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Kaleo sez: Please, pleasse, pretty please pass this forward to all your good-music lovin' friends and post it everywhere..... they all wanna hear it from YOU!
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Root Skankadelic is a 7-piece ALL-ORIGINAL funk reggae jamband created in Spring 2004 out of spiritual and revolutionary necessity in the funky and happening little southwest New Mexico town of Silver City. What started out as a way for friends to hang out, express life's passions, and play soulful spiritual and transformative music has turned into quite an addition to the New Mexico reggae scene. Politically conscious with heavy soul and bass, Root Skankadelic's ALL-ORIGINAL music brings a vibe that definitely defies traditional confines.... from roots to dancehall and love.... Root Skankadelic is forging this unique path with passion and humility.... High Desert Reggae
With a debut CD and a growing list of sold-out gigs, Root Skankadelic dishes
funk and peace to the masses.
Story and photos by Donna Clayton Lawder
On a perfect, warm spring evening in Silver City, at the unique conjunction
of the Gila River Festival and MainStreet Project's Celebration of Spring,
the progressive reggae band Root Skankadelic is getting ready to take the
town on a magical mystery tour of sorts, an evening of high-energy reggae-based
dance music with potent messages. The days of playing Marley covers are past,
says Rick Davis, aka "Kaleo Saleh."
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Root Skankadelic's Rick Davis,
aka Kaleo Selah. |
"We haven't played covers in a long time," he
says of the two-year-old group. "We definitely have our own message
to bring, and that's what we are writing and saying and singing and playing."
Reggae standards like "Jammin' in the Name of the Lord" and "No
Woman, No Cry" have made way for Skankadelic's original songs about
the impact of violence, the blessings and burdens of Mother Earth, the wonder
of true relatedness, peace and spiritual union.
Under the canopy in Morning Star's parking lot, Jazz Orgy, a popular band
from Wisconsin that regularly plays sold-out gigs in the Silver City area,
is accepting the roar from a well-pleased dance crowd and packing up their
instruments. The members of Root Skankadelic, having milled through the crowd,
enjoying the party atmosphere, are now setting up for their main-billing
portion of this street-dance gig.
The stage area is crowded with instruments—several of the band members
play two or three—and seven very energetic musicians, several individuals
sporting more hair than some entire bands.
Davis, in an electric-blue Hawaiian shirt, bestows yet another of his famous
hugs on a fan, then grabs his microphone. The bass line throbs heavily, leading
the way, and the keyboard comes to life with those familiar chords of island-inspired
feel-good music.
"All right, Silver Cit-tee!" Davis shouts and begins to jump up
and down in time to the throbbing beat.
The crowd whoops enthusiastically in response. Billed as an "all-ages
event," the open-air dance has drawn families and fans of all ages.
A grouping of little girls in sun-dresses plays with Hula-Hoops, one hoop
easily five feet in diameter. The Celebration of Spring feels like a perfect
summer party, the smells of something wonderful on the grill wafting over
from the Silver City Brewing Company just across the street. A couple hundred
fans raise their arms, shake their hips and begin to throb and bounce to
the bass line in free-form dance. Some of the audience sing along.
Davis describes the band as a group effort, and all contribute to the songwriting
and most do vocals as well as play multiple instruments. p>
Sami Padre, who plays keyboard, melodica and guitar for the group, as well
as providing back-up vocals, evidently believes in what the band is doing
with its music— indeed, in the power and importance of music.
"Music is the very voice of the Most High," he says, "so
listen up!"
The funk reggae jam-band was created in
spring 2004 "out
of spiritual and revolutionary necessity," according to their Web site.
The band's name, Davis explains, came from the "roots" aspect of
their music; the "ska" in "Skankadelic" refers to that
branch of reggae. That morphed into "skank," with "adelic" bringing
in the funk aspect, you know—"psychedelic"—the trip the music
can take the listener on.
Like the kind of lifestyle they promote, the band grew organically, as jam-bands
will, from a group of friends hanging out and playing. Audiences kept growing
and the band started getting semi-regular gigs at Silver City's watering
holes, essentially facilitating all-night parties centered around peace,
love and having a good time.
After playing sold-out venues in Silver City—including the Buffalo Bar
and Dancehall, where they'll again perform on June 24—Root Skankadelic performed
in Las Cruces for the first time in September 2005 at El Patio's Psychedelithon.
They've also played at the Bob Marley Birthday Bash at the Starlight Lounge
in Terlingua, Texas. That gig drew reggae fans from far and wide, including
a loyal following from Big Bend and Alpine. And on June 24 they'll play at
Lucky Devils in El Paso.
