Thomas Lauderdale (piano) China Forbes (vocals) Timothy Nishimoto (vocals and percussion) Robert Taylor (trombone) Gavin Bondy (trumpet) Phil Baker (bass) Dan Faehnle (guitar) Pansy Chang (cello) Nicholas Crosa (violin) Brian Lavern Davis (congas, drums and percussion) Derek Rieth (percussion) Martín Zarzar (drums)
Influences
Think Breakfast at Tiffany's meets the United Nations
Sounds Like
Somewhere between a 1930s Cuban dance orchestra, a classical chamber music ensemble, a Brasilian marching street band and Japanese film noir.
“Pink Martini is like a romantic Hollywood musical of the 1940s or 50s … but with a global perspective which is modern,” says founder and artistic director Thomas M. Lauderdale. “We bring melodies and rhythms from different parts of the world together to create something which is new and beautiful.”
Part language lesson, part Hollywood spectacle, the Portland, Oregon-based ‘little orchestra’ was founded in 1994 by Lauderdale, a Harvard graduate and classically trained pianist, to play political fundraisers for progressive causes such as civil rights, the environment, affordable housing and public broadcasting. In the years following Pink Martini grew from four musicians to its current twelve, and has gone on to perform its multilingual repertoire on concert stages and with symphony orchestras throughout Europe, Asia, Greece, Turkey, Lebanon, Australia, New Zealand, Canada and the United States.
Lauderdale met China Forbes, Pink Martini’s “Diva Next Door” lead vocalist, when the pair was at Harvard. He was studying history and literature while she was studying painting, English literature and theatre. Late into the night in their college dormitory on the Harvard campus, Forbes would sing Verdi and Puccini arias while Lauderdale accompanied her on piano, and their creative collaboration blossomed. Three years later, Lauderdale called Forbes who was living in New York City, where she’d been writing songs and playing guitar in her own folk-rock project, and asked her to join Pink Martini. They began to write music and lyrics together for the band, and their first song “Sympathique,” or “Je ne veux pas travailler” (I don’t want to work) became a huge hit in France.
The ensemble made its European debut at the Cannes Film Festival and its orchestral debut with the Oregon Symphony in 1998 under the direction of Norman Leyden. Pink Martini has since performed with symphony orchestras across the country including four night nights with the Boston Pops in 2005, multiple concerts with the Hollywood Bowl Orchestra in 2000 and three nights headlining in 2007, two nights with the Los Angeles Philharmonic on a co-bill with Sergio Mendes in 2002 and two nights headlining with the Los Angeles Philharmonic in 2005. Other prestigious appearances include the grand opening of the Los Angeles Philharmonic’s new Frank Gehry designed Walt Disney Concert Hall, with return sold-out engagements for New Year’s Eve 2003 and 2004; the opening party of the New York Museum of Modern Art, the Kennedy Center, Carnegie Hall and the William Morris Agency’s 100th birthday celebration with soul legend, Al Green.
Pink Martini’s debut album, “Sympathique,” was released independently in 1997 on the band’s own label Heinz Records (named after Lauderdale’s dog) and quickly became an international phenomenon, garnering the group nominations for “Song of the Year” and “Best New Artist” in France’s Victoires de la Musique Awards. Seven long years later the high-anticipated follow-up, “Hang on Little Tomato,” was released and climbed to 1 on Amazon.com’s best sellers list. The band’s widely acclaimed third release, Hey Eugene!, debuted at 30 on the Billboard Top 200.
“Both China Forbes and I come from multicultural families,” says founder and pianist Thomas M. Lauderdale, “and all of us in the band have studied different languages and music from different parts of the world. So inevitably, because everyone in the band contributes in the writing and arranging of songs, the repertoire is wildly diverse. At one moment, you feel like you’re in the middle of a samba parade in Rio de Janeiro, and in the next moment, you are suddenly in a French music hall of the 1930s or in a palazzo in Napoli. It’s like an urban musical travelogue … We’re very much an American band, but we spend a lot of time abroad, in Europe, in Turkey, in Lebanon and therefore have the incredible opportunity to represent a different kind of America through our repertoire and our concerts … that is, an America which is the most heterogeneously populated country in the world … comprised of people from every country, every language, every religion.”
Toujours aussi agréable de passer sur cette page ... voix magnifique et très bel univers musical ... un moment de sensualité et de glamour ... tout le charme des années 40-50 ... Merci
WOW! The concert in Vancouver with the orchestra was A-MAZING! I had the time of my life! I've been wanting to see you in concert for SO long! Glad that happened while I was on vacation at the right place, right time! Just absolutely wonderful! I was blown away! :) Thanks for such great music!
Heureux de te retrouver mon ami :) Voici mon dernier morceau "Bob never Die" mon dernier morceau reggae, je dois surement avoir du bob marley en moi...;) N'hésite pas a me faire un commentaire si tu aimes beaucoup ;)
Merci encore a toi pour ton soutien ;)) Je te souhaite une Bonne semaine Musicalement :) Epsilon
happy to see you my friend :) My new track "Bob Never Die" my new reggae track,i think i have a piece of bob marley in me.. ;)
Please let me make a comment if you like a lot;)
Thank you all for your support;)) good week Musically yours:) Epsilon
Great meeting you and hearing your amazing show for the second time at Ravinia outside Chicago. You and Michael Feinstein together made pure magic. Good luck with the new album this fall.