Secretly Famous

Do Elle, Vogue (- Because fashion talks;), MAD and Newspapers count?
SITUATION STOCKHOLM - THE most rockin' magazine ever!
Rock poetry in the form of song lyrics are true YEEHAA-stuff too.
I'm also constantly keeping an hungry eye on new media page-turners . Here are some golden ''oldies'' I'm always happy to return to...
Arendt Hanna(red.), Illuminations (Glasgow: Fontana Press, 1992).
Aumont, The Image (London BFI, 1997).
Andrew, Malcolm, Landscape and Western Art, Oxford, New York 1999.
Bakhtin, Mikhail, Det dialogiska ordet (Gråbo: Anthropos, 1991).
Barthes, Roland, Image - Music - Text (red & trans.). Stephen Heath), (Great Britain: Fontana Press, 1977).
Bazin, André ( red.) Gray, Hugh, What is Cinema? Vol 1, (Los Angeles, Berkeley & London: University of California Press, 1967).
Bordwell, David, Narration in the Fiction Film (USA: The University of Wisconsin, 1985).
Bordwell, David, Thompson, Kristin, Staiger, Janet, The Classical Hollywood Cinema Film Style and & Mode of Production to 1960 (London: Routledge, 1996).
Bragg, Melvin, The Seventh Seal (London: BFI, 1993).
Brettell, Richard R.: Modern Art 1851–1929, Oxford, 1999.
Bruno, Guiliana, Atlas of Emotion, Journeys in Art, Architecture and Film, (New York, Verso, 2002).
Burch, Noël, Theory of Film Practise (New York, Washington: Praeger Publishers, 1973).
Butler, Judith, Gender Trouble, Feminism and Subversion of Identity (New York, London: Routledge, 1990).
Charney, Leo, Empty Moments Cinema, Modernity and Drift, Durham, London, 1998.
Cohen, Baudry (red.), Film Theory and Criticism. Introductory Readings (New York, Oxford: Oxford University Press, 1992).
Compton, Michael,, Mark Rothko, 1903–1970,London, 1997.
Deleuze, Gilles, (övers. Tomlinson, Hugh/ Hammerjam, Barbara), Cinema 1: The Movement Image (University of Minneapolis, 1986).
Edgerton Jr, Samuel Y., The Heritage of Giotto..s Geometry, Art and Science on the Eve of the Scientific Revolution (Ithaca: Cornell University Press, 1991).
Feuk, Douglas: August Strindberg. Paradisbilder – Infernobilder, Hellerup 1991.
Fraser, Catherine C.: Ensam och Allén. Ord och bild hos Strindberg, Stockholm 1994.
Gaudreault, André, Gunning, Tom, Cosandey, Roland (red.), Une invention du diable? Cinéma des premiers temps et religion Sainte - Foyu Les presses de l..Université Laval; Lausanne : Éditions payot Lausanne, 1992).
Golding, John: Path to the Absolute, London 2000.
Gray, Hugh (red.) What is Cinema? vol. 1., Los Angeles, London 1967.
Hughes, Robert: The Shock of the New. Art and the Century of Change, London 2000.
Kant, Immanuel, Prolegomena (1783), (Stockholm: Bokförlaget Thales, 2002).
Kaplan E. Ann Looking for the Other. Feminism Film And the Imperial Gaze (New York, London: Routledge, 1997).
Kellner, Douglas, Ryan, Michael, Camera Politica: The Politics and Ideology of Contemporary Hollywood Film (Bloomington, Indiana Univ. Press, 1988).
Koskinen, Maaret, "Allting föreställer, ingenting är". Filmen och teatern - en tvärestetisk studie (Nora: Nya Doxa, 2001).
Kristeva, Julia, Semeiotike: récherches pour une sémanalyse (Paris: Seuil, 1969).
Landquist, John, Strindbergs samlade verk, Stockholm 1912–1920
Langkjar, Birger, Den Lyttende tilskuer. Perception af lyd och musik i film (Köpenhamn: Museum Tusculanums forlag, 2000).
