Siouxsie and the Banshees were among the longest-lived and most successful acts to emerge from the London punk community; over the course of a career that lasted two decades, they evolved from an abrasive, primitive art punk band into a stylish, sophisticated unit that even notched a left-field U.S. Top 40 hit.
Throughout its numerous lineup changes and textural shifts, the group remained under the leadership of core duo Siouxsie Sioux, born Susan Ballion on May 27, 1957 and Steven Severin, born Steven Bailey 25 September 1955. The Banshees' initial lineup emerged from the Bromley Contingent, a notorious group of rabid Sex Pistols fans. In addition to bassist Steven Severin and guitarist Marco Perroni, the first one-off lineup included drummer John Simon Ritchie, who assumed the name Sid Vicious; they debuted on the 20 September 1976 at the legendary Punk Festival held at London's 100 Club, where their entire set consisted of a savage, 20-minute rendition of The Lords Prayer
Soon after, Vicious joined the Sex Pistols, while Perroni went on to join Adam & the Ants. The core duo of Sioux and Severin, along with new guitarist John McKay and drummer Kenny Morris, reached the U.K. Top 10 with their 1978 debut single, Hong Kong Garden.
Their grim, dissonant first LP, The Scream, followed later in the year. Two days into a tour for their 1979 follow-up, Join Hands, both McKay and Morris abruptly departed, and guitarist Robert Smith of the Cure (the tour's opening act) and ex-Slits and Big in Japan drummer Budgie were enlisted to fill the void; although Smith returned to The Cure soon after, Budgie became a permanent member of the group, and remained with the Banshees throughout the duration of their career.
With ex-Magazine guitarist John McGeoch on board, the band returned to the studio for 1980's Kaleidoscope, a subtler and more melodic effort than their prior records; on the strength of the U.K. Top 20 smash Happy House, the album reached the Top 5. A year later, the Banshees released the psychedelic juju, along with Once Upon a Time, a collection of singles; at the same time, Sioux and Budgie formed The Creatures, an ongoing side project. Following 1982's experimental A Kiss in the Dreamhouse, McGeoch fell ill, and Smith temporarily rejoined for the group's planned tour; a pair of 1983 performances at London's Royal Albert Hall were recorded and later issued as Nocturne.
Also in 1983, Severin and Smith teamed up for the one-off project The Glove and the LP Blue Sunshine.
The Banshees recruited former Clock DVA guitarist John Carruthers after Smith exited following the sessions for 1984's dark, atmospheric Hyaena. With 1986's Tinderbox, Siouxsie and the Banshees finally reached the U.S. Top 100 album charts, largely on the strength of the excellent single Cities in Dust. After 1987's all-covers collection Through the Looking Glass, Carruthers took his leave and was replaced by ex-Specimen guitarist Jon Klein and keyboardist Martin McCarrick for 1988's Peepshow, an inspired outing that gave the group its first U.S. chart single with Peek-a-Boo.
In 1991 - the year in which Sioux and Budgie married - the Banshees performed on the inaugural Lollapalooza tour; their concurrent LP, Superstition was their most commercially successful, spawning their lone U.S. Top 40 hit, Kiss Them for Me. Another singles collection, Twice Upon a Time, followed in 1992 before the group returned after a long absence with 1995's stylish The Rapture, produced in part by John Cale.
A year later, the nostalgia surrounding the reunion of their former heroes the Sex Pistols prompted Siouxsie and the Banshees to finally call it quits; Siouxsie and Budgie turned to The Creatures as their primary project, while Severin began composing music for dance and film.
2006 sees a programme of remasters and reissues of the classic Banshees albums: The Scream, Join Hands, Kaleidoscope and juju; as well as Steven's 1983 psychedelic side project with Robert Smith: Blue Sunshine
Dropping a line to let you know and your fans know that "92 Degrees", "Cities in Dust", "Dazzle", "Dear Prudence", "Nicotine Stain", "Peek-A-Boo", "Sin in My Heart", and "Swimming Horses" are currently in rotation on Waiting for the Blackouts
Take this kiss upon the brow! And, in parting from you now, Thus much let me avow- You are not wrong, who deem That my days have been a dream; Yet if hope has flown away In a night, or in a day, In a vision, or in none, Is it therefore the less gone? All that we see or seem Is but a dream within a dream.
I stand amid the roar Of a surf-tormented shore, And I hold within my hand Grains of the golden sand- How few! yet how they creep Through my fingers to the deep, While I weep- while I weep! O God! can I not grasp Them with a tighter clasp? O God! can I not save One from the pitiless wave? Is all that we see or seem But a dream within a dream?
