PROPOSING THE WORK "Diffrazioni Sonore" Romina Daniele has been
awarded with the Demetrio Stratos International Award for musical
experimentation (section: new works), 2005 edition, theme: "vocalism and research." - The Career Award has been awarded from the great American artist Diamanda Galàs (2005) and Meredith Monk (2007)
FROM "DIFFRAZIONI SONORE" PROJECT THEORETICAL LINE TEXT
My project is the result of a vocal research that takes place through the unbridled improvisation; it follows the composition that, on the contrary, take place through an accurate assembling: I consider it like a work and I do it by myself. "Diffrazioni Sonore" was born as a reflection about the "transverse by nature concept": the research, first was about the composition structure, than has begun to be able to propose unconnected sonorous/vocal experiences with the prevailing idea on singing in the global musical culture, and it embraces a philosophy that concerns: the conscience of existence (as creator), to be contaminated (’cause my creation is in-social and in-cultural contest where rules that I discredit are in force), and contaminating (as supporter of this contamination which I think myself as an episode and not as the symbol).
Regarding the sound:
Referring to accredited precedents in the history and to definite quotations where I can, my chief passion is the limit. The language of music and sound limit. Limit: where there aren’t incorrect or correct formulations, but just to venture into the unknown through unusual things.
Regarding the (formal) structure:
I always was been interested in the so-called "entre-deux-coup-de-dés" by Deleuze: the between of the composition, the most ambiguous part of it. So the objective is to exalt the terms of the construction-sensation relationship, not as conflict but as several extensions.
There isn’t just the doubtful nature of the exploration in this. The doubtful nature to intend like "out-of-the-rules" at all costs. The foundation is a constant and indifferent to meaning interaction: I don’t want to indicate any one to be vocalist, musician or to live, but to go through: my work is like an action being carried out, a process where it’s necessary to breathe Conscience air. It is "multi-functional": offensive to the pragmatic cultural dominion status-quo that principally dodges the plural and multi-directional creation: what I call indispensable base to start, the point of view that cannot be omitted. These intentions substantiate at least three clear aspects or tracks in my project: an interferential temporality, or being carried out and not aprioristically definited; the serial form, where the listening and the variation produce the spectacular destiny and the composition; the freeing of the style, or the "empty/free will" by Hegel: a technique and analytic mind will not be able to evade it.
[Romina Daniele, June 2005]
Aisthànomai. The tragedy of Consciousness.
(From the theoretical line text written in february 2007)
Aisthànomai is
the Greek term that means "to perceive, to understand". It is part of the
etymology of the word "Aesthetic", indicative of the branch of philosophy
applied to art.
So,
Aisthànomai, perception and understanding: sensation and cognition:
art. (...) Voice-matter-nature. Electronics-sound-technique. Language-text-concept. Here
are the three territories where Aisthànomai (a term emblematic of
perception and knowledge) unfolds and is realised and on which and in
which my law of cognitive non-conditioning are placed and situated: as an
expressive goal deliberately pursued.
More about the project on page "Aisthànomai" of website rominadaniele.com
http://www.msplinks.com/MDFodHRwOi8vdmltZW8uY29tLzQyNzA1MjA= Please let me know what you think! It is something as flower is a product of spring, a new arrival.:) Love, TEAADORA
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