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Ryan Williams and Sean McNellis got
their start working together in 2006, with Ryan's second EP,
Shortfilm. After a few months of playing shows
throughout the
Philadelphia region, the two began recording the songs collected on
"Ten Songs for Listeners." The album was officially
released on May 8th, 2008.
The acoustic guitar serves as a base
to the organic arrangements. Each song has a story to tell, a nod to
inspirations such as Joni Mitchell and Jerry Garcia. "Ryan and
I have a huge overlap in the music we listen to," says lead
instrumentalist Sean, "but our influences are all over the
place. I was twelve years old, listening to Muddy Waters, Buddy Guy,
Willie Dixon, Mike Bloomfield; I have a huge blues influence. Later
I started getting into The Grateful Dead, Bob Dylan, the Band... I've
developed my own style, and these guys were all inspirations for
that."
"Now on the writer's side,"
Ryan adds, "I drew a lot of influences from the
singer-songwriters I was hearing as a teenager---Jewel, Alanis
Morissette. My mom exposed me to Simon and Garfunkel, Joan
Armatrading, Carole King... so before everything else my goal is to
make sure to tell a story. As a singer, I learn from everywhere I
can, so there's pieces of Folk, and R/B, Soul, Alternative. I'm a
huge Joni fan, a Joan Osborne fan, also of Thom Yorke, Michael
Jackson, and Lauryn Hill. So the goal with everything we're doing is
to marry those parts of us that don't always
intersect into
something unique and enjoyable."
"Lauryn singing 'Easy Chair!'"
Sean says with a laugh.
Indeed, the duo weave a musical
tapestry with sound; The gentle, hypnotic bongos of "Cecelia"
serve as the perfect follow-up to the tom-driven opener,
"Electricity." The vocal and mandolin melodies of
"Morning, Night, and Noon" are sure to etch themselves into
your mind with quiet nostalgia. "Solace" and "Ear to
the Ground" bare rhythmic, gospel roots. The stripped-down and
direct "Only Want to Be With You," however, best exhibits
the common thread in the songs.
"I'm very much into human
emotion," says Ryan. "With most of the songs I've written,
there's an emotion at the core of it, of understanding it. That's
always the goal; you want to get the people who can relate to what's
being said to feel it as the story unfolds. And for
the
people who can't relate to the lyrics, you put that same feeling in
the arrangement, the instrumentation, the melodies, and it's
accessible to everyone."
Sean finds this true at shows as well. "I play off of the crowd's
emotions. If I see that I'm
grabbing the listeners, I want to hold onto that. Thats what's
important to getting into the heads of all our fans."
As their debut album's title suggests,
'Listeners' are the target demographic. "It's music lovers that
we most want to reach," Ryan admits. "I got asked once
what kind of audience we were targeting, and I said 'Anyone who will
listen!' We're not trying to be the 'band that kids love and
grownups don't understand' anymore than we're trying to appeal
strictly to adults."
In a nutshell, Sean offers, "We're
making music that you can love, and your mom can love, and your dad,
and grandparents. Anyone who enjoys listening to music that's
genuine, and good, and emotional will fall in love with this album."
Ten Songs For Listeners closes
with the duo's first co-written tune, "Perfect State of Mind,"
a magnificent song with McNellis playing electric and acoustic lead
guitars. "When it's over, we want you to go, 'Oh no, it's
over!'" he says. "We leave you hanging so you'll want to
come back for more."
"It's a cliffhanger!" agrees
Ryan. "If the story came to an You'd have nothing to look
forward to, and this is just the beginning."
Visit www.williams-ryan.com, and/or ryanw.dmusic.com for more info!