BURIAL-APPROVED OUT-THERE BRILLIANCE
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Garage originator Noodles' DPR label coninues its resurgence with countless new and old tracks at dpr.ithinkmusic.com. Our favourite is this EP by artist and filmmaker Nigel 'Spuek' Bennett, whose tracks are hard as nails without ever resorting to 'darkside' cliches, and whose juddering drum patterns are the most original we've heard in ages. Burial is said to be a fan, and so are we."
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Joe Muggs, Mixmag, October 2008
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Year Zero:
Opens with the hypnosis bell toll and by detuning gamelan before the heavy club-foot drum limps from the bamboo grove emergence. Cave-dwelling percussion impact support spasmodic-garage strikes, and Spuek rotates his trademark broken cone bass to break wind. The remote sorrowful mountain horn summons not the careful passenger. The Cantopop koto melody will confuse.
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Who's To Blame:
Drifting soul affection's vocals and the otherwordly bamboo noise migration is surpassing the garage and steppy-percussiveness clips. Continues by hammond-esque bassline which grinds. The supernatural xylophone and the urgent bell retain us with the tip of the toe. This is regretful, enlightenment soul heavy.
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Rice Drop:
After movie movie opening establishment scene, this rides the takeoff and enters the flak-percussion impact noise barrage directly. The craft's rusty crate has the problem dial and tangled warfare bassline continues rolling on to strike with convulsion karate-chop beats. Black dark, twilight voyager's stave striking.
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IIZO:
Most publicly asian spuek this day. Slow and spaciousness. The schizophrenia sickness break-strikes and fracture programer. Changes frequently the scenery, will move from blows bassbin rattle and the dynasty dub in the future to epic poem filmscore beautiful and to the tense glitch electron.
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Crusader:
With swolen to burst Hip Hop strikes, increases some jungle swagger to stride bravely forward with the garage towing. Then grind-synth rides the train. The tense movie string, the rich layered sound and the voice sound capture. Flailing minesweeper rhythm retention rolling. Morbid state unclean production.
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Hatchet:
Has the characteristic percussion opening as dubby from the switchyard emergence, is in power. The affectionate soul sound before twitching, bites the clang sound, the vibration heavy-duty truck beats shift into the gear, and ripping bass-squash kickstarts. The travel passes the desolate tunnel by Sakamoto the ghost's East and West synth tour. Essentially listen all remote passengers.
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Spuek:
Appeared as a kind of dancing music, permeated later in various parties, dancing halls and groggeries. Its special feature can be distinguished from any other traditional music's tamber. From harshness to morbidezza, from barbarism to lyric, all those drastically diversifications are full of characteristics and breath-taking feelings. Misted and bleary-eyed bars match so perfectly with this broadminded and fevered-touch music. Or in other words, it is not a performance, but amalgamation of soul and body. After a day's tiredness, the night-jazz becomes the source of mourn in silence. And after shows, he will wear his wooden baboosh and crack to the second floor chatting with friends. The scene is pure ether and clouds. The ambivalent combinations show natural here. Drink the amber wine, be surrounded by the city's shades. On the silence and serenity, dating with yourself is so beautiful. Wandering in the old Chinese and Foreign movie music reminds us the classical culture treasure. Although gives people a bad impression of perversity, strange clothes, drug addict and some like this.
NIGEL BENNETT photography / film / multimedia site: www.bennettism.com
SPUEK ****Who’s To Blame out now on DPR****'s Friend Space (Top 4)
SPUEK ****Who’s To Blame out now on DPR**** has 966 friends.
HELLO SPUEK....IVE GOT A COUPLE NEW TRACKS IN THE PLAYER CALLED <br />FUN TIME AND ITS YOUR TURN(TWITCHDUBZ REMIX)<br />CHECK EM OUT WHEN YOU GET A CHANCE<br />MUCH LOVE AND RESPECT!!<br />-TWITCH
