Dave "Snaker" Ray, Spider John Koerne, Tony "Little Son" Glover ( a.k.a Koerner Ray & Glover), Leadbelly, Mississippi John Hurt, Elizebeth Cotten, Rev. Gary Davis, Muddy Waters, Danny Kalb, Dave Van Ronk, Bob Dylan, The Kingston Trio, Pete Seeger. Gene Autrey, Merle Travis, Jimmie Rogers(Not the blues guy, rather the Yodling Brakeman), Johnny Cash, Blind Lemon, The Blind Willies (Davis, Johnson,McTell), Lightning Hopkins, John Hammond Jr. John Lee Hooker, Jimmie Hendrix, The Beattles, Bach, Beethoven, Schumann, most of the Russian Composers, Charlie Parker, Bill Evans, Louie Armstrong, Earl Hines, Miles Davis, Dizzy G. Sleephy John Estes, Luis Bonfa, Baden Powell, Laurindo Almeada and others. . .who unfortunately slipped through the Fissure Of Sylvius into the ether. Se La Vie!
PETER LANG was discovered and recorded in 1972 by the legendary guitarist John Fahey who signed Lang to his own label, Takoma Records. Fahey launched the careers of other notable artists on Takoma, including Leo Kottke, George Winston, Robbie Basho, Bola Sete and others. Peter Lang toured, recorded and performed for nearly ten years, developing a reputation as one of the nations top acoustic players. In the 70s he was in good company, having recorded or performed with Ry Cooder, John Fahey, Jerry Garcia, Chet Atkins, John Hartford, The Nitty Gritty Dirt Band, Emmylou Harris, Leo Kottke, Freddie King, The Paul Butterfield Blues Band, John Hammond, Keith Jarrett, Phoebe Snow, Maria Muldaur, The Yellowjackets, Robben Ford, and many others.
Langs credits include: * Eleven record albums (including one with Leo Kottke and John Fahey). * Grammy Nomination, 1975 (Lycurgus) * Guitar Player Magazine 1974 - Readers Poll, " Best New Guitarist" category * Minnesota Music Awards, "Best Guitarist" 1981, 1982, 1988 * Co-author of the book 20th Century Masters of Finger-Style Guitar,1982, Stropes Editions, Ltd..
....FRIZZ RECORDS is proud to announce our fourth LP release...
LEILA ADU has been described as 'A Nina Simone for the Noughties', and her two acclaimed albums infuse a broadly 'art-rock' approach with elements of torch song, speakeasy blues, avant garde jazz, gamelan, post-rock textures, and a David Lynch style dreamlike b-movie melodrama. As her website has it, exploring the "dissonant edges of familiar forms", but with that kind of 'dissonance' that they once accused Thelonious Monk or Debussy of, the kind that soon betrays it's own compelling melodic and harmonic logic to the attentive listener...
'Dark Joan', Leila's third album as a solo artist, was recorded in Chicago with the legendary Steve Albini (PJ Harvey, Joanna Newsome, Nirvana, Pixies), and Albini's genius has been to strip her sound back to it's essence, and hold it's most distinctive qualities up to the light. It doesn't hurt that this is by far Leila's most powerful set of songs to date, and if anything we are lead even deeper into her world by the pictures painted with just piano (or in some cases harpsichord or a grime-encrusted electric piano) and that voice...
Capable of anything from delicate heartbreaking purity to a fearsome dramatic power, her powers are seemingly limitless, yet unlike most other singers of her calibre, never does she resort to melodrama or show-boating, or any kind of pastiche, instead she employs her resources fully in the expression of her distinctive musical vision and the deep well-spring of her imagination. Nothing ever sounds as though it could have not been sung...
....FRIZZ RECORDS is proud to announce our third LP release...
"Anutha Kinda Brotha" is the debut LP from underground legend ART TERRY. Since moving to the UK from his native Los Angeles in the early 90s, Mr Terry has established himself as one of London's characters.
Describing Art's sound to the uninitiated usually involves debunking some of the stereotypes of what the 'typical' black Californian might play. Despite his jazz training, and coming of age to the sounds of classic soul and funk, these styles are only a part of his musical vision. His fascination with folk styles, classical music, punk rock, pure pop, easy listening, musical theatre and the European avant garde have taken him on different paths from most...
