Some footage from our first performances using the Log1k version one - responsible for the destruction of a few speakers before we removed the mains AC powerd components..
Starting with the Ritz, FLUX party in Manchester, and Chorlton arts festival - in the woods where we first found the original timber for the device...
' The all-new Log1k is here. And it's unlike anything you've seen or experienced. With a brilliant flat-panel display and phenomenal performance, Log1k® is the first computer built from the ground up to be the ultimate hub for the owl project lifestyle. Its time to log on...'
The Log1k was designed and constructed by the Owl Project. They have been using the Log1k to perform their own brand of electronica, which combines electro-magnetic fields and signals to produce complex beats and ambient sound.
' Down-to-earth ease of use. Out-of-this-world performance and looks. Log1k is great in the home or the forest. '
The log1k was originally designed and constructed as a complete alternative to using laptops during live audio performances. However as time has moved by so has the need for compatibility and perfect speed control.
At the heart of each log1k lies a micro controlled step motor. This allows many log1ks to run in sync with each other, as well as other software packages and Owl Projects own Soundlathe. log1k also comes fitted with a series of micro and reed switches which trigger samples and control audio circuits.
Etkilendikleri
lee paterson, ryoji ikeda, mike abbott, yellow magic orchestra, krafwerk, woodland traditions, nocturnal creatures and other feathered beasts, carsten nicolai, shrews, shrews on strings, pan sonic, fennesz, animal collective, matt wand, tosho iwai, robert lippok, sticks ect
Neye Benziyor?
like when speakers burn. shrews in the long grass. Door mice communicating. splintering wood. flexing hand saws. A tree falling in the woods.
There are a couple of early log1k recordings here.... and some more at www.owlproject.com. The ilogs sound different we will put up some sounds from them soon.
This specially commissioned project explores the relationship between the crafting
of physical objects and the shaping of sound. The Owl Project's 'Sound
Lathe' is a unique audio instrument based on a traditional green wood turning
pole lathe. Working with Mike Abbott, a leading UK professional wood-turner,
the Sound
Lathewill be used to create a 'Sound Chair' which will be exhibited 17-20
May at the
Showroom Cinema.
Mike
Abbotts workshop /www.living-wood.co.uk/
The process begins in Edale in the Peak District
where the Sound Lathe will
be demonstrated and the components of the chair
will be created over
three days. As part of this process the Owl Project
will compose a new audio work based on the shaping
of the chair. The sound itself will eventually
be embedded permanently within the finished chair
to create a tactile and sonic record of the creative
process.
http://festival2007.lovebytes.org.uk/event.php?ref=13140001-Sound-Chair
"Post Pansonic uppercase electronica" The Wire magazine, Nov, 2008.
Owl Project make sculpture, music and sound art, notably the Log1K, Sound Lathe, and iLog.
Drawing on influences such as woodworking, hobby style electronics and open source software to create music-making machines, they take a craft-based approach to designing their own interfaces and objects. The result is a distinctive range of musical and sculptural instruments that critique human interaction with computer interfaces and our increasing appetite for new and often disposable technologies.
They have performed nationally and internationally, including Garage Festival (Stralsund, Germany), with Matmos (Scala, London, UK) Emergences Festival (Paris, France). Sound Lathe was shortlisted & exhibited for the SHARE prize (Torino, IT) 2008.
The iLog series is a reflection on our relationship with consumer technology. The design of each iLog strongly echoes contemporary products such as iPods and advanced mobile phones. These extremely developed complex products, with their plastic techno-packaging, seem modern and beguiling, but also appear craft-less and encourage a disturbing disposability.
After launching the original iLog in 2005 a new range of iLogs were shown at Futuresonic (Manchester UK) 2006, and then at Digital Wellbeing Labs (London) and have been used in performances at "Musikprotokoll" (Graz AU), TEKS trondhiem Norway) & the Serpintine Gallery stage, London 2008. This year they have been awarded Arts Council funding to radically develop the iLog & m-Log technology. Working with artists, Leafcutter John, Kaffe Mathews , & Thor Magnusson (ixi software) and Philip Jeck, they are exploring the roll of hand held devices in relation to live improvised performance and computer music. New iLog's will be developed specifically for each artist.
By choosing wood as the main material for the iLog, Owl Project have extracted modern design principles but deflected it back to a traditional sensibility. This immediately raises questions about modern desire for disposable technology and nostalgia surrounding traditional crafts.
