HEAR THE WHOLE NEW ALBUM HERE NOW! AVAILABLE TO BUY NOW AT WAYOUTWEST.MU!
NEW SINGLE: FUTURE PERFECT!
The second single from We Love Machine is 'Future Perfect' with a brilliant remix by Henry Saiz.
It's out now as a pre-release on Beatport. There have been some brilliant reactions from DJs, let us know what you think by leaving a comment!
Hernan Cattaneo - "Excellent!!"
Markus Schulz - "Love it!"
Simon Garcia - (Simon & Shaker) - "Original is a real beauty, and the Henry Saiz remix is a progressive monster! Great work guys."
Glenn Morrison - "Great release thanks for this."
Armin Van Buuren - "This is niceeee!"
Axwell - "I like both!!"
Guy J - "Both Original and Henry Remix for me , great stuff , good luck!"
Behrouz - "Like both the Original and Henry S rmx."
Kosmas Epsilon - "Original is just awesome!!"
Jerome Isma-ae - "Great! Full support!!"
James Talk - "Orig is nice!"
Steve Smart - (Kiss FM) - "Awesome piece of music. instant classic production."
Simon Jones - (Progressive-sounds) - "Future Perfect is without question one of the leading tracks from the album 'We Love Machine', a carefully crafted dancefloor piece which looks destined to become a classic. As such it's aptly named. Improving on this was never going to be an easy task but after remixing artists that include Bedrock, Sasha, Tiesto, Guy J and Jim Rivers, Henry Saiz once again proves why he is one of this year's hottest properties with another superb remix."
Titans: a term that’s been fading from public consciousness since the film with the gold fleece and Argonauts. The rise of UK dance music in the early 1990s saw the word in mass circulation, however: “titans” flowered like the Fibonacci sequence, a string of formidable double-acts helping generations choose their own pulse rate. Massive Attack, Leftfield, Underworld, Orbital… all rolled boulders across the plains of electronica; all gave the’90s a
hypo. On the prow of some serious Pete Tong time came twelve-bore Bristolites Way Out West: the concord of Nick Warren and Jody Wisternoff, two DJs crackling with invention.
See: the shimmering breaks of club hit “The Gift”, a rebirth of “The First Time Ever I Saw Your Face” that sired an alleged four hundred remixes (eat that, “Born Slippy”). See: “UB Devoid‘s" tectonic lusciousness, soaring like a runaway hover board when the rest of the scene seemed content to animate eighteen-year-olds. The albums that spawned them, Way Out West (1997) and Intensify (2001), were replete with commercial potential--so much so
that the duo cut loose for 2004’s Don’t Look Now, galvanizing hordes at a sun kissed Glastonbury when they hit them with the airbrakes of “Anything But You”.
Four years later, the present day. Messrs Warren and Wisternoff lie poised for the unveiling of We Love Machine: their fourth full album in sixteen years of partnership. The Way Out West LPs come slowly, like comets, but when they hit it’s with the impact of alien technology:Nick’s marriage to his beloved Global Underground line keeps him pinned to a factory of innovators, and Jody’s nu disco sidestep with Starstrings this year showed he can dish out
the hits like a cruiserweight. If last summer’s Spaceman EP got your neck hairs prickling as it took Glastonbury’s Dance East by storm, you can expect stars to fall come this September when we get to experience fresh WOW. It’s been a long time coming but you can bet your last breath that the prize will be fast and shiny.
Just bought the album guys, gona put on the headphones and see where it takes me. Thank you for all your hard work, really be looking forward to this :D
