///////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////sounds like the cosmos
Al Gre n Gd
shit, something glitched out our page..:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: the nhomeas are an improvisational group based in sydney that grooves, punks, noises, glitches, loves, feeds back, and downright keeps it real. the band is based in the noise-infested suburb of chippendale- where amazing art aplenty goes down.
the nhomeas lineup currently features josh isaac, david sullivan, nic de jong, jack dibben and aemon webb.............................................................................................
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@ ^ % * & ( ) & *% ($ $ @ _________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________we to interests improvisation beyond current ofples..._______________________________________________________________________________:: ::: :::::: :::: :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: :::: :::: :: ::: :: :: 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. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ....................................................................................... nomea - "conversations in sound" .:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: (track listing: 1. 1. - 2. 2. - 3. 3. - 4. 4. - 5. 5. - 6. Industrialisation didn't hurt anyone [I.D.H.W.] ) :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: review by keil eje::::::::::::::::::::::::::::;;;;;;;;::::::::::::::::::::: ;a;f;:::::::::ing; 0:v:a::o:s:n;w;w;;d;s;;;a;i;g;;h; ;o;; ;bo;; ;;e;p;;e;;;a;s;o; ;;;h;n;e;i; ;y;n;;'; ;;s;ca; ;;s;h;t;c;,;;h; ;o;d;;o;e; ;;m; ;p; ;;a; ;s ;o;e;; ;o;e;;ou;d;s;;p;a; ;o;se;;k;r;-;c;n;i;e;i;g;t;a; ;h;s;m;s; ;;;o;p;s; ;l; ;o;nd;a;d;p;t;;ti;l;y;m;s;c;l;s;u;d;;ev;r; ;o;,;i;;t;e ma;er;als;a;b;nd;u;es a;e;t;is ;p;n-e;d;d, h;w ;an;an; c;itisc; o;cur?;we;c;n;c;l; ;hem;po;t,;a;a;t-;ar;e; o; ;a;t';w;a;ev;r-t;e-fuck,;b;t ;o;t;t;; a; ;e;e;n;ng;o; co;ve;sely a; s;;;-;;d;l;e;; ;;h;s;i; ;;m;s;cal cl;c;e;f;r;; re;s;n) ;ee;s ;o;st;ck to th;;r ;;eeves. thr;e;g;y;;w;o;v;lu; ;h; m;s;c;o; ;;e;fut;r;;a;d;t'';;;ve;o;m;;ts;';'';';p;;t; 'h;'; ;u;ic'l'int'n';o;s'are ;la'n;a'd ';m'l;- to ';'e a''ol;''orat''n;;f so'n; whe;e'on' ;in's;t;e;se;v'' i; ';'it;'e'wo'l' 'f'b''in'; 'i'l'n' 'p';a';p'i;';r';s'',;'e;''l;y'd;m;'a'i;;';;'s;'n;';d';e'e;'e;';'e;'e;'h;';f';he dark shadow side, where one is no longer aware of whether this vulnerable feeling is one of (...........)choly, or divine, spiritual bliss, the universal divide between the impact of n;i;e;te;ro; a;d ;he ;b;en;e;;f 'l; s;u;d' l'f;';s'''a' ;o; m;ke;o; ;t; ;o;ea;w;;'' call this music . . . :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::. from the instant the media starts, the listener is unawares of their surroundings. drones, clicks, whirrs, bubbles. only irrelevant onomatopaeiac words can attempt to provide reason as to what is occuring. yet as we slowly travel through this tale of psychoactivity, we learn of a dynamically driven vehicle following a specific atmospheric path through a myriad of vibes and feels. each track defines an entire chapter in itself, the first story being inspired by a nightmare envisioned by a;mo', in which the waking state from sleep involved an unending drone, which moved across the states of consciousness; resulting in a sonic boom continuing long after the self had woken from subconsciousness;;p'l;'i'c'ate experience? or do experiences occur, as much as the beauty of life itself, to give artists inspiration to create? i would say both, and feel .. the dark and light of the psyche is music for the soul.:::::::::::::::::::::::::::::::::::::::::::::::::::::
;he s;unds;apes uti;ise mus;ca; inst;ument di;ital int;rf;ce, long f;r midi, wh;ch a; e;pla;ned by n;;e;, is an "untapped sound resource which was both birthed and abandoned in the 80's, as everyone was utilising it in ways in which would contradict anyone's personal integrity, to replicate the sounds of other instruments..." ;;;;;;;;;;;;;;;with this in mind, opening up before me are impressionist visions of utopia, cubist replicas of warped density and intensity, psychadelic spirits chasing frequencies around and around until all they have left is silence. some of the best moments involve just a simplicity of sound- and this is what makes the media coherent and lively (in its ambient, chillout way) from beginning to end. the minimalist passages, constantly repeating and channeling the trance notion, draw the listener in, with the 'conversation' we have involving the loudspeaker, and the self..::::::::::::::::::::::::::::::::::::::::::;:::::::::::::::::::::: utmost and foremost, this album doesn't demand intimate listening, or any mode of specified attentiveness. its what u make of it. almost as if musicologists could examine every fine detail down to the major-minor drone modulation and extended cadence structures, whereas endo-toking uni students could chillout and observe music for relaxation, peace, or meditation. a quality listening experience which, unlike the majority of electronica/noise mediums flowing around these days, expresses beauty and life, which tends to be difficult with electronic music generation. aphex twin made it with selected ambient works, cornelius more recently with his efforts. hopefully everyone can experience this conversation with sound. ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::; (eje) :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::;::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::;::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::;::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::;:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::dy for the next street release....
Hey it was super sweet to run into you guys in Newcastle. Let us know when you're next headed to Melbourne and I'll try my best to organise a little detour show down here. Peace Tim
Awesome jams with Ryan today Aemon. When you were doing these skittery fast beats and Ryan on xylaphone, me on guitar, that was the finest thing I've heard in a while. I'll miss the Abercrombie St jams. Ciao for now brother!
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