Stevie Wonder. Keith Jarrett. Electric Miles Davis. James Brown. 'Can You Feel It' by Mr. Fingers. Stevie Wonder. Manuel Gottsching. The Beach Boys. Neil Young. Debussy. Stevie Wonder. Tim Buckley. Can. 'Nina Simone and Piano'. Chick Corea on the Fender Rhodes. 'Music for 18 Musicians'. Stevie Wonder. Joni Mitchell. James Baldwin's 'Sonny's Blues'. Cosmic jazz. David Lynch soundtracks. Steve Roach. 'Zum Wohl' by Cluster. Airto and Flora. The Leaf label. Stevie Wonder. The delay pedal. 'Donny Hathaway Live'. Pharoah Sanders and Alice Coltrane...
Taz Modi is a Leeds-based keyboard player. He runs the samba jazz group The Grand Wazoo, and performs with drum & bass queen Jenna G, Loog records artist Kreeps, and Freestyle Records band Malena. Taz's main project is the live club group Monkey See Monkey Do, which performs totally improvised live dance sets at club nights and events.
Other projects include The Tombo Trio, Submotion Orchestra, Matthew Halsall, Ariya Astrobeat Arkestra, Conquistador, The Haggis Horns, The CTI Project, Homecut, Eddie Roberts and the Fire Eaters, The Rob Durbin Trio, Cara Robinson...
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Charlie Parr is from the same Duluth music scene that spawned the likes of Low and Haley Bonar, and his music delves deep into the back roads of American folk music, there’s hints of Robert Johnson, Nick Drake and Will Oldham in his playing, and a true from the heart power and clarity that is simply stunning. This guy is the real thing, and you can hear it in every note he plays, which would also explain why the people at the superb End of the Road festival ask him back every single year!
Neil McSweeney plays beautifully considered and perfectly restrained music that will delight fans of Low, Adrian Crowley, Nina Nastasia, Mark Kozelek, and Jason Molina.
Deftly fingerpicked folk loveliness from a local favourite - Michael Rossiter perfectly executes traditional folk as well as his own material, sings from his heart and gets the perfect sound from his guitar.
Hauschka Having studied classical piano for ten years, Dusseldorf-based pianist/composer Volker Bertelmann's work as Hauschka is based upon a playful exploration of the possibilities of the 'prepared' piano. His resulting tracks are vivid, unconventional pieces made in a spirit of playful research-enthusiasm, which he's taken around the world - in the USA with Múm, in Japan with Colleen, and a debut, sold-out London show with Max Richter. Hauschka's music is a thing of beauty - intertwined melodies and rythyms that flit between gorgeously lush and complex and stunning minimalism.
Gareth S. Brown With influences as diverse as Eastern European folk music, funeral marches and jewellery boxes, Gareth creates gorgeous work of layered beauty with nods towards Philip Glass, Terry Riley and Michael Nyman as well as latter day travellers such as Max Richter, Yann Tiersen and Aphex Twin.
Saturday: 8/11/2008 @ The Holy Trinity Church, Leeds. Doors 8.30pm.
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