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'IL CARRETTO DI SINO' by N. Mezzapelle: bass & composer, feat. F. Boltro: fl.horn, A. Bonanno: piano, G. Urso: drums /
'NOSTALGIA' by N. Mezzapelle: bass & composer, F. Rizzo: s.sax, E.T. Vaccaro: cl. guit, Ut Comma Strings (1995)..
http://www.youtube.com/watch?v=vqwjC93ewDM&feature=channel
http://www.youtube.com/watch?v=Fi28YPdcXoM
http://www.youtube.com/watch?v=MmvkYpeXdzg
'MY BAND IS ALL MY LIFE' ♥ and ♥ 'WORLD RAIMBOWS' by G. Leopizzi: guitar & compososer, D. Crippa: voice, N. Mezzapelle: bass, w. Electroacoustic Band (Rec. 1985_87)..
.. NO WAR!♥♥MUSIC!♥♥MUSIC!♥♥NO WAR! ♥Double bass, painting, poetry♥ Musicians: Johann Sebastian Bach, Wolfang Amedeus Mozart, Domenico Dragonetti, Giovanni Bottesini, Serge Koussewitzky, Charles Mingus, Segei Rachmaninoff, Claude Debussy, Maurice Ravel, Igor Strawinskij, George Gershwin, Astor Piazzolla, Ornette Coleman, Archie Shepp, Keit Jarret, Chick Corea, Jan Garbarek, Peter Erskine, Pino Daniele. CONTRABBASSISTI: Scott La Faro, Paul Chambers, Sam Jones, David Holland, Eddie Gomez, Palle Danielsson, Marc Johnson, Ron Carter, Miroslav Vitous, Barre Phillips, John Patitucci, Eberard Weber & i Classici: Yoan Goilav, Francesco Petracchi, Gary Karr, Ludwig Streicher, Jean Marc Rollez, Frantisek Postak, Tom, Dick and Harry, and my friend Massimo Giorgi (double bass next of kin). Why the double bass?! ("with turban" per"turbing" woman): Why Ingres (neoclassical painter) did paint La Grande Baigneuse? He depicts a woman, who just had a bath, backwards seated and slightly three-quarter turned towards the spectator (pretending not to see you, but right looking at you) and Magritte retrieving this image and adding the "f" of the violin.. and continuing with "Violin and Guitar" by Picasso, "The Musician" by Chagall and many others that I really do not want to call "insane", on the contrary, painters of life, emotions, sensuality and not.. as for example "L'Estasi di S. Teresa" by Bernini, so permeated by sensuality too, totally giving itself abandoning in God's grace.
Sounds Like
All good Music, without genre and label distinction (on my opinion).. there is good and bad music apart from genre..
www.myspaceeditor.it
Nino Mezzapelle: Composer, double bass player, was born in Marsala, on
May, 1958. INTERESTS: chamber, classical and
symphonic music, opera, jazz, musical theatre, ballet,
prose, painting and poetry. He approaches to music when
12 and in 1972, led to double bass by Edgardo Zoccoli
and Claudio Lipari, begins to study music at Vincenzo
Bellini Academy of Music in Palermo. In 1977, ’78, ’79
trained by Maestros Luigino Salvi and Franco Muzzi he
attends instrument improvers courses, as well as orchestra,
chamber, opera and symphonic music training courses at
“F. FENAROLI” Academy in LANCIANO (CH) and in
Palermo, under the guidance of Pietro Brigantino;
in 1979, as major double bass player, he makes his
first live recording “Demetrio e Polibio at Opera Festival of OPERA BARGA;
in 1981 he earns the double bass academy degree with
highest honours under the guidance of Franco Muzzi at
Arcangelo Corelli Academy of Music in Messina, later
improving up guided by M° Yoan Goilav. He attends the
International high degree improvers course of AMOR
(Accademia Musica pro: O. Respighi, Roma). On
July 22nd, 1981, he performs the Concert by
Domenico Dragonetti in Assisi, (Giovani Maestri del
Contrabbasso) for the National Italian Radio,
recorded by the Swiss label Ton Studio Wetter
Winthertur (best participant to interpretation course
conducted by M° Yoan Goilav). In 1979 he teaches
music theory and musical dictation, in 1979'80
double bass at the Music High School of Crotone (l)
and in 1987'88 double bass at the National
Academy of Music A. Corelli in Messina. Since 1981
to date he is permanent professor (successful
candidate in the national examination) at
“Orchestra della Fondazione Teatro Massimo” in
Palermo (Teatro Massimo Foundation Orchestra),
where he undertakes a continuous and busy concert
activity taking part to several chamber groups as
major double bass soloist: in 1984, for “Musica
Incontro” he performs: duet concerts with cellist C.
Nicotra, the double bass solo concerts (J. S. Bach: I
& II Suite) with Ensemble Strumentale and H.
Eccles: Sonata; G. B. Pergolesi: Sinfonia, N.
Mezzapelle: Franci Suite for double bass and
ensemble. In August 1990, in New York with
“Universensemble” he records the Live “W.K.C.R.”
