Many of Patrick Hazell's recordings feature him playing solo on piano, keyboards, mallet instruments, percussion, harmonicas, and vocals (usually all at the same time).....................................................
On recordings featuring band music, the other musicians include the following:Drums and Percussion: Will Parsons, Steve Hayes; Guitars: Gary Buck, Bo Ramsey, Joe Price; Bass: Rico Cicalo, T-Bone McPherson; Saxophone: Dan Magarrell; Background Vocals: Sally Weisenburg...........................................................................................................
BLUES FOR DUMMIES
By Lonnie Brooks, Cub Coda, Wayne Baker Brooks
IDG Books, 1998, page 21-22, PIANO BLUES
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"While the guitar wasn't introduced to the blues until the 1920s, the PIANO had been part of the blues music mix since the turn of the century, decades before the blues was recorded.........PIANO BLUES encompasses myriad blues offshoots, including turn-of-the-century ragtime style (similar to the piano music heard in the movie The Sting), boogie-woogie (an up-tempo style played mostly with the left hand and having a pronounced eight-beats-to-the-bar figure), New Orleans second line (a hip-shaking blues piano style combining heavily syncopated bass notes laced with Caribbean rhythms), barrelhouse blues (a hard-pounding form of boogie-woogie), West Coast jazz stylings (what we call "supper club" blues), and Chicago blues….........…Both the lead (or solo) and rhythm parts can be simultaneously played on a piano, which make it an almost self-contained combo. The piano can, however, also fit perfectly into most any blues band configuration. Current practitioners of piano blues include Ron Levy, Dave Alexander, Pinetop Perkins, and PATRICK HAZELL"
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THE BACKWATER SIDE CHANNEL OF THE MISSISSIPPI RIVER NORTH OF BURLINGTON, IOWA AND THE TRADEWINDS CABIN---HAZELL'S WINTER ABODE IN 2008
Influences
Alicia Keys' new "Diary" CD is knocking me out--great stuff. In addition to this, my latest musical studies (May 14, '08) are the music of Sun Ra, Ravi Shankar, James Reece Europe, King Oliver, and the original piano roll recordings of Debussey, Ravel, Scriabin, and Enrique Granados. Along with being in love with Imogene Heap, I have also been listening a lot to the late 1950s-early 60s music of Art Blakey and the Jazz Messengers; the music of Cape Verde Island singer--Maria De Barros; Natacha Atlas; and have rediscovered the music of Bela Bartok. Also, for me, a newfound discovery--the incredible music of Lily Boulanger--the sister of the famous teacher and composer, Nadia Boulanger. Lily died at the age of 24, but left behind some masterpieces. I highly recommend this early 20th century French composer. And last, but not least--in constant rotation in my CD player--the jazz music of Claudia Acuna and her band led by Jason Lindner --really great contemporary jazz....................
Several of my long time influences have been Hadda Brooks, Pete Johnson, Red Prysock, Duke Ellington, Will Parsons, Jen Gloeckner, Jeff Weber, Nadezhda Utkina, Sergey Kungurov, Udmurtian/Russian Folk, traditional Middle Eastern, Bjork, T-Bone Walker, Chuck Berry, Alanis Morrisette, Sergei Prokofiev (especially his piano works and the 3rd Piano Concerto), Huddie Ledbetter (aka Leadbelly), Omme Kalthoum, Paco De Lucia, El Cameron, Thelonius Monk, Marvin Gaye, June Christy, Harry and Jeannie West, Gene Autry, Eric Satie, Bahri Karacay, Chants of all kind, The Four Tops, Beethoven, Native American Music, Villa Lobos, Gary Buck, Enrique Granados, Big Joe Turner, John Cage, Howlin Wolf, Miles Davis, Faure, Josquin Des Pres, Marchaut, Charlie Parker, Jimmy Reed, John Coltrane, Fats Waller, Norah Jones, Maurice Ravel, Claude Debussy, Stan Kenton, Bo Ramsey, Joe Price, The Everly Brothers, Hank Williams Sr., Curtis Mayfield, Clifton Chenier, Sonny Terry, Scriabin, Mussorgsky, Little Walter, Louis Armstrong, Sidney Bechet, J.S. Bach, Igor Stravinsky, Smokey Robinson, Ravi Shankar, Ornette Coleman, Otis Spann, Muddy Waters, Johannes Brahms, Jimmy Lunceford, Louie Jordan, B.B.King, , Willie Dixon, Richie Valens, James Brown, Nina Simone, and many, many others ...........................................................................................................
