About Magris’ style, jazz critic Ira Gitler wrote: “as a pianist he reflects some of his most admired models - Wynton Kelly, Tommy Flanagan, Bill Evans, Kenny Drew, Jaki Byard, Randy Weston, McCoy Tyner, Andrew Hill, Paul Bley, Don Pullen and Steve Kuhn (a varied group indeed) - in his own way. There is a quick, supple right hand and the rich harmonies of the two-handed transitions in his playing that don’t necessarily summon up instant comparisons to any of the above or others.”
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FESTIVALS AND CONCERTS
Jazz Festival Quito (Ecuador 09), Ancona Jazz (Italy 09/92), Summer Jazz Festival Krakow and Muniak Jazz Club (Poland 09/06), Jazz Time Rijeka (Croatia 09/97/95/94), The Jazz Bakery, Los Angeles (USA 08), Distrito Jazz Bilbao (Spain 08), Porgy & Bess Vienna and Jazzfreunde Bad Ischl (Austria 08), Europa Jazz Fest Bucharest (Romania 08), Manila Piazza Italia Expo (Philippines 08), The Blue Room, Kansas City (USA 07), Galway Jazz Festival (Ireland 07), Nomme Jazz Festival, Tallinn (Estonia 07), Nardis Jazz Club, Istanbul (Turkey 07), Downtown Jazz Festival, Budapest (Hungary 07), Catalina’s Jazz Club and The Jazz Bakery, Los Angeles (USA 06), Jazz at the Hermitage Garden, Moscow (Russia 06), Umbria Jazz (Italy 06), Notorious and Thelonious jazzclubs, Buenos Aires (Argentina 06), Centre Culturel Francais, Libreville (Gabon 06), Ruta Maya, Managua (Nicaragua 06), Granados Hall Asuncion (Paraguay 06), Aarau and Olten jazzclubs (Switzerland 05), Hong Kong Performing Arts Festival and Guangzhou Xhinghai Festival (China 04), Jakarta Festival (Indonesia 04), Sofia Jazz Peak (Bulgaria 04), Tashkent Jazz Festival and Samarkand (Uzbekistan 03), Melbourne Italian Jazz Festival and Bennett’s Lane Jazzclub (Australia 03), Jazz en Lima (Perù 03), Mar del Plata Jazz Festival (Argentina 03), Jazz Tour Montevideo (Uruguay 03), No Borders Music (Italy 03), Kaunas Jazz and Vilnius (Lithuania 02), Locarno Jazz (Switzerland 02), Montreal Jazz Festival, Toronto Downtown Jazz Festival and Atlantic Jazz Festival Halifax (Canada 01), Gostenhofer Jazztage Nuernberg (Germany 01), Udine Jazz (Italy 01), Half Note Athens (Greece 01), Agharta Prague (Czech Rep. 01), San Sebastian Jazz Festival (Spain 00), Newport Jazz Festival Torino (Italy 00), Ocho Rios Jazz Festival (Jamaica 00), Curacao Jazz Festival (Dutch Antilles 99), Juan Sebastian Bar Caracas (Venezuela 99), Jazzkaar Tallin (Estonia 99), Festival Guanajuato and Festival Olimpio Merìda (Mexico 99), Festival Jazz Corinthos and Athens Music Festival (Greece 98), Festival Cervantino, Festival Metepec, Festival Guanajuato (Mexico 97), Moritzburg Jazz Festival Halle (Germany 96), Atlantis Basler Jazz Woche (Switzerland 95), Jazz in Raab (Austria 94), Int.l Jazz Days Zagreb (Croatia 93), Jazz Days Liberec (Czech Rep. 92), Jazz Festival Wuerzburg (Germany 92), Lange Jazz Nacht Lindau (Germany 91), Festival Jazz Sant Cugat (Spain 90), Jazz Ost-West Nuernberg (Germany 90), Messina Jazz Meeting (Italy 89), Pannonton Jazz Napok Budapest (Hungary 89), Prerov Jazz Days (Czech Rep. 88), Euro Jazz Ivrea (Italy 88), Sibiu Jazz (Romania 86), Jazz Festival Gottwaldov, Blansko Jazz Days (Czech Rep. 86), Cegled Jazz Show (Hungary 86), Int.l Jazz Festival Prague (Czech Rep. 84)
Born in Trieste (Italy) in 1959 and began his jazz career in the late ‘70s. In the ‘80s, he led a jazz trio named "Gruppo Jazz Marca", whose recordings were reissued in 2006, as collector’s items, by the English label Arision. During the times of the "iron curtain", Magris was privileged to be one of the very few West European musicians to collaborate on a regular basis with the East European musicians on the jazz scene. He performed in the former Czechoslovakia, Yugoslavia, DDR / East Germany, Hungary and Romania. In 1987, he formed the "Roberto Magris Quartet” that continues to play, record and schedules tours all around the world. This unit has recorded several CD’s, among them the classic album "Maliblues".