(N.Y.C.) Concert and with Dennis Charles takes part
to New York City Seaport Summer. Participations
to Radio Tv of RAI Radio Televisione Italiana
programs: Effetto Radio, Scarpe da Tennis, Aes
Dana in Concert at Villa Malfitano, Rai 3 Italia 90,
Prix Italia 2002. In 1992 he debuts as composer
publishing his first CD-Compilation: SICILIAN JAZZ
COLLECTION, Vol. 2 (Splas(h); 2002'03'04: for
Teatro Massimo Foundation promotional
performaces: Filoxnia/Concerti al Tramonto/Teatri
in Musica (Sulle Corde Dell' Emozione) he
participates with two of his chamber orchestrations
PLANH SUITE and CONTAMINARCHÈSTRA
performed by the String Ensemble of the Teatro
Massimo Foundation (soloists: G. Gasbarro, cello
and N. Mezzapelle, db); for Cefalù Summer 1994
the Ut Comma Quartet performs his “COTTAGE
(Pagliaccjazz Suite)” for accordeon, obbl. d.bass &
Strings; in 2001 he performs Symphony N°9 by
L.V. Beethoven, conducted by M° Zubin Metha
(Auditorium of Santa Cecilia National Academy,
Rome). In 2002, at Santa Cecilia Academy of Music
in Rome Massimo Giorgi conducts PLANH SUITE for
8 d.basses; in 2003, the Lyric Symphony Orchestra
of Sicilian Music Academy conducted by G.
Colajanni, performs PLANH SUITE for cello e strings
(vc: G. Gasbarro). In 2004, for Teatro Massimo
(Christmas in Music) the Foundation String
Ensemble performs PLANH SUITE and
NOSTALGHIA-Quasi elegia (Soloists: J.Hamza:, vl.
G. Gasbarro: cello; N. Mezzapelle: db); in 2005 he
performs the PLANH SUITE for double bass and
strings at Teatro Massimo for “E’ Di Nuovo Musica”.
CD P.P. (His own orchestrations): VOCULANZICULA
(P.1999); PLANH SUITE in Memory of Giovanni
Falcone & Paolo Borsellino, for lyrical m. sopr. and
ensemble (P.2001). DISCOGRAPHIC LABELS:
Splasc(h); Caligola (Hi-tide); Omc; Fonit Cetra; Il
Cantastorie; Arte Nova Classics; Chandos;
Dynamic, Bongiovanni (Diapason); Pentagramma,
Hi Folks; Folk Club-Ethnosuoni; Teatro del Sole,
ecc. Nino Mezzapelle orchestrations are published
by Senz’h, Mnemes (Ranieri & Alfieri Publishing).
COLLABORATIONS: Giuseppe Leopizzi, Aes Dana,
Flavio Boltro, Fabio Rizzo, E. Tobia Vaccaro, Orazio
Maugeri, Giuseppe Urso, Mauro Schiavone, Monica
Minarelli, Guna, Robin Williamson, Martin & Jessica
Simpson, John Lewis, Enrico Gatti, Guelfo e Carlos
Nalli, Dennis Charles, John Neschiling, Ottavio
Ziino, Riccardo Chailly, Wolfang Rennert, Gunter
Schuller, Daniel Oren, Yoram David, Gianandrea
Gavazzeni, Peter Maag, Donato Renzetti, Stefan
Anton Reck, Neville Marriner, Franco Mannino, Alain
Lombard, Zubin Metha, Myung–Whun Chung, Lalo
Schifren, Bruno Canfora, Riz Ortolani; Katina
Ranieri, Lucio Dalla, Franco Battiato, Milva, Rossana
Casale, Ian Gillen, Nick The Nightfly, Noa, Sal
Genovese, Giovanni Allevi, Andrea Bocelli, Elio e le
Storie Tese, Marzio Conti, Massimo Giorgi, Jiuliu
Hamza, Gotfried Muller Roda, Mimmo Cuticchio,
Alessandro Quasimodo. ORCHESTRAS: E.A. Teatro
Massimo Palermo, Fondazione Teatro Massimo PA,
Orchestra Barga, Ut Comma String’s, Orchestra
Sinfonica Giovanile Lanciano, Orchestra Barocca
Siciliana (OBS), Orchestra Quattro Stagioni G.
Muller PA; EATM CameraEnsemble, Ensemble
Strumentale Siciliano, Ensemble Archi Fondazione
Teatro Massimo, Sciàllaba Orchestra, Orchestra
Lirico Sinfonica dell'Accademia Musicale Siciliana e
Orchestra Lirico Sinfonica del Luglio Musicale
Trapanese. He's writing two books telling about the funny side of double bass and db players entitled "L'uomo, il contrabbasso e la casa di cartone" (The Man, the Double Bass and the Paperboard House) and "Il contrabbasso dolceamaro" (The bittersweet Double Bass). In 1995 he publishes his first CD:
FRANCI (Splas(h) CDH 445.2, I.R.D.) reviewed by
Cadence, World Music, Jazz, Musica Jazz, Fare
Musica, Famiglia Cristiana, The Brass New’s, La
Prealpina, L’Obiettivo, etc.
_ (Traduzione Note-Curriculum in italiano su visualizza: Immagini, leggi Commento foto 1" del profilo.
Ciao Nino, grazie mille, l'augurio è veramente bello..ricambio con riconoscenza. E' un onore per me se vieni domani, e ancora di più se vieni con anto Abbraccio entrambi Ceci
Grazie mille, e scusa la risposta tardiva, ma passo raramente a vedere my space. La musica è e rimane sempre un piacere ed un amore, oltre che un lavoro, e sarà per questo che ho la fortuna di incontrare bei progetti che mi sono congeniali.
Ciao Nino, ho ascoltato con piacere il tuo lavoro con la voce di papà; Mi piacerebbe tanto averne una copia in CD riesci a farmene avere una? Baci, Giacomo