Neaera
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Heaven's Descent
3:32
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I Loathe
4:35
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Prey To Anguish
4:37
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Synergy
4:53
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BIOGRAPHY
2nd April 2004 – less then a year after the band’s inception and only a few months into the band’s existence in its present line-up – THE NINTH GATE are offered a recording contract by Metal Blade Records, literally making the five youngsters’ dreams come true. Understanding that a new name is needed to replace the old moniker, which had been born more out of necessity than anything else, the quintet starts brainstorming, soon emerging with a name that represents the band’s philosophy as a whole. The name is that of a character from Greek mythology, a woman who was sold into sexual slavery, being proscribed, oppressed and exploited all her life. This woman was called NEAERA.
A contract is signed between Metal Blade Records and the newly named NEAERA, who enter Stage One Studio with veteran producer Andy Classen in November 2004 in order to record their debut album. “The Rising Tide Of Oblivion” is released on March 21, 2005, being met almost exclusively with positive reviews. Following the album release, the band plays numerous shows and tours in Germany and abroad, including a European tour with As I Lay Dying and Heaven Shall Burn.
Musically speaking, the band doesn’t rest on their laurels either. A studio date for January 2006 at Denmark’s Hansen studios with producer Jacob Hansen (FEAR MY THOUGHTS, MAROON, COMMUNIC, SOUL DEMISE) is already booked in June 2005. The songwriting process takes up the best part of the year, with Tobias Buck, Stefan Keller and Sebastian Heldt writing roughly one song a month. The studio sessions with Jacob Hansen turn out to be extremely gratifying, more than living up to the band’s expectations. The band’s sophomore album, “Let The Tempest Come”is released by Metal Blade Records on April 7, 2006.
Album number two proves that the band is not only able to cope with the immense pressure generated by their successful debut, but also that they have matured as musicians. The new songs are met with enthusiastic reactions both by fans and press. Among other remarkable achievements, “Let The Tempest Come” gets a perfect 7 out of 7 score in the German edition of Metal Hammer – just like “The Rising Tide Of Oblivion” did before. Following the album release the band embarks on a real marathon of tours and festivals, including tours with the likes of Kataklysm and Caliban, as well as large festivals like Summer Breeze, With Full Force and Donauinselfest.
In late May 2007 Tobias Buck and Sebastian Heidt make their way to the familiar Hansen Studios again to begin recording the third NEAERA album, titled “Armamentarium”. For the first time, the band works simultaneously at Hansen Studios and Rape of Harmonies Studio in the Eastern German town of Triptis, where all vocals are tracked under the supervision of Alexander Dietz and Ralf Müller. “Armamentarium” is launched on August 24, 2007. The album even makes it into the official German album charts on position 65! Several festivals (Wacken a.o.) and tours throughout Europe follow, pushing the total number of shows played by the band up to 300 in over 20 countries including Russia, Estonia and Greece.
In January 2009 the band enters Rape of Harmonies Studio to record their fourth album, “Omnicide – Creation Unleashed”, with producer Alexander Dietz at the helm. Mix and mastering is taken over by world-famous metal doctor Zeuss, who gives this aural tank his usual seal of excellence.
Festivals were destroyed by NEAERA where the band shared stages with bands like Rammstein. Alongside Earth Crisis and Sworn Enemy NEAERA toured Europe for one month.
After having finished songwriting for a new record on tour, the guys didn’t lose any time. The recording session for their fifth album was planned immediately. ‚Forging The Eclipse‘ was produced by Alexander Dietz, NEAER’s man of trust, with German producing legend Andy Classen handling the drums in his Stage One Studio. The mix was done by Tue Madsen in his Antfarm Studio.
Cover artwork once again was created by NEAERA’s longtime graphic designer Terje Johnsen. He managed to turn the album title into a simple and concise concept.
Shows & Events
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Latest Blog Entries
- Apr 27, 2011 2:02 AM METAL HAMMER AWARDS 2011 - WE NEED YOUR SUPPORT !
- Apr 26, 2011 5:13 AM STUDIO AGAIN ! WTF ????
- Dec 4, 2010 10:46 AM 'FORGING THE ECLIPSE' NOW OUT ON VINYL! LIMITED TO 300 PIECES!
- Oct 25, 2010 12:44 PM LIMITED CD+SHIRT PACKAGE available at EMP almost SOLD OUT! ORDER NOW !
