"It is important that our scene get recognized.
But as we grow, it is also important that our scene isn't corrupted.
Offer information about our scene with as much positivity as possible.
Pass on knowledge that is important: All the good times, great talent, beautiful music, and awesome people that make up our scene." -Sarah Gianetto, azraves.org, 1996-2005
People often ask me what I do, and I’m always reluctant to answer. Which section of my life to I take time to explain? Which one most suits the moment? Do they want to know how I earn an income, or what my hobbies are? After all the questions run through my head, I typically answer, “Everything”… or, “Nothing.” They laugh, but it’s true. I have bouts of insane busyness… and terms of hibernation. My name is Sarah Gianetto. I'm a Pisces. I am an artist, and I don’t settle for living a normal life. That has lead me to quite a lot of interesting endeavors.
It started in high school. I decided to publish an underground paper— XPDn’t— to give myself a voice at a place where I hardly felt accepted. It allowed many other students who felt similarly to anonymously be heard, whether they were sharing poetry, ranting about other students, or reaching out after being raped. And it was through XPDn’t that I began to spread my love of the dance/rave scene, of which I had fervently become a part. When I graduated, my class voted me “Most Unique”; I finally felt accomplished
Throughout high school and into college, I was involved in Dance Performance troupes, did modeling for Vidal Sassoon, helped friends promote their events, and dabbled in photography, thinking that would be my major. Unsure, however, whether I wanted to focus on one type of creative outlet, I extended my college career for several years. This not only allowed me to try many different directions in school, but to gain a lot of experience that I had never imagined.
My next extra-curricular project was the creation and sale of PLUR shirts in honor of the few rave-related listservs that built the online community in the early 90s. I was an active member of Mtn-Raves— known as “GalXyGrl”— but when that got too big as more people got online, it was time to build AZ-Raves. I taught myself HTML, and the rest is history.
I had become friends with most of the DJs in Arizona (and the Southwest) at that time, and I wanted to help them with more than placing their bios on the web. In the summer of ’97, I decided to start a DJ booking/management company and record label with DJ Inertia. I handled everything from writing press releases, to accounting, to distribution— If it was outside of the studio, it was my job. Our first release, “Time” by The Dream Traveler, was an international hit, chosen as opening track for Paul Oakenfold’s Tranceport (Kinetic/Warner) compilation, and even illegally used for the production of Britney Spears: Live in Hawai. We were blessed with remix work by Deepsky and Markus Schulz. Tracks following our debut gained quite a run of license deals over the years, including Guardians of the Earth’s “Starchildren” (featuring Jes) for Paul van Dyk’s Politics of Dancing (Ministry of Sound), Sylvane’s “Get 2 U” for Taylor’s Trance Nation America (Ultra/Ministry of Sound) and Inertia’s “LowJack” for Logic Trance 3 Presented by ThousandWords Magazine (Logic), among others.
After several years, bigger endeavors took over my life, and AZ-Raves was retired. I will always be grateful to that site— and everyone who supported it— for it gained me work for other publications like Java, The Phoenix New Times, Link AZ, Lotus Magazine, etc, and ultimately AZcentral.com, where I wrote the long-running, popular nightlife column Woman of the Night for over 6 years. AZ-Raves also connected me so that I became the Phoenix street rep for Fragrant Music, wrote an album insert for Capital Records, had photos published in various outlets like URB Massv and The Skinny, and more. I also managed the Plastik Records store and label, and the Desert West Record Pool, and hosted many big name artists that were brought to town by promoters Groovetribe. I co-promoted club nights like "Glitz." And on and on.
Dream Music went on hiatus after our 9th release. On a personal note, I began experiencing many health problems, including a pituitary tumor (located within the brain, behind the eyeballs). It was then that I decided to slow down and dedicate my time to simpler things: Health and education. Still not able to decide which area of creativity I should concentrate in at school, I worked on a General Studies Associates Degree, and graduated with honors. I continued to nurture my creative side by writing poetry more than ever, explored visual arts more than ever, and returned to dance through Nia. After a long overdue epiphany, I meshed my music experience with my writing abilities, and began working on songs of my own.
It took another year to find the right Bachelors program for me, and I was lucky to finally find one that was perfect: Interdisciplinary Arts & Performance, which comprises Theatre/Performance, Digital Media, Visual Art, Music, and Verbal Art. I did my internship at Masterfonics in Nashville, and graduated summa cum laude in December of 2006. And, thanks to my degree, I was able to conceptualize, produce, edit, etc the video for “Hot Pink Champagne Cotton Candy Makeover,” which you see here. I've also done readings for Y York, participated in sound performances by William Duckworth, collaborated on and performed in avant-garde productions for Modified, and have even been paid as a performance artist by the Phoenix Art Museum...
