The fluttering of distant memories comes to life through the sounds of Francesco Giannico, whose blend of electronics and acoustic instruments paint beautiful pictures of lost times. His musical approach is described as a cinematic journey which pushes the boundaries of digital media even further by incorporating smooth melodies and gentle textures. More traditional instruments such as guitar and piano are constantly present into Francesco’s music, within interrupted structures or long and dreaming sonorous carpets.
Frogwomen non faceva un album da un sacco di tempo, e serviva l’irriverente de large a stimolarlo a creare un album mono traccia della durata simbolica di 66,6 minuti. L’amore verso Satana, tema così abusato nel mondo del pop, non è altro che la scintilla che dà il via ad una lotta fra i due artisti : un patchwork di micro-canzoni dove l’uno cerca di annientare lo stile dell’altro spaziando tra stucchevoli canzoncine d’amore, lamenti doom-noise e irriverenti pizziche selvagge (mmh .. forse sto esagerando).
OUT NOW !!! "4 SONATAS FOR ELECTROACOUSTIC THOUGHTS" Music by Francesco Giannico and Stefano Spataro
'4 Sonatas for electroacoustic thoughts' is a microcosmos of modified sounds, folk-derived loops, noise nebulas in which it is not easy to see the light. The soundscapes are rough and elusive, but well-balanced, and never excessive. The work (4 tunes for a total length of about 20 minutes) comes from a collaboration between Francesco Giannico and Stefano Spataro. In a pragmatic sense, the album is a mix of field recordings of an audio/video installation about Taranto's Ilva (made by Francesco Giannico) and electronic oscillations/acoustic hints (by Stefano Spataro). Nonmaterial sounds, layered over and over, folk memories and Interstellar Space strikes clash with discordant string lines and melodic scraps of an unspecified nature... A calm promenade in the unease of sound.
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