Jason Sweeney
with collaborating artists:
Steve Phillips
Zoë Barry
Jed Palmer
Influences
Chris Lilley, Julia Davis, Chris Morris, Miranda July, Todd Solondz, Gillian Wearing, Robert Pacitti, David Lynch, Marguerite Duras, Derek Jarman, Simon Fisher Turner, Scanner, Keith Girdler, Judy Horacek, Atom Egoyan, Ania Walwicz
PANOPTIQUE ELECTRICAL is both an experimental studio project by Jason Sweeney and instrumentalist collaboration with electronic and classical musicians. Jason has been composing sound and music scores for live theatre, dance, film/video and installation projects since 1998. He is one half of the duos, Pretty Boy Crossover, School of Two and Luxury Gap. He also performs with the Australian band, Mist & Sea.
In 2008 he will work on a series of new sound compositions based around texts by and films made with Fiona Sprott called "If Not For You Then Who: Essays on Fear & Desire". Late 2008 will see Jason developing another body of compositions and sound installation in Perth, Western Australia, based at cia studios. An album of a decade of collected works "Let the Darkness at You" (1998-2008) will be released mid 2008 on Australian label, Sensory Projects.
Hi, thanks for the ad Glad to hear you like my music.. I played in Adelaide a few years back with Talvin Singh.. it was a great show, met great people too..
i think often of coming back over there...not sure when i'll make it next though... i'm heading back to europe next month for an indefinite stay... what took you back to adelaide?...r. x
hey jase! thanks for the comment, we would very much love to do a show with you sometime.i heard your songs on owen's show on RRR and im really into it. take care man noah
"When we listen to TLS's works on LEEP ["P color" (w lezet), "Mass creation machine" (feat k-the-i???), "Acidoulus pink and girls from Uranus", "Phonographie" (w Marc Rira)] we were fascinated with the incredible approach to rythm and how easily avant-garde approaches were mixed with pop and rock, hip-hop and everything else that someone might think that is almost impossible to mix. "My favourite color" summerizes all these in 10 tracks that run almost for 30 minutes ranging from abstraction to rock and from new wave to musique concrete. a taboo-less classic."