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Man's Last Great Invention... none... eh? 43

"...somewhat reminiscent of Biosphere material; sparse layers of sound come together to form miraculously organized compositions. The strangely hopeful first half of the album climaxes in a haze of distant chanting on the third track; this makes way for a much darker second half which could best be termed "unsettling." Particularly disturbing is the monstrous final track; it sounds like a swarm of ghosts trying to force their way out of a metal holding cell." - Matt Shimmer, Indiville

"Man's Last Great Invention share much more with psychedelia than many other bands using drones and feedbacks, do to the lo-fi nature of this recording and to the really good quality of the music" - Andrea Ferraris, Chain DLK

"...dreamy and dreamy, what Eno wakes up hearing upon having a wet dream. Lush, bountiful. For fans of all things Kranky, Bowery Electric, Eno, name it. For fans of laying in the sun of a window on a cold day, of popping a left over vicodin with a beer on a Sunday afternoon on an empty stomach. This buds for you." - KZNU Zookeeper

"Maybe with all the right hallucinating substances that both playing and hearing this kind of music requires, its a long and flowing trip into the world of subconsciousness, but if I would give in to every musical invitation to take drugs, I'd be in rehab and then there is no Vital Weekly." - Frans de Waard, Vital Weekly

"All hail the healing power of minimalist hiss 'n drone" - RKF, The One True Dead Angel

"This is a broad, expansive album, creating sweeping atmospheres with the title 'tracks' while the untitled final third of the album presents a more forceful side of the ensemble. This sounds improvised, suiting the eh? remit, but with an ambient edge. Engrossing." - Jeremy Keens, Ampersand Etcetera