Sonya's New Blog
Sonya has created a blog to share her thoughts, incredible photography, and music that you can't hear anywhere else. Songs posted weekly.
Visit the blog at www.sonyakitchell.com
9/2/08
Sonya's newest release, This Storm, is in stores today! This is the first release since the critically-acclaimed Words Came Back To Me (2006) and showcases Sonya's evolution into a sophisticated musician and songwriter with something meaningful to say about the human condition. Produced by Grammy Award-winner Malcolm Burn (Peter Gabriel, Emmylou Harris), This Storm is an immediate and visceral album packed with musical surprises, from the edgy, impassioned rock of "Fire" to the country-indie twang of "Running" to the drifting, textured alt-pop of "This Storm" and "Who Knows After All." Not that fans of Words will be out of luck, either: tracks like "Walk Away" and "Robin In The Snow" are quintessential acoustic Kitchell. Please support Sonya and order your copy today!
7/21/08
Sonya Kitchell is the StarbucksPick Of The Week. Visit any Starbucks and pick up a free download card today!
--p.s. Hope you like the new layout!
Singer, songwriter, and guitarist Sonya Kitchell has delivered the goods on her new album This Storm — 12 timeless tunes that document her evolution from emerging artist into a sophisticated musician and songwriter with something meaningful to say about the human condition. Her lyrics are sometimes personal and often political, but all are insightful and deeply felt.
Kitchell’s growth as an artist is apparent from the opening moments of the album’s breathtaking lead track, “For Every Drop.” A clear departure from mild singer-songwriter fare, the track’s jittery heartbeat pulses over a lightly tinkling piano before building to a massive chorus, where Kitchell’s otherworldly voice rises commandingly over unrestrained guitars. Musical surprises abound throughout, from the edgy, impassioned rock of “Fire” to the country-blues twang of “Running” to the drifting, textured alt-pop of “This Storm” and “Who Knows After All.” Not that fans of Words Came Back To Me will be out of luck, either: tracks like “Walk Away” and “Robin In The Snow” are quintessential acoustic Kitchell.
At all times, the songs are a showcase for Kitchell’s worldly voice, which, with its intimate tone and feathery falsetto, has earned her attention not only from critics, but also from one of the most respected figures in jazz: Herbie Hancock. After hearing Kitchell sing, Hancock invited her to perform with him and his all-star band at the Sonoma Jazz Festival in 2006. The two developed a warm rapport and Hancock tapped Kitchell to sing in his band as he toured the West Coast last year in support of his Grammy-Award winning album River: The Joni Letters. (Kitchell also sings on “All I Want” on the Amazon and ex-U.S. iTunes versions of the album.)
“Herbie encouraged me as far as improvising goes and gave me the nod to go ahead and experiment,” Kitchell says. “If he thinks I’m a good singer, that’s a huge compliment and a pat on the back. It made me realize, ‘Okay, I can do this.’ Each night he’d stretch out and improvise, and I’d stretch out and improvise. It was like this dance we did every night. And to do that with someone like Herbie Hancock makes you feel like you can do it with anyone.”
Not that Kitchell is lacking in admirers. Her debut album, 2006’s Words Came Back To Me, released when she was only 16, had critics falling over themselves to offer praise. “Such warm honey-textured tones, arching smoothly through shifting layers of emotion, don’t usually emerge from a 16-year-old,” raved the Los Angeles Times. The Washington Post noted that her jazz and folk-laced debut “reveals Kitchell’s great promise without once betraying her age.” Other critics were as impressed with her songwriting as remarkable as her voice; Jazz Times called them “remarkable treatises on life and love.” People magazine summed it up presciently: “Sonya Kitchell is destined for great things.”
This Storm was recorded with Grammy Award-winning producer Malcolm Burn (Daniel Lanois, Peter Gabriel, Emmylou Harris) after her tour with Hancock ended. “I wanted the experience to be the kind of thing where we all sat down with these songs and let them grow and unfold and become creatures on their own,” Kitchell says of her time in the studio. “And that’s exactly what happened.” With Kitchell on electric and acoustic guitar and Burn on bass, the two were joined by multi-instrumentalist Brad Barr and his brother, drummer Andrew Barr (both of the band The Slip), at Burn’s home studio in upstate New York. In this comfortable setting, Burn drew remarkably deep vocal performances out of Kitchell, setting off the classic feel of her songwriting with his thoroughly modern production, which layered dry vocals over a wide-spectrum bed of multi-tracked guitars and mysterious sounds. It’s an album where every part and sonic nuance exists for a reason.
“I want people to feel excited when they hear the album,” Kitchell says. “That ecstatic, elated feeling you get when something is so good that it makes you want to listen to it over and over again. I hope to create music that has as much of an effect on others as artists like Joni Mitchell, The Beatles, Janis Joplin, and Leonard Cohen had on me. I know that’s setting the bar very, very high – but that’s my goal.”
