“It would be easier to jot down what this man can't do than what he can.”
-The Guardian, London, England
There is no disputing the fact that Nitin Sawhney is widely regarded as one of the most influential and versatile creative talents alive today. Firmly established as a world-class producer, songwriter, DJ, multi-instrumentalist, orchestral composer, and cultural pioneer, Sawhney has become a latter-day Renaissance man in the worlds of music, film, videogames, dance and theatre.
Sawhney has released 7 studio albums - each one garnering critical acclaim. Indeed, Sawhney has received no less than 15 major national awards for his work. London's Outcaste Records released the breakthrough Gold selling Beyond Skin in '99, which took a prestigious Technics Mercury Music Prize nomination and won Sawhney the coveted South Bank Show Award. Subsequently, Sawhney signed a multiple album deal to Richard Branson's V2 Records, and released the millennial epic and Silver certified Prophesy in 2001, winning a MOBO Award as well as a BBC Radio 3 Music Award. Sawhney's seventh studio album, Philtre, was released in May 2005, winning another BBC Radio 3 Award and has recently recorded his eighth album, London Undersound, which features performances from Paul McCartney, Anoushka Shankar, Natty and Imogen Heap amongst others and specially contributed artwork from Antony Gormley. Clubland has seen three international album releases by Sawhney: All Mixed Up – the definitive remix collection, FabricLive.15, and In the Mind of....Nitin Sawhney. He has toured each of his albums extensively and has sold-out many of the world's most prestigious venues both as a band and DJ. Sawhney has worked with a host of artists including Sting, Paul McCartney, Sinead O'Connor, A R Rahman, Jeff Beck, Brian Eno, Fink, and Will Young. In 2007 Sawhney co-produced the sophomore album for Atlantic Records artist Get Cape.Wear Cape.Fly.
To date, Sawhney has scored over forty films, as well as having scored TV ads for top international agencies. His music for Channel Four's Second Generation saw him nominated for the prestigious Ivor Novello Award for Film and TV Composition (2004), and his scores have accompanied everything from dark, high-tension drama to light-hearted animatronics. Known for his incredible degree of versatility Sawhney has established himself as one of the world's leading composers for film, and has acted as a judge for BAFTA, BIFA and The Ivor Novello Awards. Recent works include orchestral scores for Mira Nair's The Namesake, Sony Playstation 3's Heavenly Sword, and Franz Osten's silent film classic, A Throw of Dice, which he wrote for the London Symphony Orchestra. In production, amidst touring with his band and orchestras around the world, Sawhney will be scoring Deepa Mehta's forthcoming Exclusion, Henrique Goldman's Jean Charles, on the life of Jean-Charles de Menezes, The Fifth Beatle, on the life of Beatles manager, Brian Epstein, and the directorial debut of legendary actor Andy Serkis, Dark Blue Rising. He is also currently composing the score for Ninja Theory's follow up game development to Heavenly Sword, tba.
An acclaimed flamenco guitarist and classical/jazz pianist, Sawhney's musical ability to transcend cultural barriers has also gained him much recognition within the classical community. In 2006 Sawhney composed a 1hr 20-minute symphony to accompany A Throw of Dice, which premiered with the London Symphony Orchestra at the Barbican, London and has subsequently toured globally with international orchestras. He has also worked with the BBC Concert Orchestra on Natural World Symphony, and the London Philharmonia on The Namesake. In 2004, Sawhney was commissioned by the City of Birmingham Symphony Orchestra and the Britten Sinfonia to compose several new performance works. Other past commissions include 2000's Urban Prophecies for BBC Proms, 2001's Neural Circuits for the Britten Sinfonia and leading British pianist, Joanna MacGregor, and a commissioned concert for 2006 Electric Proms. 2007's BBC Proms featured a retrospective of Nitin Sawhney's works by way of a sold-out groundbreaking orchestral performance at the Royal Albert Hall. Sawhney is currently in talks with the LSO to collaborate on the season of Summer/ Autumn 2009.
