PLEASE NOTE ~ THIS IS A TRIBUTE PAGE TO THE BEAUTIFUL AND FORGOTTEN STAR NINA MAE MCKINNEY. I AM OFTEN UNABLE TO COMMENT BACK DUE TO MY BUSY SCHEDULE, SO THEREFORE AS NOT TO OFFEND ALL THOSE THAT COMMENT FREQUENTLY I WILL BE 'HIDING' THE COMMENTS FEED SO THAT THIS PAGE IS VIEWED MORE AS A TRIBUTE PAGE WITH INFO & PHOTOS OF NINA MAE. I HOPE YOU UNDERSTAND. YOU WILL STILL BE ABLE TO COMMENT, HOWEVER THE COMMENTS WILL NOT BE ABLE TO BE VIEWED BY THE GENERAL PUBLIC OR FRIENDS. ~ THANK YOU.
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Music
Jazz ~ In 1940 she toured the United States with her own jazz band after marrying musician Jimmy Monroe. Nina Mae Mckinney reportedly brought the Apollo down whenever she played there.
Rare footage of Curtis Mosby and his Blue Blowers from the 1929 movie "Hallelujah". The singer is Nina Mae McKinney on the song "Swanee Shuffle".
The fabulous Nina Mae McKinney sings "Everything I Got Belongs To You" with Eubie Blake and his Orchestra. Quite a bit of Louis Armstrong influence here! Bookmark the Dailymotion group CLASSIC JAZZ CLUB to see the entire collection of pre-1945 jazz films.
Movies
Filmography (1950s) (1940s) (1930s) (1920s)
1. Copper Canyon (1950) (uncredited) .... Theresa
2. Pinky (1949) .... Rozelia
3. Danger Street (1947) .... Veronica
4. Night Train to Memphis (1946) .... Maid
5. Mantan Messes Up (1946)
6. The Power of the Whistler (1945) (uncredited) .... Flotilda, Constantina's Maid
7. Together Again (1944) (uncredited) .... Maid
8. Dark Waters (1944) .... Florella
9. Swanee Showboat (1940) (as Nina McKinney)
10. Straight to Heaven (1939) .... Ida Williams
11. The Devil's Daughter (1939) .... Isabelle Walton
... aka Pocomania
12. Gang Smashers (1938) .... Laura Jackson
... aka Gun Moll
13. The Lonely Trail (1936) (uncredited) .... Dancer
14. Reckless (1935) .... Singer in 'Reckless' Number
15. Sanders of the River (1935) .... Lilongo
16. Kentucky Minstrels (1934) (uncredited)
17. Passing the Buck (1932)
18. Pie, Pie Blackbird (1932) .... Miss Nina
19. Safe in Hell (1931) .... Leonie, the Hotel Manager
... aka The Lost Lady (USA)
20. They Learned About Women (1930) (uncredited) .... 'Harlem Madness' Singer
21. Hallelujah! (1929) .... Chick
Television
Nina Mae McKinney is credited as the first black person to appear on British television. In 1935 she participated in a one hour GPO film called BBC - The Voice of Britain and in 1937 was one of several artists to feature in a BBC Television Demonstration Film (d. Dallas Bower, 1937).
Books
FROM TIME MAGAZINE....
NINA MAE McKINNEY
Variety, reviewing her film debut, called her "the Clara Bow of her race." When she toured Europe in the 30s she was billed as "the black Garbo." But based on her one starring role in a Hollywood film, McKinney was more the black Jean Harlow — pure impurity on screen. Even that's not quite fair to Nina (rhymes with Dinah), for Harlow's was essentially a comic persona, lacing fake baby talk into the braying of the gold digger who's already a little tired of the priapic effect she has on men. McKinney, though her signature character is frequently described as a child-woman, didn't play at being a grown-up. She was one: born to be, doomed to be. She embodied the primal w-o-m-a-n: Eve, Jezebel and her own creamy self.
McKinney was just 16 when she was cast as Chick, a calculating floozy, in King Vidor's 1929 "Hallelujah." With baby fat maturing into a soft voluptuousness, she radiates an uncut sexuality rarely seen in black or white actresses then, or for decades thereafter. Her volcanic rendition of Irving Berlin's "Swanee Shuffle" (using exactly the leg and hip moves that would make Elvis Presley a star) quickly lures Zekiel, a naive sharecropper, into her arms and, just as quickly, into a loaded dice game run by her no-good lover. Chick then gets religion and makes a stab at domesticity, but her noble aims don't suit a body designed for hot lovin' and a soul drenched in deceit.
