About Silk Saw:
"Silk Saw is a duo from Brussels; they have been active for many years under different forms and different labels (Sub Rosa, Ant-Zen, Waystyx, Hypraphon, Hushush). Silk Saw created a very specific and original sound an electronic krautrock hybrid. Jardin d’Usure (a dada inspired sound experiment) and Ultraphonist (Foton Records - an ambient isolationist project) are two of the other names the duo is known for. They collaborate (together or alone) to a lot of different projects: The Joint Between Ultraphonist, Moonsanto, The Ghost in the Apartment, Babils, Tricot Trio, Uncotones, Fan Club Orchestra, Dead Hollywood Stars, Gamial Trio, Logatomistes, etc. and have also solo projects: Rob(u)rang, Individual,..." (Dimitri Della Faille/Hushush records)
Division systématique du paysage sonore : à savoir :
découpes de terrain, angledozers en vrac, marche dans un terrain lourd
avec des chaussures cloutées, lapidation des oreilles, portes et contre-portes, Holzwege, paysages et glissements de terrain, syncopes, basse
contrainte, culs-de-sac, interdiction de sonner la retraite.
Systematic division of the soundscape : namely :
cuts of the ground, angledozers in bulk, walking on a heavy soil with
hobnailed boots, to stone ears, doors and inner doors, Holzwege,
syncopated landscapes & landslides, ground bass, blind alleys,
ban on sounding the retreat.
About Ultraphonist:
As far as we can investigate, it is now really difficult to say about music what the phoenix said in The Princess of Babylon from Voltaire: "Monsieur, cela fait vingt-sept mille neuf cents années et sept mois que je suis au monde; je n'ai encore rien vu de comparable à ce que vous me faites entendre". It has become apparent to us that, since a few years (at least), everything has been done in music and the music of Ultraphonist is maybe the oldest one (and yet the most heard) in the world; Discover the antistress is only about amplification or variations of the inner music of our body: the singing tones of bones, heart and chest and nothing more.
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