Leyda, Jay, (övers. och red.) Film Form. Essays in Film Theory (San Diego, New York, London: A Harvest Book Harcourt Brace & Company, 1977).
Lund, Hans (red.) Intermedialitet. Ord, bild och ton i samspel (Studentlitteratur, Lund, 2002).
Marsh, Clive, Ortiz, Gaye (red.), Explorations in the Theology and Films (USA, UK: Blackwell Publishers Ltd., 1997-1998).
Martin, Joel W., Ostwalt Jr, Conrad E. (red.), Screening the Sacred, Religion, Myth and Ideology in Popular American Film (San Francisco, Oxford, Boulder: Westview Press, 1995).
Mannoni, Laurent (övers.), Crangle, Richard, The Great Art of Light and Shadow. Archaelogyof the Cinema (Great Britain: University of Exeter Press, 2000).
Mast, Gerald, Cohen, Marshall, Baudry, Leo (red.), Film Theory and Criticism. IntroductoryReadings (New York, Oxford: Oxford University Press, 1992.
May , John R.,(red.), Image & Likeness. Religions Visions in American Film Classics (New York/Mahwah/New Jersey: Paulist Press, 1992).
Metz, Christian, Essais sur la signification au cinéma II, (Paris: Editions Klincksieck, 1972).
Nichols, Bill, Ideology and the Image. Social Representation in the Cinema and other Media (Bloomington: Indiana University Press, 1981).
Plate, S., Brent, Jasper, David (red.), Imag(in)ing Otherness Filmic Visions of Living Together.
Prickaux, Sue: Edvard Munch. Behind the Scream, New Haven, London 2005,
Rothko, Christopher (red.): The Artist..s Reality. Philosophies of Art, New Haven, London 2004.
Rothko, Mark: Mark Rothko 1903–1970, London 1997.
Smelik, Anneke, And the Mirror Cracked. Feminism Cinema and Film Theory (Great Britain: Macmillan Press Ltd., 1998).
Sobchack, Vivian, The Address of the Eye. A Phenomenology of Film Experience (Princeton: New Jersey, Princeton University Press, 1992).
Stam, Robert, Film Theory. An Introduction, (Malden, Oxford: Blackwell Publishers, 2000).
Stam, Robert, Burgoyne Robert, Flitterman-Lewis, Sandy New Vocabularies in Film Semiotics: Structuralism, Post-Structuralism and Beyond New York, London: Routledge, 1992).
Stam, Robert, Burgoyne, Robert, Flitterman-Lewis, Sandy, New Vocabularies in Film Semiotics (London, New York: Routledge, 2000).
Stam, Robert, Miller, Toby (red.), Film and Theory. An Anthology (Malden MA, Oxford: Blackwell Publishers, 2000).
Stanley-Baker, Joan, Japanese Art, London, 2003
Stoichita, Victor I., A Short History of the Shadow London, United Kingdom: Reaktion Books, 1997).
Stone, Bryan P., Faith and Film, Theological Themes at the Cinema (St. Louis, Missouri, USA: Chalise Press, 2000).
Strindberg, August, "Ett Drömspel" (1902) i Strindberg, Samlade Skrifter 34 (Stockholm: Albert Bonniers Förlag, 1916).
Söderbergh Widding, Astrid, Blick och blindhet (Stockholm: Bonnier Alba, 1997).
Sorensen, Bjorn, Å fange virkeligheten, Dokumentarfilmens århundre (Oslo: Universitets-forlaget, 2001).
Thompson, Kristin, Breaking the Glass Armor. Neoformalist Film Analysis (Princeton: New Jersey, Princeton University Press, 1988).
Tuchman, Maurice (red.), The Spiritual in Art: Abstract Painting 1890–1985, New York 1987.
I heart this one - it..s magic for real!
Weis, Elisabeth, Belton, John (red.), Film Sound. Theory and Practice. (New York: Columbia UP, 1985).
Weiss, Jeffrey (red.): Mark Rothko, New Haven, London 1998.