Schon von Beginn seines elektronischen Musikschaffens an, sind bei Radarfilm die Themen Elektronik und Musik eng miteinander verbunden.
So entwickelt Radarfilm schon seit seinem ersten inoffiziellen Release im Jahr 2003 verschiedene elektronische Geräte, die ihn beim kreieren seiner Sounds unterstützen. Seitdem begleiten ihn seine eigenen Midicontroller und Sequencer, modifizierte Drummachines und Keyboards im Studio und bei Auftritten.
Weitere inoffizielle und interne Releases folgen.
2007 erscheint auf dem Netlabel Kreislauf das Album "Hinter der Wahrheit" in dem Radarfilm die Elemente Ambient, IDM, Electronika und Acid verknüpft.
Im Jahr 2008 spielt Radarfilm bei verschiedenen Gelegenheiten live, unter Anderem auf dem Pulsar Sonnenwind Festival und wird außerdem zum Teil der Band "Phantom Crunch".
Anfang 2009 konzentriert sich Radarfilm verstärkt auf die Produktion von tanzbaren Tracks zwischen House und Minimal, die er unter Anderem bei der Partyreihe "We can Dance" live spielt.
Im Febuar 2009 erscheint sein Track "alaBaster" auf der Compilation "Interact 001" und im März der Track "Hectosphere" auf der Fantomton-Compilation "Radarstation".
Im August erscheint auf Fantomton das Album '7 not danceable dancetracks'.
Fantomton was born recording some samples together. We did that like children, having fun and looking for sounds that represent us. With this attitude, we happened to go to a overaged Radarstation in Berlin, at Teufelsberg. The location is wonderful: the panorama of Berlin is awesome, the building simply charming. We spent hours through the building, making fotos, recording samples of any kind, hanging around and having fun.
Therefore we decided to use this samples for making some music, but also to continue with this sharing and playfully attitude. For this reason we gave the samples to some friends and artists that wanted to make a track out of these recordings.
The result is the first release of Fantomton, made out mainly by these Radarstation mysterious samples. Every artist had the possibility to make every kind of track: the border of this album is not the genre, but the source of the sounds.
Download the original attachment
click te pic to download release
01 mica – stadtgrau 06.47 min
02 funkenstrøm – jahresende 05.59 min
03 docma – wantan 06.59 min
04 m-node – beatball 08.22 min
05 audien – mind movie 05.05 min
06 radarfilm – alaBaster 06.16 min
02 kabo – interact-mix 33.08 min
Interact is a collaboration, an exchange of music and experiences.
We put together our efforts and our will, taking advantage of our
common background - danceable music - from one side, and from
the other, we enriched with our differences.
thus the "Interact001" release presents a cross-section of the different electro-musical styles of the three netlabel fantomton, idealtechno and symbiont-music.
6 impulsive tracks and a not less impulsive dj mix lead you from melodic-housy tunes over deep-rolling spherical sounds to burning minimal techno.
New Album: Radarfilm - 7 not danceable dancetracks Free Download
33 1/1 - die Zweite
Diesmal werden eine Performance, Experimentelles, Noisiges, Hartes und das Release von Ereased Bodies euer Herz und eure Ohren
erfreuen.
Außerdem freuen wir uns auf Dr. Nojoke's instrumentellen Minimal und auf eine kleine Überraschung.
Verpasst nicht die Performance von Pornoterrorista um 23.00 Uhr (myspace
link)
Wir laden ein von 20-23 Uhr an unserer Open-Jamsession teilzunehmen, bei interesse einfach mailen, wir freuen uns!
"Rooting" ep is a starting point of Erased Bodies' music experience, where different genres interact and communicate through unusual beats and melodies, from IDM to glitch, from noise to electronic. "Rooting" is also a metaphorical name to describe Erased Bodies' quest to delete his "body" and look for a new intensity to produce new chaotic order. The first step of this quest is to find a root and start to erase - to substitute full with empty, give away what is already there and preparing to receive.
Four tracks will guide you in this process, slowly dissolving and erase the music itself.
"Rooting" ep is a starting point of Erased Bodies' music experience, where different genres interact and communicate through unusual beats and melodies, from IDM to glitch, from noise to electronic. "Rooting" is also a metaphorical name to describe Erased Bodies' quest to delete his "body" and look for a new intensity to produce new chaotic order. The first step of this quest is to find a root and start to erase - to substitute full with empty, give away what is already there and preparing to receive.
Four tracks will guide you in this process, slowly dissolving and erase the music itself.
Adviruz is the artist psedonym of Istanbul’s Pinar Gurcan, whose growing passion for sound is translated through her music. Since an early age, she has been listening and mimicking opera singers, writing melodies, songs and poems in which she spoke her mind and reflected her soul. All of which are evident on "Nightly Sounds", an 8 track album which is the equivilent of having a glimpse into a diary, learning of love lost, gained, a snapshot of the human condition from which we can all draw experience... All of these things are developed musically into minimalistic glitch, noise, idm, experimental music and microsounds, its influences reminiscent of work by artists like Tujiko Noriko, Mira Calix, Plaid and Björk.
Adviruz and Section 27 present "Nightly Sounds", an intricately woven and rewarding musical tapestry. Available now for free download.
Diesmal werden eine Performance, Experimentelles, Noisiges, Hartes und das Release von Ereased Bodies euer Herz und eure Ohren erfreuen. Abgerundet wird das ganze von Dr. Nojoke's minimalem Live-Set.
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
ergaenzungbau des Berlin Big Chair von Kulturgut-6D
Der auf der Terrasse stehende 3 meter grosse Stuhl, wird heute abend im Zuge einer Performence bauliche ergaenzt. Sinn und Zweck der Aktion, ist eine Stabilisation der Grundkonstruktion bzw. ein besserer Optischen eindruck für den Betrachter zu schaffen. Im Zuge der Kunstaktion, die vom Deejay oliverschmid expermentell begleitet wird, sollen verschiedene Kurzzeitstandort rund um den weissensee stattfinden. Gleiche werden Kuriografisch mit Tanz und Filmsequenzen Künstlerisch Versehen.
Man darf gespannt bleiben. bis das ganze los geht, immer der ergaenzungsbau freitags 20h auf der Terrasse vor der gallery wallywoods.
mit herzlichster Einladung zum abzappeln... SYMBIONT-MUSIC UND EXQUISITE STÜRMEN DIE KINDL BRAUEREI!!!
13.06.2009 Sa | ...als gäb's kein Morgen !!! @ Ex kindl Brauerei Neukölln
Nach einer ausgedehnten Lesestunde mit unseren Partnern von den S³ Literaturwerken zaubern wir euch eine voluminös-traumhafte Atmosphäre in tiefen Kellern und bringen euch mit folgenden Klangkünstlern das Fliegen bei...
Online Now!
![[Cover]](http://www.fantomton.de/alben/FT003/ft003_front.png)