From 1998-2002, Roberto Magris was bandleader for the "Europlane Orchestra", a central-European jazz venture sponsored by INCE-CEI (Central European Initiative) which performed and has recorded 3 CD’s: "Live at Zooest", "Plays Kurt Weill" with singer Ines Reiger and "Current Views" featuring guitarist Philip Catherine and vibraphonist Bill Molenhof.
In 2003, Magris continued to build bridges and forge close bonds of musical relationships as he formed the "Roberto Magris Europlane". This unit was designed to include a unique blend of the best European and American jazz artists in one musical context. This unit has recorded 2 critically acclaimed straight-ahead jazz CD’s entitled: "Il Bello del Jazz" (SoulNote) with saxophonist Herb Geller (the West-Coast jazz master) and "Check In" (SoulNote), featuring a saxophone duo of Tony Lakatos and Michael Erian. Both CD’s received stunning reviews from the International jazz critics. From these recordings and performances a compelling musical partnership has been formed with one of Europe’s finest soloist, world renowned jazz saxophonist, Tony Lakatos.
In 2006, Magris collaborated with musical icon, Art Davis (the legendary bassist for John Coltrane, Dizzy Gillespie, Louis Armstrong and Max Roach as well as other notables). This same year Magris made his USA debut in Hollywood, California performing at such famous jazz venues as "The Jazz Bakery" and "Catalina’s Jazz Club".
In 2007 Magris returned to the USA for a performance at the Historic 18th and Vine Jazz District in Kansas City, Missouri. His performance at “The Blue Room" also included a jazz tribute to the late jazz and blues icon, Jay McShann. Magris took this opportunity to record the CD entitled "Kansas City Outbound", on trio with Art Davis, on bass and Jimmy “Junebug” Jackson (the 21 year veteran drummer for Jimmy Smith) and Zack Albetta (drummer for world renowned saxophonist, Bobby Watson).
In 2008, Magris returned to Los Angeles as bandleader for concerts and to record new material with an all-star USA quintet which included Paul Carr and Michael O’Neill on saxes, Elisa Pruett on bass and the legendary musical stylist, Idris Muhammad on drums. In the same year he also participated, as a guest soloist, composer and arranger, for the CD "Big Band Ritmo-Sinfonica Città di Verona plays the music of Roberto Magris / Restless Spirits" (Velut Luna).
In 2009, Magris renewed his collaboration with legendary saxophonist Herb Geller (who worked with Benny Carter, Clifford Brown, Chet Baker, Benny Goodman, Scott LaFaro, Bill Evans as well as other notables) performing together at several jazz festivals in Europe.
Magris has recorded more than 16 albums with his own groups and has played concerts in more than 30 different countries in Europe, America, Asia, Africa and Australia, also performing at the top jazz festivals worldwide.
In the early years of his career he performed as a sideman with legendary jazz masters such as Kai Winding, Eddie Lockjaw Davis and Sal Nistico. Other outstanding musical collaborations include Franco Ambrosetti, Florian Brambock, Frantisek Uhlir, Darko Jurkovic, Richie Buckley, Janusz Muniak, Ricardo Cavalli, Achim Goettert, Fabio Jegher, the "Traditional Jazz Studio" from Prague, and the African percussionists from Gabon.