Owl Project consists of Simon Blackmore and Antony Hall and Steve Symons. All 3 artists have wide ranging individual practices concerning art, science and technology. For more information on Owl Project and individual works please follow the following links:
Tickets SELLING FAST! £7 adv avaliable from (more on the door): wegottickets.com seetickets.com Ticketline Picadilly Records
Grouper (US) has her latest – Dragging A Dead Deer Up A Hill – of three albums on Type Records. She has also been involved in collaborative releases, contributing a track to Xiu Xiu’s Remixed & Covered and four tracks to a split release with Inca Ore. Her other contemporaries are Belong, Growing, Tim Hecker, Windy & Carl and Atlas Sound.
Jasper TX (Sweden), with a hefty back-catalogue of releases on labels such as Miasmah, and collaborations with buddy Machinefabriek, is an essential domestic appliance in the household of conceptual music. He is comparable to artists Fennesz, Sigur Ros, Múm and Tape.
Intricate and atmospheric songsmith, Danny Saul (UK) performs with different combinations of musicians, making each gig a unique event. His forthcoming release is "Harsh, Final", and he also performs with Greg Haines as Liondialer.
Fieldhead (UK) music delights in tape hiss, bleak landscapes and decaying analogue loops. He is also a member of The Declining Winter and Glissando. His debut album, "They Shook Hands for Hours" is released soon on Home Assembly.
Trespassers William (Seattle, US) are the duo of Matt Brown and Anna-Lynne Williams. "Subliminally sublime and pragmatically perfect, you would have to possess an ashtray for a heart not to feel this coursing through your soul" (DSD Music Magazine). A new EP, The Natural Order of Things, is set to be released on Gizeh Records. They will make a church performance with special guests.
Glissando (Sheffield, UK) “have the kind of atmosphere that can captivate and relax in equal measure- never before has tranquillity sounded so urgent. While track lengths of over 10 minutes may fail to hold the attention of the ADHD sufferers among us, with patience it plays like a majestic dream. And it's one you'll never want to wake up from." NME
Operations (Chris Anderson) is a Manchester based conceptual music producer and sound artist. He performs and records with an array of analog synths and effects, reel-to-reel tape and casette players, and guitars. Followers of Tim Hecker, Slowdive, Fennesz, Godspeed You! Black Emperor, Stephen O'Malley, Type and 12K Records will surely nod in approval.
Svarte Greiner (Deaf Center/Miasmah/Type) explores deep into a dark, mysterious and disturbing universe. Drawing inspiration from artists such as Earth, Volcano the Bear, David Darling & Deathprod, the music is draped in Lynchian mysticism and horror film cinematics. "The music of Svarte Greiner is practically perfect. It's like that sound in our heads we've been imagining for ages but had never actually heard." - Type Records.
The Sight Below (Rafael Anton Irisarri/Miasmah/Immune) draws as much on modern genre progenitors like Brian Eno, Robin Guthrie and My Bloody Valentine as it does from the more historic traditions in neo-classicism from Erik Satie and Olivier Messiaen. His album Glider has appeared on Thom Yorke's radar in making the Radiohead's lynchpin's top ten playlist.
His debut album Navigare soon to feature on the Miasmah label, Simon Scott (former Slowdive) is set to be a household name in conceptual music. Simon is the former Slowdive drummer, co-producer of Televise, producer of Seavault, and owner of KESH Recordings label.
Hello guys, just to let you know there are just a couple of days left to enter the Rockstar competition which I listen for. The prizes include being the first confirmed act for Glastonbury 2010 and some recording time at RealWorld studios, and 3 finalists get to play the Pilton Party which is huge. Looking for all kinds of music so don't be put off by the name.
Machinefabriek is amongst the finest experimental/electronic artists of today. His ultra-prolific back catalogue showcases his ability to perfect classical ambience, organic drone soundscapes, electronic minimalism and cathartic noise. He is hailed as one of the most interesting new experimental musicians by the Wire magazine.
Xela is the shady, underworld atmospheres and improv horrors of John Twells, owner of Type Records. "Xela has always been able to pre-empt the shifting tides of electronic music and deliver a statement that's definitively of its time” (Boomkat).
His debut album Navigare soon to feature on the Miasmah label, Simon Scott is set to be a household name in conceptual music. Simon is the former Slowdive drummer, co-producer of Televise, producer of Seavault, and owner of KESH Recordings label.
As well as the Owl Project track featured exclusively on the CD accompanying the current issue of Attack!!!!, Owl Project's Antony Hall provided an illustration celebrating Galvinism and bioelectricity back in issue 4. The last copy of this issue is now up for auction on ebay, starting at a penny. Place your bids.
Pilot For A 22nd Century Sitcom is finally available to view online having exhausted the festival circuit. Stay tuned for imminent news regarding our latest short, a hermitcore musical on Super-8mm.
2112 AD: a smug scientist is pushed to his limits when his domestic goddess wife gets the nuclear fear and can no longer see the point in doing her chores.
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