Immortal Technique: "Dance With The Devil"
To learn more about the background of this music vid visit YouTube and read the video desription and some of the user comments.

Some favorite classics sampling for the beginning:

L'ÂGE D'OR (The Golden Age, 1930) by Luis Buñuel (in full length!)




CITIZEN KANE (1941) by Orson Welles




NIGHT OF THE HUNTER (1955) by Charles Laughton




THE WILD BUNCH (1969) by Sam Peckinpah – klick here for part 2




37°2 LE MATIN (Betty Blue, 1985) by Jean-Jacques Beineix




BLACK CAT, WHITE CAT (1998) by Emir Kusturica




EYES WIDE SHUT (1999) by Stanley Kubrick



For much more videos switch to the außer atem YouTube channel: youtube.com/ausseratem

Some little spontaneous listing (well its still _NOT_ really representatively for SALON NOIR... we're working on it, so stay tuned): CITIZEN KANE (1941) by Orson Welles   •   EYES WIDE SHUT (1999) by Stanley Kubrick   •   ALPHAVILLE (1965) by Jean-Luc Godard   •   Nineteen Eighty-Four (1984) by Michael Radford   •   BRAZIL (1985) by Terry Gilliam   •   CUBE (1997) by Vincenzo Natali   •   DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (Two Or Three Things I Know About Her, 1967) by Jean-Luc Godard   •   SUE (aka SUE LOST IN MANHATTAN) by Amos Kollek   •   DR. STRANGELOVE OR HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB by Stanley Kubrick   •   SALÒ O LE 120 GIORNATE DI SODOMA (Salò) by Pier Paolo Pasolini   •   MULHOLLAND DRIVE by David Lynch   •   FRENCH CONNECTION by William Friedkin   •   NIKITA by Luc Besson   •   THE NINTH GATE by Roman Polanski   •   ONE FLEW OVER THE CUCKOO'S NEST by Milos Forman   •   REQUIEM FOR A DREAM by Darren Aronofsky   •   FIGHT CLUB by David Fincher   •   LE MÉPRIS (Contempt) by Jean-Luc Godard   •   BLOWUP by Michelangelo Antonioni   •   NIGHT OF THE HUNTER by Charles Laughton   •   KISS ME DEADLY by Robert Aldrich   •   THE MALTESE FALCON by John Huston   •   THE BIG SLEEP by Howard Hawks   •   THE KILLERS (1946) by Robert Siodmak   •   SUNSET BLVD. (1950) by Billy Wilder   •   THE ASPHALT JUNGLE (1950) by John Huston   •   DETOUR (1945) by Edgar G. Ulmer   •   WHITE HEAT (1949) by Raoul Walsh   •   THE WILD BUNCH (1969) by Sam Peckinpah   •   ONCE UPON A TIME IN THE WEST (1968) by Sergio Leone   •   ACE IN THE HOLE (1951) by Billy Wilder   •   CASABLANCA (1942) by Michael Curtiz   •   L'ÂGE D'OR (1930) by Luis Buñuel   •   WILD STRAWBERRIES (Smultronstället; Wilde Erdbeeren, 1957) by Ingmar Bergman among many others of him...   •   WHO'S AFRAID OF VIRGINIA WOOLF by Mike Nichols   •   REBECCA, VERTIGO and PSYCHO by Alfred Hitchcock   •   8 1/2 by Federico Fellini   •   THE MAGDALENE SISTERS by Peter Mullan   •   RASHOMON and DREAMS by Akira Kurosawa   •   CONTACT (1997) by Robert Zemeckis   •   THE GREAT DICTATOR by Charlie Chaplin   •   JULES ET JIM (1962) by François Truffaut   •   37°2 LE MATIN (Betty Blue) by Jean-Jacques Beineix   •   HISTOIRE DE MARIE ET JULIEN (Story Of Marie And Julien) by Jacques Rivette   •   BLACK CAT, WHITE CAT by Emir Kusturica   •   FRITZ THE CAT by Ralph Bakshi   •   MEET THE FEEBLES by Peter Jackson   •   THE APARTMENT, SOME LIKE IT HOT, IRMA LA DOUCE & AVANTI! by Billy Wilder   •   FROM DUSK TILL DAWN by Robert Rodriguez   •   BRAINDEAD by Peter Jackson   •   M by Fritz Lang   •   LILJA 4-EVER by Lukas Moodysson   •   PURSUED by Raoul Walsh   •   POINT BLANK by John Boorman   •   À BOUT DE SOUFFLE by Jean-Luc Godard   •   DAS FEST (The Celebration) by Thomas Vinterberg   •   KOYAANISQATSI by Godfrey Reggio   •   ALL ABOUT EVE by Joseph L. Mankiewicz   •   SHORT CUTS by Robert Altman   •   MAGNOLIA by Paul Thomas Anderson   •   BARRY LYNDON by Stanley Kubrick   •   THE HAUNTING by Robert Wise   •   TOUCH OF EVIL by Orson Welles   •   WITNESS FOR THE PROSECUTION by Billy Wilder   •   ONCE UPON A TIME IN AMERICA by Sergio Leone   •   FITZCARRALDO by Werner Herzog   •   BREAKING THE WAVES by Lars von Trier   •   DON'T LOOK NOW by Nicolas Roeg   •   PICNIC AT HANGING ROCK by Peter Weir   •   THE STRAIGHT STORY by David Lynch   •   AMERICAN BEAUTY by Sam Mendes   •   GHOST WORLD by Terry Zwigoff   •   REAR WINDOW by Alfred Hitchcock   •   A HISTORY OF VIOLENCE by David Cronenberg   •   ELEPHANT MAN by David Lynch   •   BAMBULE by Eberhard Itzenplitz (written by Ulrike Meinhof)   •   HAROLD AND MAUDE by Hal Ashby   •   THE CONVERSATION by Francis Ford Coppola   •   BONNIE AND CLYDE by Arthur Penn   •   INTIMACY by Patrice Chéreau   •   CHINATOWN by Roman Polanski   •   BENJAMIN FRANKLIN'S SECRET LIFE by Hannah Honolulu   •   WAG THE DOG by Barry Levinson   •   JACKIE BROWN by Quentin Tarantino   •   MARATHON MAN by John Schlesinger   •   ARSENIC AND OLD LACE by Frank Capra   •   GEGEN DIE WAND by Fatih Akin   •   WOLFSBURG by Christian Petzold   •   WHITE STAR (1981–83) by Roland Klick   •   APOCALYPSE NOW (1979) by Francis Ford Coppola   •   THREE DAYS OF THE CONDOR by Sydney Pollack   •   eXistenZ (1999) by David Cronenberg   •   WILD AT HEART (1990) by David Lynch   •   DER UNTERTAN (1951) by Wolfgang Staudte   •   DIE BRÜCKE (1959) by Bernhard Wicki   •   PATHS OF GLORY (1957) by Stanley Kubrick   •   A CLOCKWORK ORANGE (1971) by Stanley Kubrick   •   BELLE DE JOUR (1967) by Luis Buñuel and all the rest of him!!!   •   OPENING NIGHT (1977) by John Cassavetes   •   2001 (1968) by Stanley Kubrick   •   PLAY TIME (1967) by Jacques Tati   •   PLEIN SOLEIL (1960) by René Clement   •   GHOST DOG: THE WAY OF THE SAMURAI by Jim Jarmusch   •   PICKPOCKET (1959) by Robert Bresson   •   DIE SEHNSUCHT DER VERONIKA VOSS (Veronika Voss, 1982) by Rainer Werner Fassbinder and many others of him   •   BENNY'S VIDEO by Michael Haneke   •   STRANGE DAYS by Kathryn Bigelow   •   INDIEN by Paul Harather   •   HUNDSTAGE by Ulrich Seidl   •   DIE SPUR DER STEINE by Frank Beyer   •   BADLANDS by Terrence Malick   •   HANA BI by Takeshi Kitano   •   THELMA & LOUISE by Ridley Scott   •   A VERY LONG ENGAGEMENT by Jean-Pierre Jeunet   •   NINOTCHKA by Ernst Lubitsch   •   LA DOLCE VITA by Federico Fellini   •   YOUNG ADAM by David Mackenzie and, well, thats part of my socialization, SUBWAY, LE GRAND BLEU (The Big Blue) & LÉON by Luc Besson & DIVA by Jean-Jacques Beineix...

In the spotlight/recommended:




DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (Two Or Three Things I Know About Her, Zwei oder drei Dinge, die ich von ihr weiss, 1966) by Jean-Luc Godard: „Ich höre der Werbung in meinem Transistor zu und dank ESSO bin ich sorglos unterwegs auf den Straßen der Träume und vergesse alles sonst. Ich vergesse Hiroshima, Auschwitz, Budapest. Ich vergesse Vietnam, den Lohntarif, das Wohnproblem, die Hungersnot in Indien. Ich vergesse alles bis auf eines, da man mich auf den Nullpunkt zurückbringt, muss ich von da wieder anfangen.“




DVD-Edition deutsch/französisch

Liberté, Égalité, Fraternité...?!?!: Now, 40 years after it was released, this film is as essential as it was in 1967, a timeless MUST SEE masterpiece and, yes, I think its more than ever one of the ten most important motion pictures!