- Oct 19, 2010 4:36 PM AWESOME FIRST PRESS REACTIONS !
Videos
Interview
00:00 | 9617 plays | Jul 6 2009
YOUTUBE
General Info
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Genre: Death Metal / Hardcore / Metal
Location Muenster, DE
Profile Views: 1447545
Last Login: 5/12/2011
Member Since 6/16/2005
Website http://www.neaera.com
Record Label Metalblade Records
Type of Label Major
-
Bio
M�nster, Westphalia, summer of 2003: Tobias Buck, guitarist of the death/grind band MALZAN, forms a side project in order to pursue his interest in hardcore and Swedish death metal. The original line-up, consisting of Buck, Sebastian Heldt (d), Benny Hilleke (v), and Benjamin Donath (b), is quickly assembled, and, just before the debut show, THE NINTH GATE is chosen as the band’s name. Soon after this show the band is joined by guitarist Stefan Keller, whose death metal heavy riff ideas further enrich the creative output of the young group.<br /> <br /> 2nd April 2004 – less then a year after the band’s inception and only a few months into the band’s existence in its present line-up – THE NINTH GATE are offered a recording contract by Metal Blade Records, literally making the five youngsters’ dreams come true. Understanding that a new name is needed to replace the old moniker, which had been born more out of necessity than anything else, the quintet starts brainstorming, soon emerging with a name that represents the band’s philosophy as a whole. The name is that of a character from Greek mythology, a woman who was sold into sexual slavery, being proscribed, oppressed and exploited all her life. This woman was called NEAERA. <br /><br /> A contract is signed between Metal Blade Records and the newly named NEAERA, who enter Stage One Studio with veteran producer Andy Classen in November 2004 in order to record their debut album. “The Rising Tide Of Oblivion” is released on March 21, 2005, being met almost exclusively with positive reviews. Following the album release, the band plays numerous shows and tours in Germany and abroad, including a European tour with As I Lay Dying and Heaven Shall Burn. <br /><br /> Musically speaking, the band doesn’t rest on their laurels either. A studio date for January 2006 at Denmark’s Hansen studios with producer Jacob Hansen (FEAR MY THOUGHTS, MAROON, COMMUNIC, SOUL DEMISE) is already booked in June 2005. The songwriting process takes up the best part of the year, with Tobias Buck, Stefan Keller and Sebastian Heldt writing roughly one song a month. The studio sessions with Jacob Hansen turn out to be extremely gratifying, more than living up to the band’s expectations. The band’s sophomore album, “Let The Tempest Come”is released by Metal Blade Records on April 7, 2006. <br /><br /> Album number two proves that the band is not only able to cope with the immense pressure generated by their successful debut, but also that they have matured as musicians. The new songs are met with enthusiastic reactions both by fans and press. Among other remarkable achievements, “Let The Tempest Come” gets a perfect 7 out of 7 score in the German edition of Metal Hammer – just like “The Rising Tide Of Oblivion” did before. Following the album release the band embarks on a real marathon of tours and festivals, including tours with the likes of Kataklysm and Caliban, as well as large festivals like Summer Breeze, With Full Force and Donauinselfest. <br /><br /> In late May 2007 Tobias Buck and Sebastian Heidt make their way to the familiar Hansen Studios again to begin recording the third NEAERA album, titled “Armamentarium”. For the first time, the band works simultaneously at Hansen Studios and Rape of Harmonies Studio in the Eastern German town of Triptis, where all vocals are tracked under the supervision of Alexander Dietz and Ralf M�ller. “Armamentarium” is launched on August 24, 2007. The album even makes it into the official German album charts on position 65! Several festivals (Wacken a.o.) and tours throughout Europe follow, pushing the total number of shows played by the band up to 300 in over 20 countries including Russia, Estonia and Greece.<br /> <br /> In January 2009 the band enters Rape of Harmonies Studio to record their fourth album, “Omnicide – Creation Unleashed”, with producer Alexander Dietz at the helm. Mix and mastering is taken over by world-famous metal doctor Zeuss, who gives this aural tank his usual seal of excellence.<br /> <br /> Festivals were destroyed by NEAERA where the band shared stages with bands like Rammstein. Alongside Earth Crisis and Sworn Enemy NEAERA toured Europe for one month. <br /><br /> After having finished songwriting for a new record on tour, the guys didn’t lose any time. The recording session for their fifth album was planned immediately. ‚Forging The Eclipse‘ was produced by Alexander Dietz, NEAER’s man of trust, with German producing legend Andy Classen handling the drums in his Stage One Studio. The mix was done by Tue Madsen in his Antfarm Studio. <br /><br /> Cover artwork once again was created by NEAERA’s longtime graphic designer Terje Johnsen. He managed to turn the album title into a simple and concise concept. <br /><br /> -
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Extreme Designs 26 days ago
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10 of 32Moredo you need a logo or cover?
