The music comes from the heart. But it wouldn't exist without influence of bands like Laibach, Sparks, Deicide, Godflesh, EMF, Napalm Death, Depeche Mode, Sisters Of Mercy, Burzum, U96, Carcass, Nick Cave, Ministry, Metallica... and many, many more.
Sounds Like
We call it hardpop. It sounds kinda like onlyverse.
1991: omnivorous band comes into the existence.
1992: Two unreleased demo tapes recorded. We can only hope no one will ever find them.
1993: forces demo-tape. As a drum machine 8-bit Atari is used.
1994: spin demo, recorded live. All the computer programming comes from Amiga this time.
1996: The next step of omnivorous evolution - floe demo. Decent vocals for the first time in the band's history. Recorded in professional studio, in a hurry though.
1997: scaracco released and the band's name is shortened to ovs. Varied material, from thrash to pop, from live recording to completely digital tracks.
First live performance called Perforatorium, played in Auschwitz. Almost two hours of musical, poetical and theatrical forms.
1998: High point of live activity.
2002: After four long years ovs is back in action. Some shows are played, shocking audiences as always. Then we disappear again.
2005: The band reemerges and changes its name once again, this time to onlyverse.
2006: New demo, frail, is released. Harsh, experimental, but still characteristically melodic. Recorded in home studio, Glottis Country Lounge.
Pierwsze wydawnictwo STP-001 W kolaboracji z Beast of Prey
Sghor - " Le Grand Myste're" (Dark Ambient, 70 min) 2009 Limited to 100 PRO-CDR / Plast-dipack/STP-001
"Le Grand Mystere" to 70 minutowa płyta wydana w ograniczonym nakładzie.
"...Black, cold, the surrounding space. Without sound, without a bit of breath. Somewhere far away beyond the borders of the senses, outs of time, you can hear hopelessly long cries, sad, never-ending monotonous song of emptiness. Emptiness fills everything. Even hearts so far full of life now are dead. All overflows undescribed sorrow, starting off where everything was beginning. Amazing black, deep unlimited black. Darkness nothing more, there is no light. Far flare of perspective changes driven every day. The hours, days, months, years are irrelevant. Waiting gradually turned into the reluctance, the reluctance into sadness, sadness into pain. Far strenuous pain, of all colours of grey - the colour black. ..."
"...Czarna, zimna, otaczająca przestrzeń. Bez dźwięków, bez odrobiny tchnienia. Gdzieś daleko poza granicami zmysłów, poza granicami czasu, słychać długi rozpaczliwy krzyk, smutny, niekończący się monotonny śpiew pustki. Pustka wypełnia wszystko. Nawet dawne pełne życia serca są martwe. Wszystko przepełnia nieopisana żałoba, zaczynająca się tam gdzie wszystko miało początek.Niesamowita czerń, głęboka nieograniczona czerń. Ciemność to wszystko, nie ma światła. Daleki rozbłysk perspektywy zmiany napędzał każdy dzień. Godziny, dni, miesiące, lata, to bez znaczenia. Oczekiwanie stopniowo przeradzało się w niechęć, niechęć w smutek, a smutek w ból. Daleki męczący ból, o wszystkich kolorach szarości - kolorach czerni. ..."
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Jesienia wybieramy sie w trase po Polsce, jesli chcesz abysmy zagrali w twoim miescie, jesli jestes zespolem ktory chce byc naszym supportem, jesli masz propozycje klubu, daj nam znac!!! Czas najwyzszy zatrzasc polska publike nie ? ;) / Manager na rynek polski Anna Baer
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Excellent influences!
Godflesh, Burzum, Nick Cave...
I can hear Godflesh's aesthetic influence, and Burzum like chord progression in some small parts, as well as that signature depth in others. Enjoyed!
Laibach, another good band.
I make industrial music myself.