A ten minute interview with Godard (1964):

"I think he is the greatest hope for motion pictures."

       – Fritz Lang about Jean-Luc Godard, 1965

Another rare interview with Godard, here on his film TOUT VA BIEN in 1973:

„Was ich will, ist das Entscheidende durch den Zufall treffen.“

       – Jean-Luc Godard

Not seen yet: too many, much too many...   ( :
For example the following:



WEEK-END (1967) by Jean-Luc Godard




VIVRE SA VIE (My Life to Live, 1962) by Jean-Luc Godard

and THE GENERAL (1927) by Buster Keaton   •   MODERN TIMES (1936) by Charlie Chaplin   •   BRUTE FORCE (1947), THE NAKED CITY (1948), THIEVES' HIGHWAY (1949) and NIGHT AND THE CITY (1950) by Jules Dassin   •   ARMY OF SHADOWS (1969) & LE SILENCE DE LA MER (1949) by Jean-Pierre Melville

      

GIRLFRIENDS (1978) by Claudia Weill (highly recommended by Stanley Kubrick)   •   The films of Vlado Kristl   •   WE FEED THE WORLD (2005) by Erich Wagenhofer   •   LA JETÉE (1962) & SANS SOLEIL (1962) by Chris Marker   •   LA VALLÉE (The Valley, 1972) by Barbet Schroeder   •   THEMROC (1973, see review in german language – link censored by Pig Brother, type: http://www.x-zine.de/xzine_rezi.id_4048.htm, recommended!) by Claude Faraldo   •   DAS GESPENST (1982) etc. by Herbert Achternbusch („die Vorführung des Filmes […] wird in Österreich mit einer Strafe von bis zu einem halben Jahr Haft bedroht.“ [*])   •   LES VORACES (1973) by Sergio Gobbi   •   DER REST IST SCHWEIGEN (The Rest Is Silence, 1959) by Helmut Käutner   •   CONSPIRACY OF SILENCE (2003) by John Deery   •   GESPENSTER (2004) by Christian Petzold   •   WAKING LIFE (2001) & A SCANNER DARKLY (2006) by Richard Linklater   •   CYPHER (2002) by Vincenzo Natali...

among many others...

For much more videos check out the außer atem YouTube channel: youtube.com/ausseratem

SALON NOIR Independent Anti-TV Jukebox:
50+ videos you normally wont see on corporate tube



For the full playlist at YouTube click here


For further illuminative counter-TV check the außer atem YouTube channel where hundreds more videos can be found: youtube.com/ausseratem

„Die Bildqualität ist armselig, der Ton sehr schlecht und das Programm wird mit Werbespots zugemüllt. Die aber immerhin von besserer Qualität sind als die Sendungen selbst. Es ist ein Medium, das einen intellektuell abtötet, es homogenisiert die Welt auf einer Nullebene.“

       – David Lynch

„Es gibt keine Phantasie, keine Vorstellung im Fernsehen. Es wird alles gezeigt, aber paradoxerweise gibt es nichts mehr zu sehen. Im Prinzip sind nicht wir es, die Fernsehen gucken, sondern es ist das Fernsehen, das uns anguckt. Es ist eine Art von Vereinnahmung unseres eigenen realen Lebens durch eine simulierte Welt.“

       – Jean Baudrillard

„GEZ abmelden!“   JOIN – OR FOUND – YOUR PRIVATE LOCAL FILMCLUB!




Dear kids* children: please...! NEVER try this at home, tubes are always dangerous and poisonous objects, especially the moment you smash them. Let daddy or mommy do this and watch this educational demonstration live ( :

(* kids = baby goats = the "elite's" own word for children...!!!)



Dont hate the media... become the media!   SPREAD THE WORD!!!





Eine Fassung mit deutschen Untertiteln ist hier bei Infokrieg.tv zu finden.



For much more videos about this topic switch now to the außer atem YouTube channel: youtube.com/ausseratem

Just to name one living "hero":

Alan Watt: The Sentient Sentinel
Deprogrammer, Poet and Musician

Alan Watt is a long-term researcher into the causative forces behind major changes in historical development. His background is that of a renaissance man with a background in three professions, plus having various books published in religions, philosophy, poetry, mainly under pseudonyms. For much of his life (for main income) he was heavily involved in the music industry as a singer/songwriter/performer involved in folk music, blues, pop, rock, and even classical. Also known for his session guitar work, he has played with some of the most well-known artists and groups.

