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Southeast Engine is an indie-folk-rock band from Athens, Ohio. With the help of The Wrens, the group signed with the reputable Misra Records (home of albums by Destroyer, Phosphorescent, Shearwater, Centro-matic, Great Lake Swimmers, etc.) in 2007.

SEE's most recent effort - From the Forest to the Sea - was recorded live to analog tape in a forsaken, 1800s middle school auditorium in the hills of Stewart, Ohio. CD / digital distribution is being handled by Misra and a 180 gram vinyl pressing is out via a brand new Absolutely Kosher / Misra Records imprint called Moon Jaw Records. Click [here] to read the complete bio on the album.

Most Recent Press on From the Forest to the Sea

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PHENOMENAL COMBINED RATING of Forest / Sea from Metacritic

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	Pop Matters - "Ohio band Southeast Engine release what could be the first truly outstanding record of 2009: Weeks spent attempting to distill what the Band would sound like, were they recording and vital right now, is time well spent frankly. It is the past time of many music fan and writer. The magical combination of the vocals of Rick Danko, Richard Manuel, and Levon Helm have influenced low-fi records by bands all over the world. The lyrical content, its own pilgrimage to find the soul of America, is worthy of volumes. Far less frequent, however, is to find a band that wears those influences on their sleeves and yet still finds a way to be unique. This is the exact trajectory that Southeast Engine is on and continues to pursue with their latest release, From the Forest to the Sea. "
	Coke Machine Glow - "There are two main reasons why the character of that constant presence (Regret. Capital "R" regret) makes this album brilliant. First, you’d be surprised by how an album so lyrically and thematically overcome with one of man’s bleakest experiences can make you tap your feet. “Black Gold” is pretty obviously the best song that Southeast Engine has ever released. It’s one huge, triumphant, spiritual, Springsteenian polemic on big oil, the album’s clear centerpiece. It also expands Remnant’s morbid ruminations on his own transgression to humanity et al. In other words: We’re doing it again! We’re calling down the flood! We’re dancing recklessly up to the line past which there lies no redemption! Not just Adam Remnant and his pale-faced mistress, all of us!"
	Paste Magazine - "Southeast Engine’s fourth album sounds so out of time, and so removed from current musical fads and trends. The freak-folk tendencies, biblical allusions and poetic nature imagery could have originated in 2009, 1969 or 1869, for that matter . . . starting with a 10-minute three-part suite featuring dancing ghost maidens, a shimmering white dress that floats on air, and what sounds like a mystical vision of heaven and the hand of the Almighty reaching down from the clouds—is what ultimately wins me over. Remnant’s vision is so utterly singular, weird and compelling that you’ll stick around for this mapless journey. God only knows where they’re going, but being lost is most of the fun."
	JamBase - "One hesitates to use words like 'masterpiece' or 'classic' for an album released this week BUT spend even a little time with From the Forest to the Sea and you may find yourself tempted. I know for certain that it will be ages before I unlock the majority of this album's secrets. There's a density of language and concepts that invites long cogitation, yet it's all delivered with a charming, if occasionally crooked, smile. For all the storm clouds and damp socks, there's a candle's glimmer of real fucking hope. And that's the true kind, the kind that flutters and hisses and almost, just almost, dies out but never does. In more pedestrian lingo, this is an amazing record and it's likely to hit you where you live, wherever that may be." JamBase - "A deadlock for my '09 Best Albums list"
	Daytrotter - "If there's a fear of what's coming next, Southeast Engine and the vocals of Adam Remnant seem to suggest, without saying so, that they've found their own personal pathway through the impenetrable boulders, a gap in the solid skeleton that they could get to in minutes if needed – whether to keep passing through to a better other side or to just take shelter from any storms from the sky. . . It’s a unifying sound that is unmistakable and bold, while remaining loose as a beautiful kiss that couldn’t have been prepared for"
	The Onion A.V. Club - 2009: First Quarter Report - "The Decemberists divisive rock opera "The Hazards Of Love" is getting all the attention—and rightfully so—but Southeast Engine’s "From The Forest To The Sea" is also quite good, tracing a primordial quest in reverse, moving from the rudiments of civilization to the ooze from which all life began. If you’re a fan of albums that play best straight through, ’09 is starting off right." The Onion A.V. Club - "From The Forest To The Sea does maintain an undeniable sense of gravity. Southeast Engine makes tuneful music that means to arrest listeners by turning familiar sounds into spiritually engaged, rock ’n’ roll theater. B+"
	Magnet - "Fresh off a convincing performance at this year’s SXSW, Southeast Engine is ready to hit the road in support of its February release, "From The Forest To The Sea". Adam Remnant’s groovy rock quartet had some help from the Wrens in getting signed to Misra Records in 2007. Three records later, the Athens, Ohio, crew continues to deliver a gypsy-friendly rock sound. "From The Forest" track “Black Gold” creeps with hints of dark political and religious references disguised in a feel-good, ’60s-inspired chorus shout-along.
	San Francisco Bay Guardian - "flush with biblical references and prickling from end-is-nigh jitters, it's sometimes spooky stuff, simultaneously evoking an era before the arrival of musical recordings and also a post-civilization future. Vocalist/guitarist Adam Remnant is not only a compelling singer -- his quivering Appalachian yelp is perhaps the midpoint between Will Oldham (Bonnie “Prince” Billy) and Jason Molina (Songs:Ohia, Magnolia Electric Co.) -- but also a perceptive, precise storyteller, equally confident in clipped speech and extended, flowing narrative. . . For all of its occasional echoes of other lonesome-howl enthusiasts From The Forest To The Sea offers up a distinct essence of its own. Distinctive enough, I should add, that I can't wait to dive into their back-catalog...."
	Salisbury Journal - "The record sounds absolutely wonderful - like something from Big Pink: harmonies, thick glugs of acoustic piano, guitar and the sound of floorboards vibrating the way that rooms are meant to.... This is an album that rewards some time with its singular vision - it is epic in its own way. Going with the flow of the album is recommended - the music will mean so much more than when picked up song by song."

