Part Wild Horses Mane on Both Sides, Message to Bears, Rudi Arapahoe, C Joynes, Stray Ghost, Braindead Collective, Jon Collin, Thee Moths, Directing Hand, Mary Hampton, Pthhhh, Bleeding Heart Narrative, Daniel Merrill, Jecklin, Hurra caine Landcrash, Brassica, Clap Collapse, Coldstream, Grapefruits
Influences
a diy ethic
Sounds Like
spine-shivering noises, ethereal whispers, blistering sonic assaults, soulful diy folk, half-remembered daydreams, melting glacial drones, haunting and hopeful (almost)pop, rural twilight clicks and hums, brooding soundscapes, caustic improv, fragile hints and suggestions, mind-blowing free-playing, desnse sonic landscapes, mini-orchestras, bright lights, short films, pulsating hitchockian chase-scenes, emotive recollections of faded seaside resorts, and free fruit.
Tartaruga Records presents... the second Pins and Needles - an alldayer of folk, improv, avant, drone, and spine-shivering noises. Free CD/badges for the first few people through the door.
Part Wild Horses Mane on Both Sides
A primal elemental swirl of visceral scattered percussion and encircling flute harmonics. Fierce and soothing in equal measure - a sonic landscape to become immersed in utterly.
Message To Bears
Fading summer twilight tones and blissful guitar clusters. Instrumental reflections tinged with melancholy but at the same time providing calm solace and beautiful escape.
Rudi Arapahoe
Somnambulist's dreams and magical realist melodies shimmer and weave through glacial constructions of foggy notes and crackling harmonic embers.
C Joynes
Fragmented fingerpicked guitar and instrumental folk textures - nostalgic without pastiche, and with a warm, enveloping intimacy.
Stray Ghost
Crystalline distillations of beauty and melancholy filtered through a soft reverie of fragile drones, struck through with occasional hints of unease like a nagging half-forgotten memory.
Jon Collin
A sprawling haze of solo improvised guitar and valve-amp hum, all Dead Man drama and rough-hewn awe and beauty.
Braindead Collective
Kaleidoscopic jazz-drenched noise-rock experiments - clawing across as many genres as will fit in each hybrid burst of sonic onslaught.
Thee Moths
Tactile electronic structures that ebb and swirl amidst a dizzying array of noises drawn from instruments designed or bent to purpose - transportive and otherwordly.