Born in Scotland, he watched the subtleties of politics and media as they guided the population of the U.K. covertly into a European Amalgamation. He has been warning the North American people for some years now that the same process of amalgamation is being carried out.

With historical documentation, he shows how cultures are created and altered by those in control, always to lead the people like sheep into the next pasture. Learn the true esoteric meanings of mystery religions from one who knows.

Learn the science of Religion Creation-Domination. The latest book trilogy (Cutting Through Volumes 1, 2, 3) attempts to deprogram the reader from his/her indoctrination from accepting the world as presented. These books help stimulate the individual's mind into a higher, truer perception. 12 Hour MP3's in history/religions from ancient times to present augment the books. For Alan's current items for sale, visit CuttingThroughTheMatrix.com and AlanWattSentientSentinel.eu. Download hundreds of free talks by Alan, originally broadcast on various radio/TV/podcast shows. (Republic Broadcasting Network)


In one word: essential.



The distant past, the present and near future explained by Alan Watt:

Alan Watt, author and historian, speaks on the global open conspiracy of the [old] new world order elite by using their own documentation, which unveils a temporary police state leading towards a totally controlled society where every individual will have a chip implant.

If you'd like to use the jukebox and playlist above, here's the link

For much more free Alan Watt audio, podcast info and transcripts check out his website: cuttingthroughthematrix.com

“There exists a shadowy government with its own Air Force, its own navy, its own fundraising mechanism, and the ability to pursue its own ideas of the national interest, free from all checks and balances, and free from the law itself.”

       – Senator Daniel K. Inouye during the Iran-contra scandal and former chair, U.S. Senate MKULTRA-era hearings in 1977.

..

Alan Watt: Reality Check
(2006, 88 minutes)

Google Video link | click here for the transcript

"Alan Watt [...] in this video talks about how the Illuminati uses mind control on the Profane to set up the New World Order. Here is a small extract. 'Charles Galton Darwin the grandson of Charles Darwin, said that every civilization has really been a form of slavery for the people, and he was all for it. That was a NATURAL ORDER according to him and of course those who are trained in power and control of the people are trained in this technique since birth.

They're brought up listening to a different version of reality than someone brought up in a local housing area. They're told that the realities of life the predators should be at the top the natural order. They're predators of course because they're such hypocrites. As good predators they can't tell the children how they're really feeding off them or manipulating them for different ends because children don't understand these things and those with the low IQ's you know the little people at the bottom of the hill you've got to keep them in the dark, the profane.

PROFANE in Masonry means 'those in the darkness,' base people, which is a real hypocrisy in itself, because it's like breaking the legs of cow and then kicking the cow because they can't get up. That's the hypocrisy of this system and that's how they view the public. They've broken our legs and they hate us because we can't get up. We're pathetic; and of course, they claim that we need them. It's like saying that the mice in the fields need the hawk. THIS IS THE LOGIC OF THE PREDATOR.'"

Order "Reality Check Part 2 – Wisdom, Esoterica and ...TIME" on DVD and support Alan to keep this going.

"The idea was that those who direct the overall conspiracy could use the differences in those two so-called ideologies [marxism/fascism/socialism vs. democracy/capitalism] to enable them [the Illuminati] to divide larger and larger portions of the human race into opposing camps so that they could be armed and then brainwashed into fighting and destroying each other."

       – Myron Fagan

..

Alan Watt: The Capstone That Killed JFK and The Speech That Sealed His Fate (29 minutes, ca. 2006)

Google Video link

"Alan Watt in this mostly audio but with some video, talks about who killed John F. Kennedy. There is included a great speech by JFK which is both funny and poignant."

For latest information on the background of the JFK assassination listen to The Alex Jones Show of January 25th, 2008 (in the first black jukebox in the left column of this profile).



For much more on Alan Watt check this blog posting.



Alan's websites:

• CuttingThroughTheMatrix.com
  
  
• AlanWattSentientSentinel.eu for the sheopl people in the European Union (multilingual /// mehrsprachig)

Strongly recommended:

"Cutting Through the Matrix with Alan Watt" Podcast: RSS Format | XML Format | More info on Alan's website




"The Unofficial Alan Watt" @ MySpace: myspace.com/unofficialalanwatt

"They deem him their worst enemy who tells them the truth."

       – Plato

More name-dropping maybe later.