Photo of Kurt Rosenwinkel

Kurt Rosenwinkel

General Info

  • Genre: Jazz

    Location NEW YORK, New York, US

    Profile Views: 151708

    Last Login: 5/5/2010

    Member Since 2/9/2007

    Website http://www.kurtrosenwinkel.com

    Record Label Wommusic

    Type of Label Indie

  • Bio

    “Kurt Rosenwinkel is rightfully most celebrated for being a 21-century innovator of new music,” begins the liner notes by Ethan Iverson for Rosenwinkel’s latest album (his eighth as leader) titled, Standards Trio: Reflections. “This album of standards offers a clear view of Kurt as a jazz guru.” A onetime sideman in Gary Burton & Joe Henderson’s bands, Rosenwinkel has released a string of some of the most potent and original recordings of the last decade. On Standards Trio: Reflections, the highly anticipated followup to 2007’s dynamic The Remedy: Live at the Village Vanguard, he delves into the harmonic fabric of several beautiful standards in an intimate trio setting, accompanied by bassist Eric Revis (a longtime member of the Branford Marsalis Quartet) and drummer Eric Harland (a member of the Charles Lloyd Quartet and the SFJAZZ Collective). Whereas Kurt Rosenwinkel's previous album The Remedy – Live At The Village Vanguard caught Kurt with his quintet in a high-wired set of extended solos on original compositions, on Reflections he luxuriates in an almost-all-ballads program. From relaxed renditions of Wayne Shorter’s “Ana Maria” and “Fall,” to elegant interpretations of Thelonious Monk’s “Ask Me Now” and “Reflections” to gorgeous readings of standards like “More Than You’ll Know,” “You’ve Changed” and “You Go To My Head,” Rosenwinkel embraces these timeless melodies with rare nuance and soul. He includes one original in the collection, a stirring remake of the title track from his 1996 debut as a leader "East Coast Love Affair" (the whole album of which has just been transcribed into book form and released by Mel Bay) a song of which Iverson states: "Kurt has been playing this as long as I’ve been listening to him. At this point it almost qualifies as a standard." “I wanted to have a very intimate and acoustic sound on this record,” says the Philadelphia native who currently resides in Berlin. “And I wanted to sort of go back to my Philly roots in terms of getting into the blues in my playing, because I often don’t bring that out at all. But I’ve just been feeling that side of things lately and I wanted to play in that way on this project.” In some ways, this outing is a return to 1998’s Intuit, a collection of standards in a quartet setting. But more than ten years down the road, Rosenwinkel’s sound is warmer, fuller and his approach to the instrument more refined. While that earlier standards project included such challenging, chops-busting burners as Charlie Parker’s “Sippin’ at Bells” and George Shearing’s “Conception,” this time out the emphasis is almost exclusively on ballads. And working without a piano in the group is a bit like a high wire act working without a net. “My first record, East Coast Love Affair, was also a trio standards recording,” he says, “but I feel like I have more to say as an artist in that context. And as a guitarist I just wanted to explore that open, beautiful space again.” While East Coast Love Affair was recorded for the small independent label out of Spain, Fresh Sound New Talent, and Intuit was released on the Dutch label Criss Cross, Rosenwinkel’s first widespread recognition Stateside came with the release of The Enemies of Energy, his 2000 Verve Records debut. He followed that with 2001’s acclaimed The Next Step, which further developed the songcraft and unique harmonic language he was developing with tenor saxophonist and kindred spirit Mark Turner. 2003’s adventurous Heartcore, which combined elements of jazz, electronica, hip-hop and ambient music, was co-produced by rapper Q-Tip from the pioneering alternative hip-hop trio A Tribe Called Quest. And on 2005’s Deep Song, Rosenwinkel joined forces with like-minded colleagues Brad Mehldau, Joshua Redman, Larry Grenadier, Ali Jackson and Jeff Ballard. 2007’s The Remedy captured the guitarist’s working quintet (saxophonist Turner, pianist Aaron Goldberg, bassist Joe Martin and drummer Harland) during a week-long engagement at New York’s fabled jazz club, the Village Vanguard. After the pyrotechnics of that invigorating live outing, Reflections is like a cleansing breath for Rosenwinkel . Perhaps Rosenwinkel’s most refined and engaging project to date, Reflections reveals a warmer side to this gifted, multi-directional musician. Kurt Rosenwinkel – Standards Trio: Reflections is available through iTunes, Amazon, and directly via the artist website www.kurtrosenwinkel.com
  • Members

    Kurt Rosenwinkel Band: Mark Turner (sax), Aaron Parks (pia), Ben Street (b), Ted Poor (dr).. .. Kurt Rosenwinkel Standards Trio: Eric Revis (b) & Ted Poor (dr)
  • Influences

  • Sounds Like

    Kurt Rosenwinkel ;-)

Comments

Post a comment...
  • Mark Privett

    Howdy K,
    Love your stuff - Heartcore still entrances me every time I hear it. Nice to see Jeff Ballard still kickin' it with you. All the best to you and yours! Keep the fire stoked.
    peace always,
    mark

    5 years ago
  • Roccoco

    Thank you for the friendship !!All the best for 2008!!!Peace !!!Daniel

    5 years ago
  • Enzo Carpentieri

    Kurt, nice to see you, here is ok! Ciao

    5 years ago
  • Iván Rojas

    Thank you Kurt! i hope to see you soon in Barcelona! take care master!

    5 years ago
  • ARCEVIAJAZZFEAST

    thanks .)

    5 years ago
  • Scuola Popolare di Musi…

    ..
    ..