In 2000 Sawhney produced the Varekai album for Cirque du Soleil, taking his unique sound to an even-wider audience. In 2002 he worked with Akram Khan and Anish Kapoor, scoring the music to Khan's critically acclaimed choreographed work Kaash, and also wrote the music for Khan's Zero Degrees (nominated for a Laurence Olivier Award, and designed by Antony Gormley). Sawhney also scored Khan's latest work, Bahok, for the Royal Ballet of China. Recent works in theatre include Simon McBurney's Olivier award-winning A Disappearing Number for Complicite, the Mahabharata adaptation by Olivier award-winning writer Stephen Clarke and Jonathan Holmes' Fallujah.
Much of Sawhney's attention remains focused on the areas of education and community building, accepting the role of Artist in Residence for no less than 5 separate performing arts organisations around the world. Sawhney joined Sir George Martin as a patron for the British Government's Access-to-Music program and is also patron of the Raindance East Film Festival and the British Independent Film Awards. Sawhney appears regularly as an arts and current affairs commentator on topical discussion and news programs such as the BBC's Newsnight, Newsnight Review, and HardTalk. He has also written for UK national broadsheets: The Guardian, The Daily Telegraph, The Independent, and The Observer. In 2006 Sawhney was awarded an Honorary Graduate Degree from London’s South Bank University and in late 2007 was awarded an Honorary Degree of Doctor of Music from the University of Kent. Sawhney was made a companion of the Liverpool Institute for Performing Arts in July of 2008. He is also due to receive a further university doctorate in 2009.
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcastday, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
After creating the World, the Gods wondered where they could hide the key of Life. One of them paused and said: “There is one place on earth where the Humans will never look. Their own heart”. Thanks for the add
OUT NOW ---> New release from FAR TOO LOUD: Music For Machines E.P. Part 2, featuring the tracks "Bass Association" and "Dancefloor Destroyer". iDJ breaks release of the month: "FTL is now a solo project with Oli Cash and his sound just continues to get better and better. The production quality is head and shoulders above most in the breaks scene and has the same kind of aura as a Noisia – a big compliment. Two peak timers from the excellent Funkatech stable. Bass Association carries the trademark manic mix up of styles whilst Dancefloor Destroyer does exactly what it say on the tin!" 10/10 MP3s now available exclusively from Beatport (other mp3 stores from 9th Nov), 12" vinyl also available from 2nd Nov.
Salut, j'ai le plaisir de te faire découvrir un nouveau titre, "Luna", fruit d'une belle et prometteuse collaboration avec la divine chanteuse...Luna. j'espère que tu apprécieras. Merci d'avance.
DIGIKID84 B.BOY UNDERGROUND 12"DELUXE EDITION OUT NOW!!! Side A 1- B.BOY underground 2- B.BOY underground (Culture prophet Remix) 3- N.E.P.T.U.N.E(Exclusive track) Side B 1- Rocksteady in the Night 2- Rocksteady in the Night (Bestrack Remix) MORE INFO: myspace.com/digikid84 DISTRIBUTION: topplersmusic.com Folistar/playerz Record. Much love!!DIGIKID84
Special thankyou to Nitin Sawhney for ALL of your amazing inspiration. DidgEra has finely tunes its sound UNIQUELY from AUSTRALIA, blending the Didgeridoo with keyboards, sax, electro. sax, and percussion. Become friends with DidgEra to receive FREE fan club status, and receive free MP3's......ENJOY!!
Hi Nitin, Its been a while and we thought it was about time we updated you on what we've been up to. Our debut EP Little World is now available at our gigs and will soon be available from our myspace and facebook pages, you will also be able to download it from itunes, but we don't have a release date for this as yet. To celebrate the fact that we have now reached 25,000 plays on myspace, we are giving you a free MP3 of Rockabye Baby. All you have to do is send your email address to queen.elvis@yahoo.ie and we will send it to you. We have spent the last year rehearsing with a full band and are now ready to bring it on the road. You can get a look at us when we appear on Balcony TV this week with the full line up. We are currently taking bookings for gigs/concerts/festivals and can be contacted on the email above, or through our myspace and facebook pages. Thankyou for your continued support in what has been a great year for us! Best Wishes Caroline and Colin