The result is an orchestral pop record full of sonic inventiveness, whether it's the blend of Shuggie Otis's 60s California and Sun Ra's ancient Egypt on 'Bible', Frankie Valli & The Four Seasons leading a mariachi band on 'Escort', or the Walt Disney music box orchestra of 'Miss Dominatrix', but whilst this is very much a sonic feast, we shouldn't overlook Art's extraordinary lyrical adeptness, and the distinctive character this brings to the proceedings, with a knack for unique and colourful imagery, and how like a great short story writer he is able to paint an engaging picture whilst keeping back from casting judgement on his characters, always leaving open ends for the listener to tie; giving us the feeling that however far astray someone might have gone, there is always sympathy and human feeling for them in Art's mind...
....FRIZZ RECORDS is proud to announce our second official LP release...
"Modern Mediaeval" is the third LP from singer-songwriter DAVID GARSIDE, and the first to receive the full Frizz Records vinyl treatment. It’s also clearly the most fully-realised statement of his distinctive vision so far…
It’s an easy route to locate David in the tradition of his ‘classic’ influences (McCartney, Nick Drake, Stevie Wonder, Joni Mitchell, The Beach Boys, Love, Talking Heads, Peter Gabriel, Dexy’s…), but there are few songwriters working today that have absorbed these influences so fully, and arrived at a mature style as David has…
This is ’singer-songwriter’ music in the sense that it’s focus is on song-craft and the unfolding of the lyrical vision of a single individual, but if so then it’s definitely at the sophisticated end of the scale (’progressive’ if that term isn’t too loaded…), filed alongside ‘Bryter Layter’, ‘The Hissing Of Summer Lawns’, ‘Pretzel Logic’ or ‘Surf’s Up’...another FRIZZ RECORDS instant classic!
"Modern Mediaeval" can be downloaded from the iTunes Store
The album is also available on heavyweight vinyl LP, or on Digipack CD from www.FrizzRecords.com & all good retailers
....FRIZZ RECORDS is proud to announce our first official LP release...
"It's Not The Wand, It's The Magic" is the debut release from AUGUST, the London based band centred around the songwriting partnership between vocalist VEDINA MOSE and multi-instrumentalist / producer RAPHAEL MANN (MR HUDSON / JOY JOSEPH / ART TERRY), with master drummer CLEAN CUT MARK and clarinetist / vocalist MAREE CHOIE completing the core line-up, and a supporting cast including ART TERRY (keyboards), SHOHEI KAWAMOTO (AKA Japanese producer Baraki, Bass clarinet, soprano sax and flute), and KAI HOFFMAN (French horn)
Always an act that juggled a diverse set of influences, the album has been compared to artists as diverse as KATE BUSH, PRINCE, DE LA SOUL, SLY STONE, MADLIB, SERGE GAINSBOURG and THE DELFONICS, for its concoction of wild experimentation and traditional song craft, organic production and futuristic electronic touches, funk bass & drums and jazz & orchestral references, infectious melodies and lyrical flights of fancy...with nods towards classic soul, JB funk, Studio One, 60s pop, psychedelia, left field hip hop, new wave, doo wop, tropicalia, high life, & avant garde jazz, without any song ever fitting squarely into any of those categories...new music, basically...and an instant classic!
"It's Not The Wand, It's The Magic" can be downloaded now from the iTunes Store
The album is also available on heavyweight vinyl LP in a sumptuous gatefold sleeve, or on Digipack CD from www.FrizzRecords.com & all good retailers
Hey Peter, It was great to finally see you play live and a real honor to meet one of my all-time guitar heroes. Hope the rest of the tour is fantastic.
I am looking for help (venues, booking agents, bands/acts to do shows with) to set up a tour, this coming October and November 2008. I plan to start with the west coast of the U.S. Los Angeles, San Francisco, Portland, Seattle, then into Canada; Vancouver, Calgary, Winnipeg, then back to the U.S. to Duluth (have to see where Bob came from, I played Greenwich Village December 2007, so the journey continues…), then through North and South Dakota, Nebraska, Oklahoma, over to Nashville, then into Texas and back to Dallas where I lived and played 21 years ago, and of course Austin, then through New Mexico and Arizona back to L.A. to fly back home to Melbourne. Waiting to hear from you
very crafty mr. lang! the arrangements are great. I can't get "guitar rag" to play I'll try again later...love, peace, and light to you for the coming year, dave
