oto creates ambient music and soundscapes using live instruments such as guitar, xylophone and melodica along with electronic sounds and field recordings. Started in the winter of 2005 by the current members of Hirotaka Makino, Bunichi Oshiro and Takeshi Udo, and in 2006 released their first EP "sketch 1" from Pandatone's online label Creation Centre.
click the image for the event detail :)
room @ Cello, Okinawa Japan
paso paso @ Cafe ZANPANO, Kyoto
green light @ portfolio, Long Beach, CA
my blue plane @ keats cir. westminster, CA
Discography
"sketch 1" creation centre EP _ june 2006
Free download here
Compilation
"connect" cinra net label april 2007
Purchase here
que hay te dejo la buena vibra espero que pase a my espace y cheques "tecnoclub" y proximamente mi disco terminado en enero preparando los videos que estan de ca..... jaja y lo que ocupe ya sabe que de corazon estamos...
Hello all, this will be our final release of 2009, and a great way to end the year... Pinklogik asked 10 artists and friends to remix her entire "Learning To Trust Higher Frequencies" album and what an eclectic and stunningly produced work this is. Each track has its own feel, thanks to the diverse range of artists involved in the project. A shimmering journey through ambient colours, broken beats, sweet melodies, a little bit of quantum physics, and is one hell of a trip....
(Click image to download) :
Also from S27...
[S27-030] MIN-Y-LLAN : Dark Days (Downtempo, Ambient)
We are fast approaching the last days of 2009, so what better way to celebrate than this release from Welshman "Min-Y-Llan" who offers us this collection of atmospheric ambient pieces, the melodies within are dark and cavernous, being the perfect listening for the walk home on a frozen winters evening. Each track has a very melancholic feel as if looking towards a future that isn't as bright as we hope for, but nevertheless are powerless to escape. Free download!
Adviruz is the artist psedonym of Istanbul’s Pinar Gurcan, whose growing passion for sound is translated through her music. Since an early age, she has been listening and mimicking opera singers, writing melodies, songs and poems in which she spoke her mind and reflected her soul. All of which are evident on "Nightly Sounds", an 8 track album which is the equivilent of having a glimpse into a diary, learning of love lost, gained, a snapshot of the human condition from which we can all draw experience... All of these things are developed musically into minimalistic glitch, noise, idm, experimental music and microsounds, its influences reminiscent of work by artists like Tujiko Noriko, Mira Calix, Plaid and Björk.
Adviruz and Section 27 present "Nightly Sounds", an intricately woven and rewarding musical tapestry. Available now for free download.
To celebrate our first 27 releases on Section 27 Netlabel, we proudly present to you "Sectioned", a compilation of 27 tracks, amounting to 2 hours across two discs of twisted electronic beats, discordant melodies, haunting passages, broken ambience, bending senses of time and space, microscopic glitches, pounding bass frequencies, sounds between sounds, the human voice and the audible sensation of music dissolving in acid. This is the sound of your mind's eye. This is the sound of the Sectioned... Strap yourself in and enjoy the experience.
Also features a 75 minute bonus disc "Sectioned : Nonimxs", including 9 remixes of selected Section 27 artists by Nonima and 2 original tracks created by Silent Snow and Nina Kardec using existing Nonima tracks.
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
Whether incarnated as Soto, Oto, or Elephant Day, these soft-spoken Japanese 20-somethings use some unconventional techniques and instruments (harmonium, xylophone, a rattling box) to produce breezy, ethereal music that is somehow both adorably playful and arrestingly beautiful. [Greggory Moore, The District Weekly)
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