Sergei Vasilievich Rachmaninoff, 1 April 1873 (N.S.) or 20 March 1873 (O.S.) – 28 March 1943) was a Russian-American composer, pianist, and conductor. ("Sergei Rachmaninoff" was the spelling the composer himself used while living in the West throughout the latter half of his life. However, alternative transliterations of his name include Sergey or Serge, and Rachmaninov, Rachmaninow, Rakhmaninov or Rakhmaninoff.)
Sergei Rachmaninoff
Sergei Rachmaninoff
Rachmaninoff is regarded as one of the most influential pianists of the twentieth century. He had legendary technical facilities and rhythmic drive, and his large hands were able to cover the interval of a thirteenth on the keyboard (a hand span of approximately twelve inches). His large handspan roughly corresponded with his height; Rachmaninoff could have been 6 ft 3 in (191 cm) [1] or as tall as 6 feet 6 inches (198 cm) tall [2]. He also had the ability to play complex compositions upon first hearing. Many recordings were made by the Victor Talking Machine Company recording label of Rachmaninoff's performing his own music, as well as works from the standard repertory.
His reputation as a composer, on the other hand, has generated controversy since his death. The 1954 edition of Grove's Dictionary of Music and Musicians notoriously dismissed his music as "monotonous in texture ... consist[ing] mainly of artificial and gushing tunes ..." and predicted that his popular success was "not likely to last". [1] To this, Harold C. Schoenberg, in his Lives of the Great Composers, responded, "It is one of the most outrageously snobbish and even stupid statements ever to be found in a work that is supposed to be an objective reference." Indeed, not only have Rachmaninoff's works become part of the standard repertory, but their popularity among both musicians and audiences has, if anything, increased during the second half of the twentieth century, with some of his symphonies and other orchestral works, songs and choral music recognized as masterpieces alongside the more familiar piano works.
His compositions include, among others, four piano concerti, three symphonies, two piano sonatas, three operas, a choral symphony (The Bells, based on the poem by Edgar Allan Poe), the All-Night Vigil for unaccompanied choir (often known as Rachmaninoff's Vespers), the Rhapsody on a Theme of Paganini, 24 Preludes (including the famous Prelude in C-sharp minor), 17 Études-tableaux, Symphonic Dances and many songs, of which the most famous are "V molchanyi nochi taynoi" ("In the silence of night") and the wordless Vocalise. Most of his pieces are in a melancholy, late Romantic style akin to Tchaikovsky, although strong influences of Chopin and Liszt are apparent. Further inspiration included the music of Balakirev, Mussorgsky, Medtner (whom he considered the greatest contemporary composer and who, according to Schoenberg's Lives, returned the compliment by imitating him) and Henselt.
Multam ca m-ai adaugat, daca ai putin timp asculta-mi muzica, multumesc, Adi Hey Thanks for being my friend, have a listen to my music, thanks, Adrian :
After you've finished here, you may like to hear this poem sung on myspace...
Poem 162 of 230, WalkaboutsVerse (please see my blog): TEES TO TYNE: FIRST IMPRESSIONS - SUMMER 2001
Where traditions are not so rare; Sea, country and works scent the air; A multitude of monuments, Planted tubs and patterned pavements.
The longish pedestrian malls; The remnants of defensive walls; Historic buildings are a gauge Of the respect for heritage.
Wheat, rape and pines in the fields; Estuaries guarded by shields; Long sandy beaches and wide scenes; Romantic-ruin go-betweens.
Rivers in parts licked by trees, Or fringed by boat clubs, wharfs, gantries, And crossed by practical delights - Varied spans, forming pleasing sights.
Fine churches headed at Durham; Football kits ad infinitum; Kept castles - one for study; Masonry behind masonry.
And, with moulding-works out that way, It’s somewhere for a longer stay..?
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Malena Ernman is without a doubt one of the worlds greatest singers. But Malena Ernman is far more than a world class mezzo. She is an entertainer in the words true meaning - a groundbreaking modern classical artist with an extremely flexible voice, spanning over nearly 4 octaves. A voice that is willing to try out anything that spells music.
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