K11@Equinoxfestival_London_13-06-09
Drosoulites (the dew men) - 2008 -
ad'a Imola, curated by Roberto Daolio.
Sound performance and sound installation with short wave radio receivers and with two runic sound sculptures (Soundshape_2-3_Ansuz_Thorisaz) used as audio speakers of the event.
MUSIC FROM THE IONOSPHERE - 2008 Enrico Fornello Gallery (PO).
Live-set-performance with signals from short wave radio receivers.
Sound Installation: Camera sonora for 4 radiodramas - at Sound art festival:PX3 2007 in collaboration with Bad Sector
“Camera Sonora for 4 Radiodramas” is an audio installation based on the transmission of four Radiodramas and it’s composed by a dark room where are disposed six old radios, (precisely conceived for a spatialization of the sound) through which , each day, it is transmitted a special Radiodrama created by four artists: Pietro Riparbelli/PT-R (with audio sound sources by: Bad Sector / Strange Attractor / Clausthome / Galerie Schallschutz / gruppo psicofonico di Grosseto / Ssim-el), Massimo Magrini (Bad Sector), Gianluca Becuzzi, Radical Matters – Edition Label (that presents: Aleksander Kolkowski / Project D.A.R.K. / A.M.K / Lt Murnau / Globster).
Camera Sonora is a place conceived for the listening; to concentrate the attention on the pure experience of listening. A sound place not contaminated by any visual presence, in the inner of which our behaviour is induced towards the perception of the sound as a pre-reflexive dimension. This work deals with the world of radio transmission and communication, with a particular attention for the traditional formats of radiodrama. The project is composed by four different “dramatization”, which are developping as “way-for”, signs of a dimension lacking of its own wholeness, in its being exclusively an experience. Our perception of things takes us to adhere precisely to the same. It's only the introduction of the thought in the perception that detaches us from this co-belonging. The thought catalogues; the perception adheres.
AUS SCHLAFES BRUDER"
Installation: Fondacio ANTONI TAPIES- Barcelona (ESP) 2006
Centro galego de arte contemporanea - Santiago de compostel-la (ESP) 2007
Project : Massimo Bartolini
Composed by Massimo Bartolini - Pietro Riparbelli - Edoardo Marraffa
Saxophone : Edoardo Marraffa
Sound engineer : Pietro Riparbelli
ATROCITY -2005
live set based on real time sampling of sound materials capture live from the ambient and digitally re-elaborated. Besides concrete prerecorded sources, radios and prepared record players are used. While a performer acts in a room separated from the scene and her performance is projected in a mini monitor and contemporary reproduced audio in the global composition. The live set taken via webcam, projected on the scene and manipulated through digital algorithms. Base / Progetti per l'arte
Con: Sandro Gronchi (Radical Matters) - sound sources / Margherita Moscardini - performer-sound source / Denyo Barani, Riccardo Bartoli - elaborazioni video / Fabio Volpi (Echran/ Otolab) - suoni.
CONSTRUCTION" - PIETRO RIPARBELLI / PT-R live - 2006
A set of radios are manipulated related to the video projection. This video consists of photographical documentation of a building process construction. The radio signals are manipulated and overlapped in relation to the audio score, which derive from video signal which has been transformed into an audio signal. "Construction" functions mainly as a perceptive exercise. It searches that dimension between the clear perception and the disturbed one. It wants to create a way that the user can develop in relation to his own horizon of sense.
An overlapping of audio/video meaning contains a perceptive way in relation to the temporal development. All the used images of video are realized through a photocamera of a mobile telephone.
CONSTRUCTION extract from video_dvd
I’m dedicating to sound study related to the environment, with particular reference to concrete music, to phenomenology of perception and invisible phenomena.
Currently I’m dedicating to the world of radio transmission and communication using only sound sources from short wave radio receivers and other types of signals.
PT-R and K 11 are two parallel projects.
PT-R is a project that deals with the way to create sound landscapes making the use of environmental sounds (field recordings). In this project I use only sounds coming from the world.
K 11 is a project that deals with the world of radio signals, the trans-communication and other invisible phenomena, to create a dimension where the only sound sources are signals from shortwave radio receivers. In this project I use only sounds coming from the atmosphere and from invisible places.
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Ave Pietro ! Grazie per avere approvato la Bolla Papale !
Three new tracks extracted from our debut album “Ecclesia” are listenable on our myspace. “Ecclesia” contains nine processional and conquering tracks propagating a spirit at the same time fanatic and decadent. Mixing and mastering are done by Neb Xort in Drudenhaus Studio and Master Lab Studio (ANOREXIA NERVOSA, NECROBLASPHEME, ASMODEE). Album is out on Paradigms Recordings in a deluxe 6 panels digipack with 20 pages booklet illustrated by Guillaume Tiret (www.myspace.com/guillaumetiret). “Ecclesia” is also available as a limited t-shirt package. To order it on e-shop label: www.paradigms-recordings.com
On the other hand, you can always listen to a track coming from our split CD with YSENGRIN “Ars Magna Moriendi” inspired by biblical and alchemical thematics out on Fiery Path Records. Seven tracks mastered by Tore Stjerna in Necromorbus Studio (WATAIN, FUNERAL MIST, OFERMOD).
Hello. Represent a new album ARX KAELI - Highway. 2009. Cd packed in wooden box with laser engraving, covered a grey varnish. Time 62 min. Best Regards.
CARPOCAPSA, cd-r, selfmade artwork, 2 tracks + a sticker, just 9 copies ... mad tapes, radio frequencies, old italian anarchist songs, classical music, electro devices
![Lewitt [sp1]](http://c4.ac-images.myspacecdn.com/images02/79/s_8f921845708d4213af7fb4f014dfb993.jpg)
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