Jürgen Heckel, also known as Sogar,
was born in Nuremberg in 1970 and has
been living in Paris for 14 years and is now
located in Munich. He started
playing music when he was 19 and became
part of several groups as a guitarist. He then
got interested in creating and processing
sound in unconventional ways. Thus
Jürgen manipulates accidental sounds to create
light and fragile melodic textures. The sources
of these arrangements are guitars as well
as sounds from mixing consoles, amplifiers,
cables or other aural finds. These sounds are
then reworked on a computer to become a
music made of cracklings, and rich melodic
oscillations exploring the extremes of the sound
spectrum by associating acoustic technique
and software.
This music call attention by the constant wish
to escape from any attempt of qualification or
any act of nomination. Extremely dense and
abstract as much as it becomes impossible
to apply a classical epithet like “melancholic”,
“sad”, “happy”, “beautiful”, etc, the music of
Sogar is no less than a source of a new musical
grammar. Without any conceptual thoughts his
music is slightly but constantly transforming
to become a sensitive translation of a state of
mind nurtured by his subconscious.
Hello! Here some info about our new release. Thanx for your support.
Productos BMM presents:
BMM 31 beatsiZe New Experience EP Genre: The best and finest Tech-House. Support by Anderson Noise, Ray Fenwick, Alex Young, Ronald Van Norden, Tony Verdi, Fatima Hajji, M.O.D.E., V. Rotz, Jano Sound, Galuszka, Luixmi,... Clic here to Listen & Buy
Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
Hi! Here some info about our new release. Thanx for your support.
Productos BMM presents:
BMM 30 Luis Noic Solutions EP Genre: 5 fine Minimal & Techno tracks Support by Anderson Noise, Ray Fenwick, Alex Young, Ronald Van Norden, Tony Verdi, Fatima Hajji, M.O.D.E., V. Rotz, Jano Sound, Galuszka, Luixmi,... Clic here to Listen & Buy
71 minutes of experimental noise jazz.
More info here.
Listen on last.fm.
|˟˟| (pronounced 'gate') is a Tokyo-based experiment in solo improvisation on multiple instruments simultaneously. The project’s music is influenced / inspired by among others free jazz, noise, drone, industrial, and Mongolian and Japanese traditional music. See profile page for more information and links.
Hi Leute! Wenn ihr Euch bei der Aktion zur Rettung der Delfine engagieren und Eure Freunde auf die Sache aufmerksam machen wollt, holt Euch den kleinen Helfer-Delfin auf Euer MySpace-Profil. Embed-Code und Anleitung findet Ihr auf der Film-Seite. Der Delfin verweist auf die Spenden-Aktion der WDCS (Whale and Dolphin Conservation Society) www.delfine.org
Die WDCS und "Die Bucht" danken für Euren Support!
Online Now!
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