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Sounds Like
My own sound---and it goes a lot of directions.---I've been inspired by many artists, but I've never been good at copying others.
TO PURCHASE A PATRICK HAZELL CD, please go to PATRICK HAZELL'S pages on CD BABY.COM: , CLICK HERE
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CLICK HERE to check out these PODCASTS featuring Patrick Hazell recorded in July 2007 and podcast on www.Cornsong.com
CLICK HERE to hear PATRICK HAZELL play and talk about his music
CLICK HERE to hear more about his music and the blues as a constant background
CLICK HERE to listen to about his experiences on the SIBERIAN HIGHWAY and the October 2007 return tour and concert series
CLICK HERE to hear HAZELL"S Boogie improv of the IOWA CORNSONG
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Please join the BLUE RHYTHM RECORDINGS Myspace site:, CLICK HERE
http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=129086087
http://www.myspace.com/bluerhythmrecordings
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For more information please go to WWW.PATRICKHAZELL.COM, CLICK HERE
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Join Patrick Hazell's e-mailing list, , CLICK HERE Please include zip code, city, and country.
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"....I have been a musician since a young kid (5 years old)---almost all self-taught--piano, composition. At age 11, back in the mid-1950s, taught myself to play blues and boogie woogie piano after listening to records by Pete Johnson and Red Prysock. I also love improvised music--always have---along with all the subtle inuendos and voicings of jazz. I approach most situations with this philosophy." PATRICK HAZELL
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Though blues and boogies have been Patrick Hazell's musical base throughout his career, at any time during a performance he is likely to extend his playing into a number of directions that reflect various musical interests from classical and new music to folk and world traditions. As an example of his diverse musical interests, since 2003, his musical focus has been upon his unique and original creation, the Bell Projects, in which he utilizes large bells found in churches and public buildings within a concentrated area of a town for a composed hour-long bell ringing event. Also, during this time, he has made several tours to west-central Russia where he not only produced a Bell Project utilizing Russian Orthodox Church Bells and the bells of a 200 year-old armaments factory, but he also immersed himself into the Finno-Ugric culture he found there while performing with Udmurtian Folk musicians in concerts and workshops. ................................................................................................................................
Stateside, Hazell has played music professionally since 1961. His touring band in the 70s-early 80s was one of the most popular touring blues bands in Midwestern USA winning several "Top Band" Prairie Sun Awards in a seven-state readers poll.
Hazell went solo in 1983, continued to tour extensively in Midwestern USA while expanding his routing to include regular tours to Europe and South America. As a soloist, until 2005, Hazell performed as one-man-band playing a Yamaha Electric Grand piano, Korg organ, a 20" Gretsch Bass Drum, ankle shaker, and Harmonica on a rack. In the present time he performs on acoustic piano while singing, playing a rack-mounted harmonica, and keeping time with the ankle shaker (four film canisters half-filled with copper BBs).
Inducted into the IOWA BLUES HALL of FAME in 2000 and the IOWA ROCK'N'ROLL HALL of FAME in 2007, Hazell is also a member of the National Academy of Recording Artists (Grammy Awards), affiliated with BMI (Broadcast Musicians Incorporated), and a harmonica player recognized by the Hohner Company as an Official Endorsee of their world-famous Harmonicas. As of 2006, he has recorded over 35 albums of mostly original material plus has recorded on dozens of other albums. ................................................................................................................................
"Hazell's tunes simutaneously evoke the boogie piano masters such as Henry Gray and the harp magnitude of Little Walter-- meaty licks and great singing." ---------BLUES REVUE
............................................................................................................................... "This dude plays his Damned Ass off people, I know of no other way of putting it and for this reason I give him a (5) HARP Salute before I go any further. Patrick plays piano with a harmonica in a neck holder, but his harp is super-duperly amplified and it talks pure trash, I mean street walking -shit talking stuff."----------- Steve"Big Daddy BluzHarp"Harvell "BluzHarp's" Recommended Bluz Recordings............................................................................................................... ................................................................................................................................