Vidor wanted Ethel Waters to play Chick. (Daniel L. Haynes, the baritone who brings a barrel of robust charm to the role of Zeke, was a sort of road-company Robeson.) But Waters — or Honey Brown, whom Vidor fired and replaced with McKinney — couldn't have sold sexuality, with all its lures, all its destructiveness, the way Nina did. Before deserting Zeke for the last time, Chick douses his suspicions of her infidelity by walking toward him and purring, "Let cha baby sit on yo' lap and make ya feel so good." She takes a heavy breath before the word "feel", which she gives an extra erotic syllable. She perches on him, humming him senseless with "St. Louis Woman," then sashays off for her rendezvous with comeuppance. At her death, her huge eyes still glow, as if she were — for once, and at last — a child trying to comprehend her life's sentence trapped in a woman's curves.
McKinney, who had never before been in front of a camera, gives a performance that is raw in the best sense. It captures Chick's coarse appeal as well as her inability to conquer the impulses that make her irresistible to men — for her, anatomy is destiny. The part should have made her a star, and MGM did sign her to a five-year contract, but her only other prominent Hollywood role was as a world-weary hotelkeeper in the 1931 "Safe in Hell." She made three films in Britain, including "Sanders of the River" with Robeson, before returning to a featured part in the Ralph Cooper "Gang Smashers." In the 40s she had one decent Hollywood role, in the passing-for-white drama "Pinky," but mostly she played the one available character for black actresses: maid. She was dead at 55.
I created this page on Nina Mae because she should be thriving in our memories as much as Jean Harlow. She was a gorgeous young woman & had she had more opportunity she would have shown the world her talent. Below is a short summary of her life. I discovered her many years back when I was indulged in seeking out classic hollywood actresses. I was enthralled by her image & her life. There really is very little I can find on her, and it's a shame. Just a few photos, short summaries of her life, and I would love to hear her music! If you come across any "NEW" material, please feel free to share it!! Thank You ~ Sunshine
Nina M. McKinney is remembered on this date, born in 1913. She was an African-American actress and entertainer; she was the first Black actress to make her name in American cinema.
From Lancaster, South Carolina, her grandmother raised Nina Mae McKinney on the estate of Colonel LeRoy Sanders, where her family had worked for several generations. When she was twelve, her parents (living in New York) sent for her. Her career as an entertainer began at the age of sixteen when she performed in the chorus line of Lew Leslies Blackbirds. Her performance raised eyebrows and she was cast for a role in Hallelujah 1929, directed by King Vidor and cast in the lead role of Hallelujah!, one of the first all-black films by a major studio and Vidor's first sound film, for which he was nominated for the best directors Oscar in 1930. In the film McKinney dances the "Swanee Shuffle", a seductive dance which became a minor fashion.
It was in this role that McKinney originated the stereotype “Black Temptress” that has haunted Black actresses to this very day. Critics described her characterization of Chick as “half woman, half child.” She was only seventeen years old at the time, young, beautiful, and on the strength of this performance McKinney was given a five-year contract with Metro-Golden-Mayer (MGM). It was here that she fell into the exploitation and oppression common to African-American women in Hollywood. McKinney was a leading lady in an industry that had no leading roles for a Black woman.
MGM did not know what to do with her and as a result she was cast in only two films, Safe in Hell 1931 and Reckless 1935; both of which were small parts and when her contract expired so did her career in Hollywood. She toured Europe in 1929 with pianist Garland Wilson. They performed in Paris and London. Billed as the “Black Garbo’” she was well received by audiences across the abroad. McKinney twice starred with Paul Robeson in Congo Road and the English film Sander of the River 1935. She appeared in many independent films in America including Pie Pie Blackbird with Eubie Blake.
Her last film was Pinky 1949. After the war she moved to Athens, Greece and lived there until she returned to New York in 1960. Nina McKinney died in New York on May 3, 1967.
In 1978 she was inducted into the Black Filmmakers Hall of Fame.
Reference:
Black Women in America An Historical Encyclopedia
Volumes 1 and 2, edited by Darlene Clark Hine
Copyright 1993, Carlson Publishing Inc., Brooklyn, New York
ISBN 0-926019-61-9
NOTICE:
Photographs shown are from various photographers and screen caps. These photos are being used soley as a purpose of viewing & celebration of Nina Mae McKinney. No profit is being exchanged on this page. Unfortunately, I am not aware of most photographers. If the owners of any photographs or illustrations that are included on this site are not credited please make efforts to contact me, so I may credit appropriately, or if you would like for me to take the photo/illustration down I will be happy to comply. ~ Thank You!
