N. Scott Robinson, world percussionist, scholar, and teacher, has performed on the Grammy Award-winning CD Harlem Renaissance with the Benny Carter Big Band. He has also performed or recorded with Glen Velez, Haig Manoukian, David Kuckhermann, Marilyn Horne, Paul Winter Consort, Malcolm Dalglish, Robert “Tigger” Benford, Oxymora, Umayalpuram K. Sivaraman, Howard Levy, Layne Redmond, Benoit Moerlen, Giovanni Hidalgo, John Clark, Steve Gorn, Jon Gibson, Jeanie Bryson, R. Carlos Nakai, Bill Miller, Joseph Fire Crow, Peter Phippen, Skip Healy, Simon Shaheen, Jamey Haddad, Vivien Ellis, Gary Stroutsos, Art Baron, Ken Filiano, Michael Formanek, Dave Ballou, Howard Johnson, J. D. Parran, Eugene Friesen, Paul Halley, Slats Klug, Michael DeLalla, Nóiríin Ní Riain, Steáfán Hannigan, Peter Zummo, Daniel Palomo Vinuesa, Randy Crafton, Mark Holland, Ron Warren, Jeff Ball, Dawn Avery, Peter Mayer, Jim Mayer, The Cleveland Orchestra, The Washington Metropolitan Symphony Orchestra, New Jersey Percussion Ensemble, and Gerald Alston. Scott has worked under the direction of composers John Cage, George Crumb, Halim El-Dabh, and Annea Lockwood, having recorded two CDs with the Annea Lockwood Ensemble. He has studied with Peter Erskine, Glen Velez, William Moersch, Naná Vasconcelos, Malcolm Dalglish, Keith Copeland, Indian musicians N. Amrit, Srirangam R. Kannan, B. Shree Sundar Kumar, T. V. Vasan, Erode K. S. Nagarajan, N. Seetharaman, N. Ganesh Kumar & T. H. Subash Chandran, and Shona musicians Chaka Chawasarira & Cosmas Magaya. Scott has produced two CDs of his music including World View (1994) and Things That Happen Fast (2001) released and distributed internationally by United One Records/Qualiton Imports. He also has an instructional video published called Hand Drumming: Exercises for Unifying Technique for udu (1996) distributed by Wright Hand Drum. Thirteen scores of his world percussion compositions (five of which are commissions) have been published by HoneyRock Publishing and New World View Music in 2003-2008. His music has been featured on the nationally syndicated Public Radio International show Echoes by John Diliberto, among others.
As a solo artist, Scott brings a breadth of diverse experience in world percussion traditions to the stage and classroom. He has given clinics on diverse styles of hand drumming at the Japan Percussion Center in Tokyo, Japan in 1994, for the Percussive Arts Society VA/DC Chapter Day of Percussion in 1996, and at the Percussive Arts Society International Conventions in Nashville, TN in 1996, in Anaheim, California in 1997, at the MD/DE Chapter Day of Percussion in 2004, and most recently at PASIC in Columbus, OH in 2007. Scott was Artist-in-Residence for the Percussion Departments of the University of Kentucky in Lexington, KY in 2004, Northern Illinois University in DeKalb, IL in 2005, University of Missouri-Columbia in Columbia, MO in 2006, Duquesne University in Pittsburgh, PA in January & March in 2007 (where an entire percussion ensemble concert was devoted to his music), and Gettysburg College in Gettysburg, PA in 2008.
Scott’s national performance experience includes appearances at Carnegie Hall, Lincoln Center, Apollo Theater, St. Peter’s Church, Cathedral of St. John the Divine, and the Knitting Factory all in New York as well as The John F. Kennedy Center for the Performing Arts in Washington, DC, Severance Hall in Cleveland, Blues Alley in Baltimore, and elsewhere. His international performance experience includes an invitation in 1999 to teach samul nori percussionists West African rhythm for The Seoul Performing Arts Company in South Korea. In 2000, Scott toured Australia with Malcolm Dalglish performing his own solo pieces for tambourines and a variety of folk music. Scott was the only soloist invited to perform at the 2001 Korea Drum Festival in Seoul, South Korea. In 2003 & 2004, he was invited to South Korea to be a part of the Seoul and Busan modern dance improvisation festivals and in 2004, the Seoul Drum Festival with his world percussion trio, Handful. In 2005, he was invited as guest lecturer at the Department of Indian Music at the University of Madras in Chennai, India where he did presentations on modern frame drumming and performed in a cross-cultural concert of fusion music. In 2008, he was the main artist at the Greek Frame Drums Meeting in Mesolóngi, Greece where he performed a solo concert on world percussion and taught master classes on his unique method for frame drums. He was also invited to perform a special concert of North African music with David Kuckhermann and oud player Haig Manoukian at the St. Louis Symphony Orchestra Explosions Percussion Festival in 2008 in St. Louis, Missouri.
His teaching experience includes teaching applied music and academic courses at all levels from undergraduate to graduate. He currently teaches Applied Music – World Percussion at Goucher College in Towson, Maryland and courses in American, world, and popular musics at Towson University, Maryland. Previously, he has served as faculty at Montgomery College in Maryland, Shenandoah University in Virginia, The University of Akron in Ohio, and at Kent State University in Ohio.
