bone problems due to childhood malnutrition in her native Russia. She had extremely precise and rapid control of her movements, an absolute requirement for playing an instrument that depends on motion and proximity, rather than touch. One final advantage is that she worked with Léon Theremin directly from the early days of the instrument's development. Indeed, a number of refinements of the early instruments were due to her input or were on her behalf. Rockmore knew how to evoke the music she wanted from the Theremin, and could do so in a way that was considered beautiful to watch as well as to hear. ..

Member Since:

July 15, 2006

Members:

Clara Rockmore-theremin Nadia Reisenberg-piano

Influences:

Leon Theremin,Sergei Rachmaninov, Camille Saint-Saëns, Manuel de Falla, Joseph Achron, Henri Wieniawski, Igor Stravinsky, Maurice Ravel, Peter Ilyich Tchaikovsky, Alexander Glazunov

Record Label:

Delos

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