“Hot Pink Champagne Cotton Candy Makeover” (produced by Inertia) won a great contest on American Idol Underground, naming me one of their Top Emerging Artists of 2006. I’m finally beginning to collaborate with others, but I'm very shy and prefer to record alone in my kitchen. I've gotten to work with the wonderfully talented Lenny B in Nashville, as well as other "kids" from my school. New stuff coming soon.
I currently work as a booking agent at Ten In One Talent, one of the US' leading boutique talent agencies, dedicated to the growth and development of successful live music careers. Working with a wide variety of genres, including Dance/Electronic, Rock, Industrial, Hip-Hop and more, Ten In One Talent provides live act/DJ bookings, as well as event consultation, creation, and management for major music and lifestyle brands. Artists: 16 Bit Lolitas :: Andy Caldwell :: ATFC :: Colette :: Copyright :: Dave Dresden :: David Morales :: Frankie Knuckles :: Grayarea :: Hector Romero :: JD Samson :: Laurent Wolf :: Morgan Page :: René Amesz :: Satoshi Tomiie :: The Shapeshifters :: DJ Yass...
Yes, I'm still available for freelance writing. And I keep meaning to finish a book...
I'm excited by life and interested in experiencing as much as I can. I appreciate the encouragement and support from all of you. It keeps me moving. Literally. Without the support of each other, we would be nowhere.
Thanks for listening. =)
Sarah Gianetto sg@sarahgianetto.com
OBJECTIVE
To support entertainment, like MUSIC... because it saves lives. To thrive in a creative environment. To be surrounded by inspiration and imagination, and to experience growth and true life.
EDUCATION
2006B.A. Interdisciplinary Arts & Performance, summa cum laude Arizona State University at the West Campus (Digital Media, Music/Sound, Theatre/Performance, Verbal Art, Visual Art)
EXPERIENCE
Sept 2008 - ongoingTen In One Talent (New York City) Agent/Marketing Consultant Dance artist bookings; Event management; Marketing opportunities; Public relations; Sponsorships
2001 – 2008azcentral.com/ The ArizonaRepublic/ The Rep Contributing writer/photographer
"Woman of the Night" weekly column (2001-07); Club/Dining/Nightlife/Dating "Hot Lists"; Photography; Event previews and reviews; etc
1998 – ongoing Various Publications Contributing writer/photographer
Content for GlobalAlerts.com, Capital Records, DMA Magazine, Phoenix New Times, Eye Spy, Java Magazine, Sonik Magazine, Lotus Magazine, The Skinny, and more
Mar 2008 Ten In One Talent (New York City) Intern Day to Day Artist relations; Itineraries, SXSW A&R assistance; Winter Music Conference Event Management assistance; general office assistance
2003 – ongoing
Jun 2006 – Jul 2006Masterfonics(Nashville) Intern
Client hospitality; Mastering session assistance; PhotoShop; Press release writing; General office work; Marketing assistance; Web promotions
Aug 1997 – 2002Dream Music Co-Owner/ Operations Manager
Vinyl releases by Inertia, Markus Schulz, Deepsky, JES, Lenny B; etc… Licensing to Warner Bros/Oakenfold, Ministry of Sound/Paul van Dyk, etc;Artist biography and press release writing; Artist bookings; Management of manufacturing/printing/ shipping/etc of product; Special Events; Promotions; Web design and maintenance; Message board moderation
Feb 1996 – 2002AZ-Raves (www.azraves.org) Owner/Web designer/ Webmaster
1999 Phoenix New Times "Best Party Connection"
Creation/management of event calendar, interviews, news releases, photography; Special Events; Resource content: artists, retail, production, etc; Site development, HTML, UNIX; Moderation, 650+ member message group
Jan 1999 – Jun 2000Safari Media/M3 Music Media Management Event Coordinator Coordinated and produced promotional music events in Los Angeles, Phoenix, New York and Miami for the M3 division
1998Plastik Records (label & store)/ Desert West Record Pool Manager Stock purchasing; membership management; distribution; promotions; retail; newsletters; shipping; etc
PBR, FAUX SHOW, SHAKE, FRENCH KISS, JEN DEVEROUX and CHEAP THRILLS PRESENT:
[ADULT SWIM 2009]
EVERY SUNDAY BEGINNING MAY 24TH
DJS:
JARED ALAN
WILLIAM F*CKING REED
SEAN WATSON
and WEEKLY SPECIAL GUESTS
(Local and international)
POOL TOYS WELCOME
ROOFTOP POOL with 360 DEGREE CITY VIEWS
$5 (varies for special events)
18+
FULL BAR
CABANAS
SPECIAL ROOM RATES
The Wyndham Hotel
50 East Adams
1/2 BLOCK FROM THE LIGHT RAIL
-use strongly encouraged-
(Last train at 11pm)
I fell off the face of the myspace planet for a long time and just came back and saw your page. Holy cow! You're in New York? That is so awesome! How are you liking it?