Scott's academic education includes a diverse background in performance, composition, and scholarship. He studied with jazz drummers Joe Hunt, Skip Haden, Ed Uribe, Dave Weigert, and John Ramsey at the Berklee College of Music in Boston, MA from 1983-1984. He then studied classical percussion with Gary Van Dyke and Ray DesRoches briefly at William Paterson University in 1985 where he performed with the New Jersey Percussion Ensemble. In 1989, he began his studies of jazz and classical music at Rutgers University where his teachers included composers Noel DaCosta, Phil Corner, Daniel Goode, jazz musicians Keith Copland, Kenny Baron, Bill Fielder, classical percussionist William Moersch, and modern dance composer and world percussionist Robert "Tigger" Benford. Scott studied ethnomusicology, musicology, and culture studies at Kent State University from 1996-2003 with Terry Miller, William Kenney, Robert West, and composer Halim El-Dabh. He is a graduate of Rutgers University (B.A. in 1994) and Kent State University (M.A. in 2002, currently ABD for Ph.D.).
As a scholar, his published work remains focused on issues relevant to percussionists and includes interviews and articles published in Modern Drummer, Percussive Notes, Rhythm Music, Dulcimer Players News, Batera & Percussão (Brazil), Continuum Encyclopedia of Popular Music of the World, Volume 2: Performance and Production, and The Concise Garland Encyclopedia of World Music, among others. Scott has presented academic papers on Brazilian percussion at regional and international meetings of The Society for Ethnomusicology in 2002 and took part in a presentation at the International Society for Improvised Music in Denver, CO in 2008. He was awarded a Senior Performing Arts Fellowship from the American Institute of Indian Studies to study and research percussion in South Indian Carnatic music in Tamil Nadu, Karnataka, and Kerala in India during 2005-2006.
He is the Director of the North American Frame Drum Association, Inc., and one of the principal organizers of the annual NAFDA Frame Drum Festivals, which features top international frame drum artists from around the world presenting concerts and workshops in Indian, Brazilian, Irish, Italian, Arabic, Uzbek, Persian, and Spanish world percussion styles in the USA. In March 2008, Scott co-presented the debut NAFDA festival, the first ever such frame drum event in the USA, in Mendham, New Jersey. Scott often works closely with respected manufacturers of a variety of world percussion and in 2008 Cooperman produced three new frame drums, a 12” bendir, a 14" tar, and a 22” bodhran, based on N. Scott Robinson’s specifications. N. Scott Robinson holds endorsements with Cooperman, Meinl, Rockcreek Steel Drums, Decora 43, Milltone Drums, Kleo Drums, Wright Hand Drum, and David Bellinger E-Kalimba. For more about N. Scott Robinson, please visit http://www.nscottrobinson.com & http://www.myspace.com/nscottrobinson & http://www.facebook.com/nscottrobinson & http://www.youtube.com/user/nscottrob.
Thank you very much for adding!!. We are Pepa G Lillo & Gabriel Navalón and we invite you to discover our new music project >> ETHNOS ATRAMO >> different kinds of world music through a prism vanguardist result of twinning between different languages, ancient tones of instruments and experimental electronic sequences. We hope your comments and we will send you a greeting from Toledo. Pepa & Gabriel. = = = = = = = = = = = = = = = = = = = ETHNOS ATRAMO >> More music and information www.ethnosatramo.com
bom dia queria muito poder falar com vc manda os teus contatos telefone endereço vou pedir pra um amigo ligar pra vc que mora no seu pais msn percusomdeus@hotmail.com abraço
ciao thanks have a great and wonderful day my new friend if you want come in my page and add yourself on my frapper map friends I’ve another new myspace page www.myspace.com/policedogblues
I don't know if Mark told you but I'm planning on coming down to Green Valley next weekend to see your show and take some pictures so I'll meet you guys next week!
Hope that you enjoyed your stay in Germany. It was fun being "flat mate" with you at Tamburi Mundi - International Frame Drum Festival. I will do your exercises A LOT!!!
Hi, thank U very much for the add. U ‘re welcome among my myspace’s friends. U 're fantastic. Have a wonderful day. Sweet kisses from Italy, Milly Deluxe. Hugs.
Our debut CD entitled Big, Loud Drums is now available.
http://www.cafepress.com/roncollins.398338954
Tampa Taiko is a professional drumming duo that has performed their unique style for a vast array of audiences, performing at festivals, concert halls, schools, workshops, summer camps, corporate and VIP events. Using a collection of taiko drums made by themselves from discarded wine barrels, Tampa Taiko has developed a dynamic fusion of old and new styles of drumming, bringing a contemporary vibrance to an ancient martial artform.
The challenges an unknown, yet uncompromising music artist faces is considerable. If multiplied by betrayal, ongoing setbacks, social alienation and poverty, it might be said that the artist would only pour anger and fear into her or his work.Facing such painful cirumstances, however, the vision of Domina Catrina is - uplift, rejoice, exult - and heal. Please take a look at my MySpace by clicking on my photo and read my newest blog entry, listen to excerpts from the album I did and burn one by one, and pick up a copy of this home-baked CD if you will Thank you for allowing me to tell you about this here.
Online Now!