As a complementary musical experience, in the ‘90s Magris led the acid jazz group "DMA Urban Jazz Funk" which recorded 2 CD’s. In 2003, he formed and continues to perform with “Alfabeats Nu Jazz", a "progressive urban jazz" band, recording the CD "Stones", which has received high responses from the jazz critics and international community.
DISCOGRAPHY
- Roberto Magris & The Europlane Orchestra / Current Views (Soulnote Cd 2009)
- Big Band Ritmo-Sinfonica Città di Verona plays the music of Roberto Magris / Restless Spirits (Velut Luna Cd 2009)
- Kansas City Outbound / Roberto Magris Trio with Art Davis, Jimmy Junebug Jackson and Zack Albetta (PCAMI Cd 2008)
- Roberto Magris Europlane a.o. / Jazz Magazine N. 55 (Cd compilation 2007)
- Alfabeats Nu Jazz / Stones (Oasis Cd 2006)
- Roberto Magris Europlane feat. Herb Geller / Il Bello del Jazz (Soulnote Cd 2006)
- Roberto Magris Europlane feat. Tony Lakatos / Check In (Soulnote Cd 2005)
- Europlane Orchestra / Plays Kurt Weill (Pull Cd 2000)
- Europlane Orchestra / Live at Zooest (Zooest Cd 1998)
- Dma Urban Jazz Funk (Map Cd 1998) reissued as “Up to the beat!” (Map Cd 2003)
- Dma Urban Jazz Funk a.o. / Acid Jazz Magazine N. 77 (Cd compilation 2003)
- Dma Urban Jazz Funk a.o. / New Age & New Sounds Magazine N. 126 (Cd compilation 2003)
- Dma Urban Jazz Funk a.o. / Vocal Groove & Jazz Dance (Srazz Cd 1996)
- Roberto Magris Quartet a.o. / Trieste e il Jazz (Ed. Fenice – book/Cd 2002)
- Roberto Magris Quintet a.o. / Live al Vapore (Srazz Cd 1995)
- Roberto Magris Quartet / Maliblues (Map Cd 1994)
- Roberto Magris & The D.I. Project / Music of Today (Splasch Cd 1992)
- Achim Goettert / The D.I. Project (Ac.t Art Cd 1992)
- Caminhos / Live at Desi (Ac.t Art Cd 1990)
- Roberto Magris Israsextet / Life in Israel (Jazzis Cd 1990)
- Gruppo Jazz Marca / Mitteleuropa (Gulliver Lp 1986) reissued by Arision (Cd 2006)
- Gruppo Jazz Marca / Aria di Città (IAF Lp 1983)
- Gruppo Jazz Marca / Comunicazione Sonora (IAF Lp 1982) reissued by Arision (Cd 2005)
INTERVIEWS - ARTICLES - REVIEWS
Magris’ interviews were published by Blu Jazz (1992), All About Jazz USA (2004), Musica Jazz (2005), Jazzit (2006), Jazz Colours (2007), Jazz Magazine (2007), Jazz World Quest (2007), Jazz Wax (2008), All About Jazz Italy (2008). Magris’ concerts and Cd reviews were published, along the years, by Down Beat, Jazz Times, Cadence, Jazz Hot, Jazz Podium, Jazzthetik, Goldmine, Allmusic, Jazzman, Jazz Notes, The Wire, Jazz Journal International, Jazzwise, Concerto, Jazzrytmit, Cuadernos de Jazz, Jazzmozaiek, Musica Jazz, Jazzit, Acid Jazz, New Age & New Sounds a.o. and by newspapers such as The Los Angeles Times, Herald Tribune, Capital Times, News & Observer, Herald Sun, La Nacion, Clarin, ABC, El Pais, Toronto Star, El Nacional, The Gleaner, Irish Times, South China Morning Post, El Universal, Jerusalem Post, Nuernberger Zeitung, Mitteldeutsch Zeitung, Basler Zeitung, Tiroler Zeitung, Vjesnik, Novi List, Jakarta Post, La Repubblica, Corriere della Sera Magazine, Libero, La Discussione, Liberazione, Il Secolo d’Italia.
Dear Roberto, it's always a pleasure to play with you - your sensitive accompaniment brings out the best of me. Thank you for the 4 days in Italy, looking forward to our future gigs. Your friend Herb