Who I'd like to meet:
Those that appreciate Nina Mae McKinney xoxo
IMDb Mini Biography
Date of Birth ~
12 June 1912, Lancaster, South Carolina, USA
Date of Death ~
3 May 1967, New York, New York, USA (heart attack)
Birth Name ~
Nannie Mayme McKinney
Nickname ~
The Black Garbo
Height ~
5' 3" (1.60 m)
Nina Mae McKinney is known as the seductress "Chick" from _Hallelujah (1929)_, the first all-black, all-sound musical. Little is known about Nina Mae McKinney life, even though she was a great actress, singer, and dancer she is mostly forgotten. She certainly had the looks, the body and talent to succeed but as she learned and other women learned, there wasn't much work for a black woman except playing a maid, there wasn't much choice of roles. Hollywood was scared to take a chance on a black woman, scared to make her into a glamorous sex symbol like a white actress. No one would see a glamorous black sex symbol until Lena Horne's arrival in 1942, and Nina Mae McKinney learned like other black actresses that there wasn't much success after one success.
In 1913 the town of Lancaster was the birthplace of a black woman who became an international figure as an actress, singer and bandleader. Her given name was Nannie Mayme McKinney. Her parents, Hal and Georgia McKinney, moved form Lancaster to New York and left the child with her great-aunt, Carrie Sanders. "Aunt Carrie" lived in a small apartment in the backyard of Col. Leroy Springs, father of Elliott White Springs. Aunt Carrie worked as a cook and housekeeper for the Springs family. As soon as Nannie Mayme was old enough, she ran errands for Lena Jones Springs who gave her a bicycle to ride to the post office to pick up the mail. Thus, Nannie Mayme's first public performances were riding stunts, or "cutting capers", as amazed bystanders called it. She appeared in plays at the black Lancaster Industrial School (founded by Springs), where she quickly learned the lines of the entire cast. But at about age 13 she headed for New York to stay with her mother, Georgia Crawford McKinney. Choosing Nina Mae as her stage name, she managed to get a job as a member of the chorus in 'Blackbirds', a Broadway play. Her lively performance caught the attention of King Vidor, famed MGM producer, who starred her in 'Hallelujah', released in 1929. It was the first all-black sound musical feature. The movie houses billed the film as "a story of murder and redemption in the Deep South." The melodrama was not widely acclaimed at the time, but movie historians now see it as an interesting introduction to black theater. One critic described 'Hallelujah' as having "a crude power." Although signed by MGM to a five year contract, Nina Mae was only in two films, Safe in Hell (1931) and Reckless (1935) in which she didn't even appear on the screen. Her voice was dubbed for Jean Harlow's songs. Hollywood could accept black character actresses like 'Hattie McDaniels' and Butterfly McQueen appearing with white cast members but didn't know what to do with a beautiful black actress.
However, her first film gave Nina Mae McKinney the opportunity to appear in a number of all-Black cast members, including "Sanders of the River" "Dark Waters" and "Pinky". In "Sanders of the River" her costar was Paul Robeson but _Pinky (1949)- is considered her best movie. In spite of limited exposure to the general public, Nina Mae McKinney was always on stage, it didn't attract big crowds, or sell-outs but she was always a show-stopper. At the Apollo Theater, Harlem's only all-black theater, Nina Mae played Jeane Eagel's role in "Rain". Nina Mae McKinney could have become one of America's enduring performers. She had the talent and the beauty. Realizing that the doors to true stardom were barred in Hollywood, McKinney took her great talent abroad to Paris, London, Dublin and Budapest, where she became known as the "Black Garbo." She appeared in more films and plays; her career total, home and abroad, was 19. When war broke out in Europe Nina Mae returned to New York, where she married a jazz musician, Jimmy Monroe, put together a band and toured the country. In the 1950s and 1960s she lived in Athens, Greece where she was known as the "Queen of Night Life." In the late 1960s, she came back to New York, but did not perform. She died a few years later, no one paid attention to her death or funeral, by the 60s she was forgotten and didn't make a comeback such as Lena Horne, Josephine Baker, or like Billie Holiday did.
Her death and funeral went unknown, Jet, Ebony, and Variety didn't even print an obituary. One newspaper printed something about "Nina Mae McKinney "ENTERTAINER" died at New York Metropolitan Hospital of a heart attack, funeral services is going to be in the little white church around the corner". Many people didn't even know where she was buried, or when she died. A great gifted talent, a sad way to be forgotten, but has not been forgotten in Lancaster, her hometown. Nina Mae McKinney's portrait is painted on a Lancaster wall across from the Courthouse, known as the "Wall of Fame," along with other famous Lancastrians, Pres. Andrew Jackson, Dr. J. Marion Sims, Col. Elliott White Springs and Gen. Charles Duke.
IMDb Mini Biography By: Anonymous
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