"(HAZELL'S) rhythmic drive is superlative while his sound and style is highly reminiscent of Memphis one-man bands like Doctor Ross or Joe Hill Louis. His raspy harp and vocals.....are fortified with strong material, an unrelenting beat and sensational ambience as he ekes out a piece of blues turf that hasn't been occupied in a very long time....In the current white boy blues community where seemingly every street corner has five people on it with shades, pleated pants and heat-up Stratocasters in hand, Patrick Hazell stands out as something very unique and cool. -----------CUB KODA, GOLDMINE MAGAZINE ................................................................................................................................
"......(Hazell) sings the Blues really dirty - so dirty that you get the strangest feelings. If you ever tried to play the harmonica, that seemingly harmless child's instrument, and now listen to Pat's Blues harp you will get the impression of having arrived on another planet. Blues fans who have listened to all sorts of players, from Sammy Lewis, Little Walter Jacobs and James Cotton (The Sun Studio era) to Junior Wells, Sugar Blue and Kim Wilson, will recognize from this CD, that Pat Hazell belongs to the big ones. His voice is as black as a night in the deep south of the United States of America." ---------- DAGMAR FULLE, GERMAN NATIONAL RADIO, FRANKFURT, GERMANY
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In addition to appearing in many festivals through the years, PATRICK HAZELL has also headlined concerts in the United States, Europe, and South America. He has also shared concert billings with Led Zepplin, Jefferson Airplane (pre-Starship), Tony Williams, Grass Roots, Baby Huey and the Baby Sitters, Cat Mother and the All Night News Boys, Willie Dixon, Muddy Waters, John Lee Hooker, John Hammond, James Cotton, Tom Robinson Band, John Mayall and the Blues Breakers, Eddie Harris, Junior Walker and the All Stars, Luther Allison, Koko Taylor, Son Seals, Maria Muldaur, Lonnie Brooks, George Thorogood, Taj Mahal, Suzy Bogguss, Clifton Chenier, Sugar Blue, NRBQ, Asleep At The Wheel, Mose Allison, Queen Ida, Tommy Castro, Troy Davis, Janiva Magness, Palito Miranda, Sonny Terry & Brownie McGee, Albert Collins, Frankfurt City Blues Band, Robert Cray, and many others.
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FOR MORE MP3 SONG DOWNLOADS AND INFORMATION please go to WWW.PATRICKHAZELL.COM, CLICK HERE
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Join Patrick Hazell's e-mailing list,, CLICK HERE Please include zip code, city, and country..............................................................................................
Hello Patrick, How's it going? I like your new profile picture... How's Pam? Anyway, everything is hunkey dorey on this side of Atlantic Pond. As they say in text: "C U" Tony.
Thank you so much... The beauty of flower always reminds me of God who Most Beautiful and He's their Creator. He's Beautiful and loves beauty and I love Him...:)
Haha... ha... That's it. Always all time is not really different. Sometimes I think to go to Europe in the winter just to feel the snow falls down on me...^-^ But I think twice and said to my self, "You wouldn't able to hold its coldness..." :)
Sounds nice... Only a genuine artist could do as you did where you were playing is merely for your devotion to your music although no scheduled. Great, great... ^=^
Thank you for sending the Cactus... It's a kind of flower which inspires me a lot. Also, one of them named 'Wijaya Kusuma' has already been a relic of my ancestors.
The bud of Wijaya Kusuma is blooming only at the certain time. It's at 12.00 pm. So, when I was a child I often stay awoke all night just didn't wanna missed the chance saw processing of the bloom.
Oh, that was very magical you know. I was always fascinated about it. And according to the old story, the Wijaya Kusuma is represents of symbolically for prosperity, affluence and alive. My mom was always excited when told me about it... ^=^
Thank you for explaining. Indeed, that was a great inspiration... ^=^ And I wanna sorry for any damaged of your properties. Hope everything will be recovered soon...
