ABOUT ME: Well, my name's Zhanna, I'm just a russian girl. I've started to play music at 2004 but it wasn't enough for me so I i started to study music theory and Steinberg Cubase SX. After 2 years I've created my own small studio for making sounds better and for further experience. After visiting several international festivals and parties I was inspired by psy prog music . It is more energetic and great for a daytime. That's why plenty of my time I devote to writing psy progressive. by different psy influences i also make night psy music and psytechno. In nearest future plans to study soundproducing for creative and work.
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Almost Tomorrow is the third full length collaboration album from Section 27 Netlabel founders Tam Ferrans and Andrew Paterson, under their Nonima & theAudiologist guise. This time around the sound is more melodic, and has a definite feeling of a complete and more mature sound than heard on the previous LP's "Dystopian Battle Hymns" and "Ceremony After Amputation". If you are familiar with their individual projects you may even be in for a slight surprise, as the tracks are not as beat driven like before, but are more atmospheric and sound, well... "bigger". In its 75 minutes, Almost Tomorrow takes you on a trip from the digital rain-soaked cavernous scraping in "Thoughtograph", the ethereal beat jittering of "The Colour of Rain", intercepted transmissions from unknown places in "Com-Intercept", "Ganzfeld"s huge yet strangely insect-like beats until everything you knew comes crashing around you in "Almost Tomorrow". Burning pianos, glitched out soundscapes and intricately programmed beatplay, this may well be their best work to date. Consider it the soundtrack to a rainy overcast day, but with just that glimmer of sunshine peeking from the clouds. "Almost Tomorrow" wears its heart on its sleeve.