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Other Forest / Sea Spottings

Into the Hill

Stereogum

River Cities' Reader

Largehearted Boy via Brooklyn Vegan

Randomville

Citizen Dick

Don't Just Do Something, Stand There!

Buddha Den

Rock Sellout

The Other Paper

The Athens NEWS

Razing the Bar

Aural States

Columbus Alive!

Idio

The Fire Note

Lycanthropy Blog

I Rock Cleveland

Triangle Music

Absolute Punk

Tapes on the Floor

Cleveland Free Times

Subservient Experiment

Sound Off!

Wolfgang's Vault

Washington Times

NBC Charlotte (Live Performance/Video)

We Are Hunted

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Press for A Wheel Within A Wheel:

"Athens, Ohio's Southeast Engine see the light and release a rock opera of self-doubt and redemption... the music often matches the soul dividing sturm und drang driving the disc. It's rock opera, part Dante, part indie du jour... never hectoring as it makes its way to moral détente."
- Pitchfork Media

"...There are three albums now - Love Is A Murder, Coming to Terms with Gravity, and the new one, A Wheel Within A Wheel, which is one of my favorite albums of 2007." - Andy Whitman
Paste - Top 10 Albums of 2007 - Number 2 - Writer Picks

"There's a lot of melancholy in the music created by this quartet from Athens, Ohio, yet frontman Adam Remnant fills the songs with a restless redemption."
-Chicago Sun Times

"Other albums I can strongly recommend include Southeast Engine's Misra debut, "A Wheel Within A Wheel."
- Brooklyn Vegan

"Not once have I been able to stop myself from hitting repeat when "A Wheel Within A Wheel" ends. Two or three spins are necessary each time to really roll around in all the pleasures hiding here.
Jambase - Best Albums of 2007 - Cook's Corner

...More press available at southeastengine.com

Southeast Engine on Daytrotter

Southeast Engine stopped by the Daytrotter Studios recently and recorded a few songs that are now available for download. "Quest For Noah's Ark", "From The Roots of The Moutains to Your Holy Temple", "We Have You Surrounded", and "Black Gold".
Listen and download at Daytrotter.

Stereogum-debuted video for Black Gold by filmmaker, Thomas R. Britt:

Southeast Engine History:

Southeast Engine was formed in 2000 by Adam Remnant (lead vocals, guitar) and Leo DeLuca (drum kit, percussion). Both attended the same high school in Dayton, Ohio and grew up in "The Gem City" during its musical heyday of the 1990s. Underground bands like Guided By Voices, Brainiac, and Swearing At Motorists made significant and long-standing impressions upon the two youngsters.

Around 2000, the pair moved to Athens, Ohio and were equally inspired by the Appalachian old-timey and folk music of the area. Thus, Southeast Engine is a unique hybrid of the Dayton, Ohio musical underground and the Athens, Ohio folk scene. After numerous lineup changes, the two are now joined by full-time members, Jesse Remnant (bass guitar, harmony vocals) and Billy Matheny (keyboards, Wandering Genie, multi-instrumentalist).

The Wrens (Absolutely Kosher Records) have been pivotal to Southeast Engine's progression. The two bands played together for the first time in 2005. Charles Bissell, songwriter for The Wrens, really took to Southeast Engine's music and lead the band to Cory Brown of Absolutely Kosher / Misra Records. The band signed to Misra in February of 2007 and released their first internationally distributed album later that year.

From the Forest to the Sea is the title of the group's most recent album. Recording was done live to tape in a forsaken, 1800s high school auditorium in the hills of Stewart, Ohio. Out now on Misra Records.