In addition to their repeat street dance performance for the Gila River
Festival, this year co-sponsored by Silver City MainStreet Project's Celebration
of Spring, the eco-loving boys have also played benefits for the Wildwood
Hot Springs Retreat at the Gila Wilderness Area with the Funk Farmers, another
local band known to draw a granola-crunching, peace-loving, tree-hugging
crowd. Multi-instrumentalist Cody Williams, who plays mandolin and percussion
as well as providing vocals for Skankadelic, also plays bass with the Funk
Farmers.
The group has also played double billings with Radio La Chusma, a latin/reggae
roots/rock band from El Paso.
On Valentine's Day, Root Skankadelic celebrated the release of its first
five-song studio-recorded CD, Root Skankadelic
EP. Made
up of all original tunes, the disk has had several covers and subtitles,
including Viva Terlingua (for the town in Texas where they played the Marley
Birthday Bash) and The Vibe. The CD was recorded in Joe Victor's Gang of
Hair studio in the Mimbres.
The CD table tonight has sold just a couple of copies. Perhaps tonight the
boys are playing to the choir, so to speak.
Politically conscious with heavy soul and bass, Root
Skankadelic describes its music as "booty-shakin' conscious party music.
. . . (It) brings a vibe that definitely defies traditional confines. . .
ranging from roots to dancehall and love."
They cite a wide range of musical influences, including reggae, ska, dancehall,
funk, punk, rock and African and Caribbean music, as well as spoken word.
Poetry is big with Roland Salvatore, who provides vocals and percussion.
He writes poetry and quotes e.e. cummings on his blog.
Josh White, the bass man of the group since its inception, says the band's
musical style gives him more opportunity to be creative and shine musically. "As
a bass player, you don't often get to be up front musically," he says, "but
with this band, with what we play, I do. And that's very, very cool."
Hailing from Silver City and Gila, Root Skankadelic are simple dudes living
close to Mama Gaia. Two of the band members—vocalist Jamie Smith, who also
plays flute and saxophone, and drummer Daniel Eady—work in landscaping.
Yes, they all still have day jobs. Vocalist and multi-instrumentalist Sami
Padre is an herbalist.
The complete Root Skankadelic lineup is: Cody Williams on vocals, mandolin,
percussion; Daniel Eady on drum kit; Jamie Smith on vocals, flute, saxophone;
Josh White on bass and vocals; Rick Davis ("Kaleo Selah") on vocals
and percussion; Roland Salvatore on vocals, djembe and percussion; and Sami
Padre on vocals, keyboard, melodica and guitar.
If you are the ride-giving type, you may have offered a ride to one of these
guys hitching into Silver for work, as many do not own cars or television
sets, dressing and living simply—living "lightly on the planet," they
might say. Certainly their music and energy seem to come from somewhere other
than earth.
The audience tonight has been transported to another—most
funky—place.
To make sure their fans get transported home safely, the band encourages
the audience to take advantage of Corre Caminos public transportation, mentioning
it on their Web site, in gig announcements and from the stage. Funded by
the DWI Taskforce, Corre Caminos has initiated a special program called "Corre
Cantinos," a clever little play on words. It is the first program of
its kind, according to a spokeswoman at Corre Caminos. Concert-goers can
bop and party all night, then simply call the bus company for a ride, on
demand.

A cooling breeze blows in and the audience murmurs with appreciation. Having
retired their Hula-Hoops, the kids now mingle and dance with the teens and
adults on the crowded parking-lot dance floor.
"How are you doing out there?" Padre calls. Another whoop of response. "Okay,
we're celebrating now.Even the buzzards are here with us." A flock of about
two-dozen big, black birds circles overhead, looking for their roosts for
the night.
The audience looking happily tired, the band is done with encores and begins
packing up equipment. A couple of fans step in and offer their help.
But the night is not yet ending for Root Skankadelic. The guys aren't heading
to their respective homes, but down to the Buffalo Bar to play at a Taurus
birthday party, one of the astrologically themed group celebrations becoming
popular in Silver City.
After nearly two hours of crowd-pleasing music—accompanied by Davis' high-energy
theatrics—Root Skankadelic just wants to take the party up the street and
continue the celebration.
Root Skankadelic's CD is available for sale at Alotta
Gelato, Tune Town and Dan & John's Rejuvenations Coffeehouse, all on
Bullard Street in downtown Silver City, and at Gallery 400 on Arizona Street,
also in Silver City. For more information and upcoming gigs, check the
band's Web site at www.rootskankadelic.com.
from left: Sami Padre, Jaimie Smith(retired), Daniel Eady, Cody Williams, Josh White, Rick Davis, Roland Salvatore.
photo by mysty
ROOT SKANKADELIC @ THE HYATT IN ALBUQUERQUE AFTER PLAYING THE LAUNCH PAD 1-14-07
Donna Clayton Lawder is a music fan and
senior editor of Desert Exposure.
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