    Serata inaugurale del club organizzata da Pia Mora in collaborazione con Scuola Popolare di Musica - Fermo

    Interverranno:

    P. Mora, S. Mora, G. Bartoli, P. Tirabassi, T. Santos, A. Farhaj, B. Diagne, Lord Randall, R. Zechini, M. Morganti, S. Garofoli, R. Piermartire, N. Zacconi, G. Tornambene, F. Gallo, E. Evangelista, G. Pesaresi, A. Ricci, R. Peppoloni, F. D'Oronzo, M. Picchiò, A. Capobianco, G. Serano, G. Di Sabatino, M. Saccutelli, G. Bruscantini, C. Luciani, M. Marchionni, M. Burgani, P. Pende, P. Mori, M. Lanzidei, Gli Amici di Giacomo, Allievi della SPM - Fermo e molti altri.

    ..
    ..
    ..

    5 years ago
  • CELIA MUR

    hi Kurt i hope your doing well, i was listening some of your music at chris wiesendanger place in zurich.- we recording my new project in these days,. all the best from a student that never forget you,. all the best,.

    5 years ago
  • 5 years ago
  • jorge carvalho

    wow.... didn't this girl go to school with us? look at what she turned out to be..

    http://profile.myspace.com/index.cfm.fuseaction=user.viewprofile=11523822

    5 years ago
  • Orazio Maugeri

    HAPPY NEW YEAR!

    orazio

    5 years ago
10 of 171More

Bio:

“Kurt Rosenwinkel is rightfully most celebrated for being a 21-century innovator of new music,” begins the liner notes by Ethan Iverson for Rosenwinkel’s latest album (his eighth as leader) titled, Standards Trio: Reflections. “This album of standards offers a clear view of Kurt as a jazz guru.” A onetime sideman in Gary Burton & Joe Henderson’s bands, Rosenwinkel has released a string of some of the most potent and original recordings of the last decade. On Standards Trio: Reflections, the highly anticipated followup to 2007’s dynamic The Remedy: Live at the Village Vanguard, he delves into the harmonic fabric of several beautiful standards in an intimate trio setting, accompanied by bassist Eric Revis (a longtime member of the Branford Marsalis Quartet) and drummer Eric Harland (a member of the Charles Lloyd Quartet and the SFJAZZ Collective). Whereas Kurt Rosenwinkel's previous album The Remedy – Live At The Village Vanguard caught Kurt with his quintet in a high-wired set of extended solos on original compositions, on Reflections he luxuriates in an almost-all-ballads program. From relaxed renditions of Wayne Shorter’s “Ana Maria” and “Fall,” to elegant interpretations of Thelonious Monk’s “Ask Me Now” and “Reflections” to gorgeous readings of standards like “More Than You’ll Know,” “You’ve Changed” and “You Go To My Head,” Rosenwinkel embraces these timeless melodies with rare nuance and soul. He includes one original in the collection, a stirring remake of the title track from his 1996 debut as a leader "East Coast Love Affair" (the whole album of which has just been transcribed into book form and released by Mel Bay) a song of which Iverson states: "Kurt has been playing this as long as I’ve been listening to him. At this point it almost qualifies as a standard." “I wanted to have a very intimate and acoustic sound on this record,” says the Philadelphia native who currently resides in Berlin. “And I wanted to sort of go back to my Philly roots in terms of getting into the blues in my playing, because I often don’t bring that out at all. But I’ve just been feeling that side of things lately and I wanted to play in that way on this project.” In some ways, this outing is a return to 1998’s Intuit, a collection of standards in a quartet setting. But more than ten years down the road, Rosenwinkel’s sound is warmer, fuller and his approach to the instrument more refined. While that earlier standards project included such challenging, chops-busting burners as Charlie Parker’s “Sippin’ at Bells” and George Shearing’s “Conception,” this time out the emphasis is almost exclusively on ballads. And working without a piano in the group is a bit like a high wire act working without a net. “My first record, East Coast Love Affair, was also a trio standards recording,” he says, “but I feel like I have more to say as an artist in that context. And as a guitarist I just wanted to explore that open, beautiful space again.” While East Coast Love Affair was recorded for the small independent label out of Spain, Fresh Sound New Talent, and Intuit was released on the Dutch label Criss Cross, Rosenwinkel’s first widespread recognition Stateside came with the release of The Enemies of Energy, his 2000 Verve Records debut. He followed that with 2001’s acclaimed The Next Step, which further developed the songcraft and unique harmonic language he was developing with tenor saxophonist and kindred spirit Mark Turner. 2003’s adventurous Heartcore, which combined elements of jazz, electronica, hip-hop and ambient music, was co-produced by rapper Q-Tip from the pioneering alternative hip-hop trio A Tribe Called Quest. And on 2005’s Deep Song, Rosenwinkel joined forces with like-minded colleagues Brad Mehldau, Joshua Redman, Larry Grenadier, Ali Jackson and Jeff Ballard. 2007’s The Remedy captured the guitarist’s working quintet (saxophonist Turner, pianist Aaron Goldberg, bassist Joe Martin and drummer Harland) during a week-long engagement at New York’s fabled jazz club, the Village Vanguard. After the pyrotechnics of that invigorating live outing, Reflections is like a cleansing breath for Rosenwinkel . Perhaps Rosenwinkel’s most refined and engaging project to date, Reflections reveals a warmer side to this gifted, multi-directional musician. Kurt Rosenwinkel – Standards Trio: Reflections is available through iTunes, Amazon, and directly via the artist website www.kurtrosenwinkel.com

Member Since:

February 09, 2007

Members:

Kurt Rosenwinkel Band: Mark Turner (sax), Aaron Parks (pia), Ben Street (b), Ted Poor (dr)

Kurt Rosenwinkel Standards Trio: Eric Revis (b) & Ted Poor (dr)

Sounds Like:

Kurt Rosenwinkel ;-)

Record Label:

Wommusic

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