let us here at Promusic360.com get you 192,000 friends on Myspace and let us get you 10 million visitors to your website.. FREE TO JOIN!
Ecco a Voi il 1 Singolo solista di quel pazzo di Stress che balla sprezzante del pericolo in Piazza Duomo a MILANO!
Crazy Italian dancing on Milano!
http://www.youtube.com/watch?v=KCeZAFOAqdQ
Salut , Je te donne le lien youtube du dernier cover enregistré au www.studiodecibel.com un chanteur guitariste amateur de la région fan d Alan Parson reprend : Eyes in the Sky. Voiçi le lien :http://www.youtube.com/watch?v=pHdmdbfq2mM Pour me rejoindre sur facebook la (for the add) : https://www.facebook.com/studiodenregistrementdecibel Heureux d avoir fait ta connaissance, Pierre.
thanks for becoming a fan ive made all songs available to download for FREE
http://www.reverbnation.com/kronikken
or
http://www.facebook.com/pages/Kronikken/165925446752940
http://www.twitter.com/kronikken
Hey! Are you a fan of BEHEMOTH, ABORTED, MELECHESH to name a few? If so, you should check out our new single here:
http://www.youtube.com/watch?v=Qd0hOt_m6S4
If you like it, please like us on Facebook:
http://www.facebook.com/escapefrom
Hope to see you on some gigs! Cheers!
Super Show in Würzburg ! Photos gibt hier www.blackrose-photos.de oder hier www.facebook.com/blackrosephotos
Sittenwidrige Markenanmeldungen
In vielen Fällen ist es sinnvoll, den Namen einer Band oder auch den Künstlernamen eines Musikers beim ..DPMA.. als Marke anzumelden.
Hierbei sollte allerdings darauf geachtet werden, daß der anzumeldende Name nicht gar zu derb ist, da das "Anstandsgefühl" Deutscher Ämter und Gerichte sich doch signifikant von dem der Musikantengemeinde unterscheidet und die Markenanmeldung vom DPMA wegen Sittenwidrigkeit zurückgewiesen werden kann.
Ein erbauliches Beispiel hierfür ist der Beschwerdeentscheidung "Ready To Fuck" des Bundespatentgerichtes (BPatG) zu entnehmen:
http://juris.bundespatentgericht.de/cgi-bin/rechtsprechung/document·py?Gericht=bpatg&Art=en&sid=da89d776d352e991608eac03bb40425d&nr=22817&pos=0&anz=1&Blank=1.pdf
Mit freundlichen Gruessen,
Dr. Peter Reinert (Patentanwalt)
Sittenwidrige Markenanmeldungen
In vielen Fällen ist es sinnvoll, den Namen einer Band oder auch den Künstlernamen eines Musikers beim ..DPMA.. als Marke anzumelden.
Hierbei sollte allerdings darauf geachtet werden, daß der anzumeldende Name nicht gar zu derb ist, da das "Anstandsgefühl" Deutscher Ämter und Gerichte sich doch signifikant von dem der Musikantengemeinde unterscheidet und die Markenanmeldung vom DPMA wegen Sittenwidrigkeit zurückgewiesen werden kann.
Ein erbauliches Beispiel hierfür ist der Beschwerdeentscheidung "Ready To Fuck" des Bundespatentgerichtes (BPatG) zu entnehmen:
http://juris.bundespatentgericht.de/cgi-bin/rechtsprechung/document·py?Gericht=bpatg&Art=en&sid=da89d776d352e991608eac03bb40425d&nr=22817&pos=0&anz=1&Blank=1.pdf
Mit freundlichen Gruessen,
Dr. Peter Reinert (Patentanwalt)
Hey, thanks for the add!