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Su Majestad Imperial Haile Selassie I
Rey de reyes, Señor de señores, León conquistador de la tribu de Juda, Elegido de Dios y La luz de este mundo. Su Majestad Divina Emperador Haile Selassie I. Primer Rey antiguo de la creación Rey Alfa y Reina Omega principio sin fin, primero sin último. Protector de toda la fe humana y Regidor del Universo...
Roots Reggae:
Roots reggae is the name given to explicitly Rastafarian reggae: a spiritual type of music whose lyrics are predominantly in praise of Jah (God). Recurrent lyrical themes include poverty and resistance to government oppression. The creative pinnacle of roots reggae may have been in the late 1970s, with singers such as Burning Spear, Gregory Isaacs, Freddie McGregor, Johnny Clarke, Horace Andy, Barrington Levy, and Linval Thompson and many others teaming up with studio producers including Lee 'Scratch' Perry, King Tubby, and Coxsone Dodd. The experimental pioneering of producers within often-restrictive technological parameters gave birth to dub music, which has been considered one of the earliest contributions to the developments of Techno music. The great Jamaican vocal harmony groups such as The Mighty Diamonds, Wailing Souls, Heptones and Gladiators were all at their best during this period too. Differences between ska and reggae music: Reggae is much slower than ska - you will probably find yourself tapping eight quavers, rather than four crotchets, to the bar in reggae. In ska music the more prominent instruments are horns, e.g. saxophone or trumpet, but in reggae the guitars are the more important instrument. In ska a walking bass line is generally used while in reggae the bass lines are short (usually 2 bar) melodic phrases or riffs.
Dancehall:
Dancehall is a type of Jamaican popular music which developed around 1980, with exponents such as Yellowman, Super Cat, and Shabba Ranks. It is also known by some as "Bashment".
The style is characterized by a deejay singing and rapping or toasting over raw and danceable music riddims. The rhythm in dancehall is much faster than in reggae, sometimes with drum machines replacing acoustic sets . In the early years of dancehall, some found its lyrics crude and bawdy ("slack"), particularly because of its sexual tones, singing style, and homophobia, though it became very popular among youths in Jamaica. Like its reggae predecessor it eventually made inroads onto the world music scene.
This deejay-led, largely synthesized speechifying with musical accompaniment departed from traditional conceptions of Jamaican popular musical entertainment. Dub poet Mutabaruka maintained, "if 1970s reggae was red, green and gold, then in the next decade it was gold chains". It was far removed from its gentle roots and culture, and there was furious debate as to whether it ought to be considered some sort of extension of reggae music.Dancehall is a type of Jamaican popular music which developed around 1980, with exponents such as Yellowman, Super Cat, and Shabba Ranks. It is also known by some as "Bashment".
The style is characterized by a deejay singing and rapping or toasting over raw and danceable music riddims. The rhythm in dancehall is much faster than in reggae, sometimes with drum machines replacing acoustic sets . In the early years of dancehall, some found its lyrics crude and bawdy ("slack"), particularly because of its sexual tones, singing style, and homophobia, though it became very popular among youths in Jamaica. Like its reggae predecessor it eventually made inroads onto the world music scene.
This deejay-led, largely synthesized speechifying with musical accompaniment departed from traditional conceptions of Jamaican popular musical entertainment. Dub poet Mutabaruka maintained, "if 1970s reggae was red, green and gold, then in the next decade it was gold chains". It was far removed from its gentle roots and culture, and there was furious debate as to whether it ought to be considered some sort of extension of reggae music.
Dub:
Dub is a form of Jamaican music, which evolved out of reggae fusion®gae in 1960s Jamaica. The dub sound is usually accomplished by removing the vocals from an existing music piece, then adding extensive echo and reverb effects, and throwing in snatches of the lyrics from the original version.
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