Joel "Ramon Glorback, aka Disco Baby" Peguiron: guitars, voices, feedbacks.
Philippe "Evil Empire, aka Le Maître des Ténèbres" Testa: drums, live connection with the dark side, artistic sensibility.
Influences
Spiritual guidance: Brian Wilson, Grant Hart, Jeffrey Hyman, Henry Rollins, Jeffrey Lee Pierce, Roy Orbison, Jason Lytle, Josh Homme, Thurston Moore, Ian Curtis, dead people in general...
Proud endorsement: Wayne Cosmo Incorporated, the Almighty Don Tsunami and the LLHWL (Lausanne's League of Heavy Weight Losers).
RODOLFO WELLINGTON is the new musical project of Joel "Ramon Glorback" Peguiron and Philippe "Evil Empire" Testa, both fouding members of the Radiateurs (who ruled the Earth between 1987 and 1999), and now back from the Kingdom of the Dead.
RODOLFO WELLINGTON's music renews totally the genre: it's useless to label songs like "Joseph Stalin (in the sky)", "Total Intellectual Collapse" or "The deepest hole in human history".
RODOLFO WELLINGTON is a product of our culture that will inspire an entire generation. It definitely sets the standards for fashions to come.
The whole beauty of RODOLFO WELLINGTON's music best appears when played... VERY LOUD !
Quelques news de deja vu: notre album "Roulette Russe" sort (enfin!!) officiellement le 09 novembre prochain (mvs records/anticraft)! Il sera dispo dans tous les bacs hexagonaux, sortie numérique etc...
Deux concerts en novembre pour fêter tout ça: le 17 novembre au Batofar à Paris, et le 27 novembre à la Marquise à Lyon (gratuit!!). Tu seras là?
Le côté "Idol" est le je-ne-sais-quoi qui élève au rang de légende... Évidemment qu'on y tient ! La notre est déjà érigée, place "stereopathetic" à Tours. Venez y jouer quand vous voulez, très sérieusement.
I thank you for your compliments, it feels like silk on my heart... it is such a pleasure reading you.. Looking forward to introducing to you some new pictures regularly and soon, an exclusive preview of my first video clip with an inedit song ..We are organising some concerts at the moment with a big difference of what the french public is used to see..
